It would be easy to assume, on first acquaintance with the Aisles EP, that Angel Olsen is hopping on the bandwagon of artists who’ve found success making slowed-down and sulky covers of iconic ’80s pop tunes. She’s continuing a trend initiated by Gary Jules on “Mad World,” you might think, which M. Ward developed on “Let’s Dance,” Lorde on “Everybody Wants to Rule the World,” Kari Kimmell on “Cruel Summer,” and Greg Laswell on (yes, honestly) “Girls Just Wanna Have Fun,” a brooding version of the Pointer Sisters’ “I’m So Excited” surely just around the corner.
It might also seem that Olsen is tapping into the Stranger Things-assisted revival of analog synthesizers so central to the ’80s sound, which “boy from Michigan” John Grant has done so much to bolster in recent times. But, while there may be some truth in all of this, Olsen is way too singular an artist to be remotely obvious or predictable in her reinterpretations of tracks made famous by Laura Branigan, Billy Idol, Men Without Hats, OMD, and Alphaville. Continue reading »
So today, a postscript: Covers that came out that year that just scream “2000.” If you were paying attention to music then, you will recognize many of these trends. There’s the ska revival. There’s rap-rock. There are, of course, boy bands.
Smash Mouth and Aaron Carter both make appearances. So do the Vengaboys. Madonna covers “American Pie”; Fred Durst covers Public Enemy. Someone sings a ska cover of “Take On Me” while sitting on the toilet. It was just that sort of year.
To be fair, these covers are not all terrible…but most are. Many were also among the year’s biggest hits, proving that people in the year 2000 exhibited no better taste in music than they did picking a president. And a few you probably didn’t even know were covers in the first place.
Relive your most traumatic memories of music back then below. Bonus hall-of-shame points if the cover has a music video featuring bleached tips or JNCOs.Continue reading »
Cover Me began in 2007 and we did our first year-end list in 2008, so 2000 isn’t that long before we were following this stuff in real time. But, in music eras, 2007 and 2000 seem eons apart. 2000 was nü-metal and Napster, Smash Mouth and the ska revival. Beyoncé was in the quartet Destiny’s Child; Justin Timberlake only had a one-in-five chance of being your favorite member of N’Sync (or maybe one-in-four…sorry Joey). By the time this site started seven years later, all this seemed like ancient history.
There were a lot of extremely prominent covers in 2000. “Prominent,” of course, doesn’t necessarily meaning “good.” This was the year that Madonna covered “American Pie” (not to be outdone, Britney Spears then took a stab at “Satisfaction”). It was the year a Jim Carrey movie soundtrack inexplicably asked bands like Smash Mouth and Brian Setzer Orchestra to cover Steely Dan. It was the year of “Who Let the Dogs Out?” Bet you didn’t even know that one was a cover (unless you’re a faithful Cover Me reader).
None of those are on this list (though, if you want more dated trainwrecks like those, stay tuned Monday for a bonus list I’m calling the “The Most Extremely ‘2000’ Covers of the Year 2000”). But 2000 offered a wealth of wonderful covers, often flying just under the mainstream radar. Some of them still seem of the time – anything ska, basically – but most could have come out decades earlier. Or yesterday.
YouTube was still a few years away, as was streaming more generally, so covers still mostly came out through “traditional” avenues: on albums, as the b-sides to singles, etc. As I wrote in my new book, tribute albums were big business by this time too, which means that many 2000 covers emerged through that format. Even narrowing this list down to 50 was hard, which is why Cover Me’s Patreon supporters will get a batch of 150 Honorable Mentions.
Check out the list starting on Page 2, and stay tuned for the best covers of this year coming in December.
Angel Olsen – More Than You Know (Ann-Margret cover)
Many have covered this 1929 American songbook standard, but Angel Olsen’s solo piano cover was purportedly inspired by Ann-Margret’s 1961 take. Olsen doesn’t bring any frills or gimmicks;. If you didn’t know Olsen was one the coolest, most blog-beloved artists around, you’d think she was an unusually talented piano-jazz singer. Catch her at a cabaret near you.Continue reading »
Kid Moxie’s upcoming score for indie film Not To Be Unpleasant, But We Need To Have a Serious Talk is, as film scores typically are, mostly instrumental. But it closes with a surprising cover, as Kid Moxie aka. Elena Charbila tackles Alphaville’s ’80s synth-pop classic “Big in Japan.” Her cover keeps it synthy, but adds a wistful dreampop sheen that gives it a darker undercurrent. No surprise if it sounds vaguely Twin Peak-sy; she’s worked with David Lynch and his longtime composer Angelo Badalamenti (on a new version of Blue Velvet’s “Mysteries of Love”).Continue reading »
In Pick Five, great artists pick five cover songs that matter to them.
We first discovered Emel Mathlouthi at last year’s Northside Festival. But let me be clear: when I say “discovered,” I hardly mean she was unknown. In fact, we were very late on the bandwagon; the Tunisian singer-songwriter is an international star. A few years back she became known as the “Voice of the Arab Spring” after one of her song’s became an anthem for the revolution. She even performed it at the Nobel Peace Prize ceremony in 2015:
As you can see in that video, her original songs are stunning. Her most recent album, Ensen, was my personal favorite album of 2017, and today she releases a follow-up set of inventive remixes of those songs titled Ensenity. You can get a taste over at The Fader.
With a voice like that, you won’t be surprised to learn she can deliver some pretty stunning covers too. She can belt “Hallelujah” with the best of ‘em, and has equally beautiful takes on David Bowie and Björk under her belt. She was even kind enough to put together a pretty mind-blowing version of “All Along the Watchtower” for my book party. It’s the rare cover that owes next to nothing to Jimi Hendrix:Continue reading »