Feb 252018
 
Ed Cobb

Every so often, a figure from behind the scenes of popular music garners such renown that he or she becomes a household name: “Colonel” Tom Parker, Quincy Jones, and Carole King (as a hitmaking songwriter before she stepped into the limelight) to name a few.

And then there are all the countless others, the ones who passed through this realm largely unheralded by the record-buying public. One of these was songwriter and producer Ed Cobb, who would have turned 80 today. You may not know his name, but he left his mark on some very disparate—and uniquely compelling—byways of pop music.

Cobb’s musical career began as a member of the Four Preps, a white doo-wop group that scored two Top Five hits in 1958. The Preps’ sound was safe and family-friendly; hardly the stuff of legend. But early on, Cobb gravitated towards songwriting and production, penning soul and R&B numbers rather than the Preps’ squeaky-clean material. One of these was a little number Cobb wrote for Gloria Jones called “Tainted Love.” It didn’t make much of an impact in its first two iterations, but on its third try became a record-breaking smash, hitting #1 in 17 countries. (Of course, close readers of Cover Me will already know this story.)

But there’s more to that song’s journey. When we recently spoke with Fugazi frontman and Dischord Records co-founder Ian MacKaye about Ed Cobb – his other band Minor Threat covered Ed Cobb’s “Sometimes Good Guys Don’t Wear White” – he alerted us to a yet another cover of the song: Continue reading »

Mar 062017
 
postmodern jukebox caroline buran

Caroline Baran is an amazingly talented 15 year old singer who made her debut on old-timey covers series Postmodern Jukebox in 2016 singing Cyndi Lauper’s “Time After Time”. She was discovered during a Postmodern Jukebox competition, and boy what a discovery. Like a young Alicia Keys, Baran possesses an understanding of music that is far beyond her years. Coupled with a voice that is both technically and musically superb, Baran is a rare young talent, as evidenced in this gorgeous rendition of Metallica’s “Nothing Else Matters”. Continue reading »

Dec 042014
 

They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!

jay-z covers

The American Dream is to be self-made. To carve out an identity wholly one’s own and to succeed beyond one’s wildest imagination.

The life and times of Shawn Carter are a blueprint of the American Dream and bear striking resemblance to one of modern American fiction’s greatest protagonists, Jay Gatsby.

Both F. Scott Fitzgerald’s eponymous parvenu and the Brooklyn-born MC sprung from conceptions of themselves – impoverished Midwestern teenager James Gatz morphed into the infamous Jay Gatsby while Shawn Carter took on the nom de rappeur Jay-Z.

Both knew the excesses and trappings of extraordinary wealth as young men and both fell in love with golden girl goddesses with voices full of money.

One noteworthy difference between Gatsby and Jay-Z?

Gatsby was a man, a mere mortal, damned and doomed from the onset, whereas Jay-Z is also Jay-Hova, and gods are not as easily felled.
Continue reading »

Jun 072014
 

They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!

Dearly beloved, we are gathered here today to celebrate this thing called life.

Electric word, life. It means a mighty long time but in this case, we’re talking about 56 years and one man – Prince Rogers Nelson. You probably know him as Prince, The Artist Formerly Known as Prince, an unpronounceable symbol, The Purple One, Joey Coco or (in certain circles) That Skinny Motherfucker with the High Voice.
Continue reading »

Jun 012012
 

In 2001, then 20-year old Alicia Keys became a household name when her sultry “Fallin'” became a number 1 hit on the Billboard Hot 100. Keys’ stunning voice and piano work had America falling in love with her as soon as she hit the scene. Recently, New Orleans alt-rockers Mutemath took to Triple J to do an interesting cover of the decade-old hit. Continue reading »