Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
As 2020 gets off to a rocky start, if you “haven’t got it all figured out just yet,” that is okay. Alanis Morissette is back to remind us that “everything’s gonna be fine, fine, fine” with a (super relatable) new single, the promise of a new album in May, a new tour featuring guests Garbage and Liz Phair (“all I really want” is a ticket to that show), and the debut of the Broadway musical based on her iconic album, Jagged Little Pill. That album, her international debut, won five Grammys and made Morissette the first Canadian to have an album go double diamond (selling 20 million copies). Here are just a few albums that Jagged Little Pill has sold more copies than: The Beatles’s Sgt. Pepper’s Lonely Hearts Club Band and Abbey Road, Bruce Springsteen’s Born in the U.S.A., and Nirvana’s Nevermind. Not bad!
A New York Times Magazine feature by Rachel Syme sets the scene for the release of the album:
The riot grrrl ethos was “girls to the front” — a communal taking up space — while Morissette’s was more like “girls to your car,” where you could process your baggage in private. One was like being at a protest, and the other is like being in therapy — different impulses, but both about making conscious changes.
The album hasn’t yet been featured on Pitchfork’s Sunday Reviews, but it is destined to be. Hit me up, Pitchfork Editorial Staff, I’m happy to do it.
“Hand In My Pocket,” the second single off of the album, followed another classic, “You Oughta Know.” It was Morissette’s first number one single in Canada, but it did not make the Hot 100 in the USA (it was never released as a CD single there, though it posted high on other US charts). These five artists appreciate the song’s depth, paying their homage via a cover. And to all of you musicians out there, keep the Alanis covers coming! I dream of a Full Albums post for Jagged Little Pill.