Its only been a few weeks since its release, but Adele’s latest piano ballad “Easy On Me” has already achieved something close to global ubiquity. Like many of Adele’s previous hits, the disparity between “Easy On Me”’s intimacy and the outsized way it has been received is striking. Most artists on this massive of scale specialize in mega-strokes and synchronized choreography, not broken personal pleas set to sparse solo piano accompaniment. In Adele’s case though, it’s the little things that count — millions of individual connections, all drawn to the same torch.
Alex Cameron ft. Roan Yellowthorn – Islands in the Stream (Kenny Rogers / Dolly Parton cover)
For a new single, Australian singer Alex Cameron, who has worked with everyone from The Killers to Foxygen, decided to take on two Kenny Rogers tunes written by Barry Gibb. One, “Midsummer Nights,” is comparatively obscure. The other – the one above – is not. Playing the Dolly Parton role to Alex’s Kenny is Roan Yellowthorn aka Jackie McLean, daughter of “American Pie” singer Don McLean.
Annie – Just Like Honey (Jesus and Mary Chain cover)
Norwegian pop musician Annie doesn’t release much music – 2020 saw her first album in 11 years – but she’s got a new EP out in September, Neon Nights. It features some originals and covers. One is the Dirty Dancing song “She’s Like The Wind.” Another is this discofied, but still shoegazy in a more electronic way, take on the Jesus and Mary Chain’s most often-covered song.
Bob Dylan has never exactly been a loquacious interviewee. From the ’60s, when he would spend interviews mocking the press, to the ’10s, where he rarely bothers giving interviews at all, comments from Bob on any given subject are usually relatively few and far between. But I was curious, as we prepare to launch our 100 Best Bob Dylan Covers Ever list on Monday, what Dylan covers has the man himself remarked upon?
Over our time tracking cover songs (13 years this month!), we’ve written about hundreds of new tribute albums, across reviews, news stories, and, when they’re good enough, our best-of-the-year lists. We also have looked back on plenty of great tribute albums from the past in our Cover Classics series. But we’ve never pulled it all together – until now.
‘The Best Ever’ series counts down our favorite covers of great artists.
August 16 has long been a day of infamy in the history of American popular music. It started in 1977 when Elvis Presley, the King of Rock n’ Roll, passed away. Forty-one years later, another member of rock royalty also died: Aretha Franklin, the Queen of Soul. Though she was older and her death less of a shock to the cultural landscape, I still remember the exact moment when I heard the news. I was with my family driving home from Sesame Place in Pennsylvania listening to the Beatles channel on SiriusXM. The DJ interrupted to tell us the sad news and in Franklin’s honor played her version of “Let It Be.”