Jan 312024
Jan 022024
On his new double album Me Neither, Chicago singer-songwriter James Elkington recorded an array of instrumental guitar improvisations, ditching words entirely in favor of 29 evocative soundscapes. 28 of those 29 are original compositions. The final track, however, is not. It’s a cover of ABBA’s classic “The Winner Takes It All”—although, without words, anyone not listening closely might early miss that. In Elkington’s literal hands, it fits right into the John Fahey style of American primitive guitar. Continue reading »
Nov 302023
boygenius ft. Ye Vagabonds — The Parting Glass (Trad. cover)
Every year, Phoebe Bridgers releases a surprise cover around the holidays to benefit charity. This year, she brought in her boygenius bandmates as well as vocal group Ye Vagabonds to cover “The Parting Glass.” It’s a traditional Irish tune, but their version pays specific homage to Sinead O’Connor, who covered it in 2002. Sales benefit the Aisling Project, an after-school project working with children and young people growing up in a disadvantaged area of Dublin. The beneficiary was chosen by the estate of O’Connor, who died in July. Continue reading »
Jul 262023
In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.
When we do our monthly Best Covers Ever countdowns, paying tribute to different versions of a given artist’s songs, it’s fun to surprise people with something unexpected. But a couple months ago, when we counted down covers of Prince, it was only ever a race for number two. The best cover of Prince is, in this case, also the most famous. Most famous for a reason. I’m talking, of course, about Sinead O’Connor singing “Nothing Compares 2 U.” Here’s a bit of Seuras Og’s writeup from that list:
“Arguably a pretty slim item in the hands of its composer, O’Connor gave it a remarkable polish, inhabiting the lyric and bleeding out the meaning. OK, she had, and still has, the vocal chops to squeeze emotion into and out of almost anything, and this song is a masterclass in voice control, of volume and microphone technique. The video, especially as she sheds unprompted tears, clearly adds to the overall heft, but even without that visual, still the power is immense. Completeness also insists on showing how timeless her ownership of the song has been, with a live performance or two, decades apart, each as striking, in different ways, as the other.”
But Sinead O’Connor had a lot more to offer than just her one big hit—and that’s even just limiting ourselves to the covers world. Sure, she topped our Best Prince Covers list, but she also appeared on our Best Elton John Covers list, our Best ABBA Covers list, our Best Dolly Parton Covers list, our Best Nirvana Covers list. How’s that for range?
Continue reading »
Apr 032023
Bria – When You Know Why You’re Happy (Mary Margaret O’Hara’ cover)
Bria’s “Where Have All The Cowboys Gone?” made our list of the Best Covers of 2022. The track was a sneak peak at her covers EP Cuntry Covers Vol. 2, and the full thing dropped a few weeks ago. It includes a wonderful version of this much more obscure song. Bria explains: “Mary Margaret O’Hara is a creative force and one of my favorite Canadian artists. I have been a huge fan of hers for quite some time and really wanted to try my hand at one of her songs for Vol. 2. She is a real queen of vocal improvisation. It’s a trait of hers that I’ve always admired, so I really wanted to explore that when recording this cover. The video for this track is special to us, a sort of collage of memory; fragmented footage of summer taken over the last two years is dispersed throughout shots of a vast winter scene, filmed while we finished the record up North with our live band.” Continue reading »
Mar 232023
U2’s modus operandi lately has been to get small. It seems that they’re fully committing to the approach, too: Songs of Surrender, their latest release, looks back at 40 songs from the U2 catalog with new stripped-back arrangements and acoustic instrumentation. The record pares the band’s arena-sized grandeur back to something more like pub-backroom closeness. Bono described the approach in a recent interview on BBC by saying, “Edge and I had this phrase that we were throwing around — ‘Intimacy is the new punk rock.’” Continue reading »