A.J. Croce Archives

In Memoriam : Brian Wilson

Posted by Seuras Og at 8:00 am 2 Responses »

Jun 162025

Songwriter Brian Wilson in Santa Monica California 1990

God only knows where we’d be without Brian Wilson.

If that sounds glib, a journalistic play on one of his best-known tunes, think it through. The footprint made by Brian Douglas Wilson, who died on June 11, nine days short of his 83rd birthday, is amongst the largest of any single musician from the 1960s, certainly of those born his side of the Atlantic. As a writer and producer his skill was exemplary, but remember also his angelic voice, arguably the second finest in his family (his brother Carl just one step ahead in those stakes, to my mind).

Whilst it had seemed he had been long gone, trapped in his own mind, if still being paraded out by management, friends and family, the pain of his actual departure from this world is both profound and shocking. Few musicians have had as much scrutiny over the years, with books and films aplenty, all documenting the highs and lows of a life lived largely in the public eye. From the start, the bedeviled saga of the Beach Boys has attracted equal parts adoration and opprobrium, the former usually reserved for Wilson, the latter for those who sought to take advantage of his often precarious mental health.

And what highs and what lows there have been. But we at Cover Me have come to praise his genius, rather than rake over those coals; there will be plenty of that elsewhere. One of only two musicians to get two birthday “salutes” from us, here and here, his legacy was also rightly celebrated in our deep dive into the best 40 covers of songs by his band, the Beach Boys. Sure, he didn’t write them all, but certainly had a hand in the vast majority of the best ones.

Add in a welter of album reviews for the myriad tributes to him, personally and/or The Beach Boys, and it is obvious as to quite how well regarded he was, here and everywhere. I typed “Brian Wilson” into our site search engine and it delivered 16 pages, with “Beach Boys” providing 31. Even if you allow for some duplication, that is quite staggering. As such we need, and Brian Wilson deserves, a last hurrah, a valedictory victory parade of the bounty left in his wake, with the Beach Boys and without. Here is a baker’s dozen of his best.
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The 50 Best Tom Waits Covers Ever

Posted by Staff at 9:06 am 16 Responses »

Mar 312023

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

“Downtown Train.” “Ol ’55.” “Jersey Girl.” These are just three of the Tom Waits songs better known for their covers (respectively: Rod, Eagles, Bruce) than for Waits’ own performances.

It probably doesn’t need saying that Tom’s recordings are, in the best way possible, idiosyncratic. So it makes sense that, like Dylan, like Cohen, his songs often become more popular when more “traditional” voices sing them. Many of the best covers, though, keep some of that strangeness. No, they don’t do “the Tom Waits voice” – most people wouldn’t be able to talk for a week after attempting that. But they don’t sand off the strangeness.

Tom’s debut album Closing Time came out 50 years ago this month; he’s doing a reissue to celebrate. It, and its successor The Heart of Saturday Night, are in some ways his least representative albums, though. The songwriting is already strong on these, but it comes in – if you can believe it – a fairly conventional package. His voice hasn’t revealed its true character (to pick one among many memorable descriptions: “a voice like it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car”), and he hadn’t discovered that hitting a dumpster with a two-by-four makes great percussion.

Some of those very early songs get covered in our list below. But his later, weirder, songs abound, too. Tom’s wife Kathleen Brennan, his musical co-conspirator for decades now, said her husband has two types of songs: “Grim Reapers” and “Grand Weepers”. On his Orphans box set, Tom divided them up another way: Brawlers, Ballers, and Bastards. You’ll find some of all flavors below. (And, if you want more new writing on Tom Waits music, subscribe to a newsletter called Every Tom Waits Song that – full disclosure – I also run).

– Ray Padgett

PS. Find Spotify and Apple Music playlists of this list, and all our other monthly Best Covers Ever lists, at Patreon.

The Best Cover and Tribute Albums of 2021

Posted by Staff at 12:00 pm No Responses »

Dec 102021

Follow all our Best of 2021 coverage (along with previous year-end lists) here.

It feels like a cliché these days to start one of these year-end lists writing about “the times we live in,” but, as you read and listen to our picks, you’ll find the specter of the coronavirus and lockdown pretty unavoidable.

One of these albums is titled Songs from Isolation; another is Awesome Quarantine Mix-Tape. Even on some albums where it’s so blindingly obvious, it’s there. Aoife Plays Nebraska is a recording of a quarantine livestream she gave. Los Lobos envisioned Native Sons as a balm for being stuck at home, unable to tour. And then there’s the tribute to John Prine, the long-awaited sequel to 2010’s Broken Hearts and Dirty Windows, inspired by his death from the coronavirus last year.

But many of these albums recall better times too. Two are belated releases of in-real-life, pre-pandemic tribute concerts, one to Leonard Cohen and the other to Eric Clapton’s Derek and the Dominoes (well, I guess both of those subject are kind of bummers, in different ways…). Tributes abound to other recent deaths – Andy Gibb, Justin Townes Earle, Roky Erickson – but we have plenty to artists still with us too, like Nick Cave, Peter Gabriel, and a host of underground psych-rock bands you’ve never heard of.

Then there are those that don’t fit any narrative. An artist felt inspired by an unconnected bunch of songs, decided to cover ’em, and brought them all together into a cohesive record. What do Vampire Weekend and The Supremes have in common? Lauren O’Connell’s beatifully intimate imaginings. How about Allen Toussaint and Calexico? Robert Plant and Alison Krauss harmonizing all over ’em. Whether it’s a quote-unquote “lockdown record” or just someone saying, “hell, why not get a bunch of folkie weirdos to play Phish tunes?,” every album on this list brought something meaningful to – ugh – the times we live in.

– Ray Padgett, Editor-in-Chief

The list starts on the next page…

In the Spotlight: Billy Preston

Posted by Tom McDonald at 12:00 pm 2 Responses »

Nov 102021

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

When the Rock & Roll Hall of Fame inducted songwriter and keyboardist Billy Preston into its ranks last month for Musical Excellence, the other inductees seemed to get all the attention. That’s fair (after all, Preston passed away back in 2006), but it’s also in keeping with Preston’s long and sometimes overshadowed career. Despite writing hit records that blended soul, gospel, funk, and R&B with rock, he tends to be pegged not as a star, but as a stellar session player supporting the actual stars.

That’s valid, too. From the ‘50s through to the early 2000s, Preston does seem to have played with all the greats, from Mahalia Jackson to Aretha Franklin, Ray Charles to Sly Stone; in the rock world, he partnered with the Beatles and the Stones, The Band, and the Red Hot Chili Peppers, to name just a few. But we will lean on Billy’s original songs, and on Billy as leader, in our collection of Preston covers.
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A.J. Croce Revives The Beach Boys’ “Sail On, Sailor”

Posted by Curtis Zimmermann at 12:00 pm No Responses »

Feb 222021

Though the Beach Boys recorded and released eight studio albums in the ‘70s, the endless sessions produced few classics. The quality of the music was dragged down by drug use, infighting and Brian Wilson’s crushing mental illness. These days, the albums play more like historical time-pieces than essential listening. Continue reading »

A.J. Croce Honors His Father Jim Croce With “I Got A Name”

Posted by Walt Falconer at 10:00 am 5 Responses »

Sep 042018

It feels good to think about Jim Croce. His short, mercurial career consisted of just three records, You Don’t Mess Around With Jim, Life and Times, and the posthumously released I Got A Name, which was completed just a week before Croce’s death in a plane crash on September 20, 1973. At the time of his death, he was right up there with fellow singer-songwriters Jackson Browne and James Taylor, and his trajectory was clearly on the rise.

The original “I Got A Name” single was released the day after the plane crash and hit number 10 on the Billboard Hot 100 list. The song, along with being the theme for the movie The Last American Hero, was also featured prominently in the movies Django Unchained, The Ice Storm, and Invincible. Now, Jim’s son A.J. Croce has released his cover of “I Got a Name” to honor his father.
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