We all know “Take On Me,” whether because of its iconic synth melody, that elongation of “two,” or its rotoscoped music video. Though a pretty big hit at the time – #1 in at least 14 countries – it’s become one of the most iconic songs of the decade. When you think ’80s, you probably think this A-Ha song.
Angie McMahon – Knowing Me, Knowing You (ABBA cover)
It comes too late for our Best ABBA Covers countdown, but Angie McMahon’s low-simmer version of “Knowing Me, Knowing You” would make a worthy addition. Though it comes coated in a layer of rock grit, the band’s vocal harmonies stand up to the Swedes. And just wait for Angie McMahon’s cover-closing holler.
As anyone who checked Twitter yesterday is well aware, Weezer shocked the internet with a surprise covers album, dubbed the Teal Album for its absurd yacht-rock cover. The album precedes the band’s long-promised Black Album, set to release March 1st.
Weezer spent 2018 stoking the social media flames with their famous covers bout with Toto, and I think we all just expected “Africa” to be the end of it. But Weezer clearly saw an opportunity to generate some buzz for their new album and upcoming tour with The Pixies. Twitter flames aside, how do the covers on the album actually stack up? Let’s take a look at The Good, The Bad, and The (Really) Ugly.
Watching the Swedish band Europe’s epic 1986 video for “The Final Countdown” is like going through a checklist of all the cliches of ‘80s hair metal. Perfectly styled hair (check); pretty-faced lead singer (check); massive double bass drum kit (check); revealing leather pants (hell yeah); pyrotechnics (check); guitarists swaying back and forth in perfect unison (check); young girls reaching out for the band (check), etc., etc. etc. Now for those of you old enough to actually remember the ‘80s, you’ll recall that Metallica was supposed to be the antidote for all of these excesses. Fist-pumping, kick-ass metal written to piss off your parents and teachers and give the proverbial middle finger to authority. God, it was beautiful.
Atlanta “grass ‘n roll” group Seven Handle Circus recently took to a sunny street corner in New Orleans to record a live cover of A-ha‘s classic ’80s hit. Outfitted with guitar, upright bass, mandolin, banjo, fiddle, and call-and-response vocals, the band lends the song a breezy sensibility befitting the performance’s street-side setting.