Back in May 2021, Fountains of Wayne guitarist Jody Porter organized a tribute to his late bandmate Adam Schlesinger. Adam Schlesinger, A Music Celebration featured, among many others, Courtney Love, R.E.M.’s Peter Buck, Squeeze’s Glenn Tilbrook, Dashboard Confessional’s Chris Carrabba, Sean Ono Lennon, and a reunion of Schlesinger’s supergroup Tinted Windows. At the time, it was a paid livestream to raise money for musician charity MusiCares and then-closed NYC venue Bowery Electric, but now the full thing is up on YouTube. It’s a tribute to the depth of Schlesinger’s catalog that it’s two hours long and no one even covered “Stacy’s Mom”!
Dave Richardson – Bright Phoebus (Lal & Mike Waterson cover)
Vermonter Dave Richardson digs deep into folk-rock history on his new album Palms to Pines, covering the title track of Lal & Mike Waterson’s 1972 album Bright Phoebus. Deeply obscure at the time – only 1,000 copies were initially pressed – it became known as “folk music’s Sgt. Pepper” among the very, very few people who actually heard it. The record has seen a recent resurgence with champions like Arcade Fire and Jarvis Cocker leading to a 2017 re-release on überhip Domino Records. Richardson makes it sound like a classic all along.
Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.
Did you hear “Born in the U.S.A.” at your Fourth of July BBQ? Maybe a diehard Springsteen fan even played the full album. It certainly packs a punch; seven of the album’s twelve songs became top-10 hit singles. Taking patriotism to a whole new level, this album was even the first commercial CD made in the United States.
Marking the 30th anniversary of the Born in the U.S.A. album, Dead Man’s Town was released in 2014 with the premise that the original album was so good that, as Luther Dickinson of North Mississippi Allstars states, “any of those songs could be played with acoustic guitar alone and still be great.”
Rolling Stone described the album as “reimagining Born in the U.S.A.… with a reduced approach more influenced by that of the acoustic Nebraska.” This cover album certainly would have followed Nebraska more congruously than the original Born in the U.S.A., which marked a departure from Springsteen’s earlier work yet brought him his greatest commercial success.
Dead Man’s Town captures the melancholy aspects of the Fourth of July, a holiday that marks the inflection point of the summer. Summer love is bending towards goodbye. Back to school advertisements abound. If you are looking for a soundtrack to summer’s end or a new take on your favorite Springsteen classics, this is the album for you. Here is a taste of what this album has to offer.
Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
When David Bowie moved to Berlin, he took an apartment over an auto parts store. Iggy Pop shared a room with him. There were no chairs – they had decided chairs were unnatural. One night they were sitting on the floor waiting for Starsky and Hutch to start on the Armed Forces Network. The show started with a call signal – beep beep beep, beep beep beep beep, beep beep beep. Bowie picked up a ukulele (“it might have been his son’s,” Pop later remembered) and wrote out the chord progression. “Call it ‘Lust for Life,'” he told Pop. “Write something up.”
Describing their songwriting process, Bowie said, “I often gave him a few anchor images that I wanted him to play off, and he would take them away and start free-associating.” Pop later realized that Bowie’s title came from the Kirk Douglas film about Vincent van Gogh. “In the two albums we made,”said Pop, referring to Lust for Life and The Idiot, “I think Bowie wanted to make the comment that I was an idiot à la Dostoyevsky and insane à la van Gogh. Like, ‘Here I am producing albums for this insane idiot — let’s see what happens!'”
Last Wednesday night, City Winery and Knitting Factory founder Michael Dorf staged his 14th “Music Of” charity tribute show at Manhattan’s venerable Carnegie Hall. After similar tributes to everyone from Bruce Springsteen to R.E.M., this time the honoree was Led Zeppelin. Dorf’s formula involves bringing in a killer house band and complementing them with a mix of moderately-to-well known artists who are typically passionate about the honoree. The sold out show survived a nor’easter and it doesn’t get much better than sitting on the plush seats of the acoustically perfect hall listening to twenty great renditions from the Mighty Zep catalog.
Most of the performances have found their way to YouTube (in varying sound quality). Here’s a look at some of the highlights:
Husband and wife team Cary Ann Hearst and Michael Trent, better known as Shovels & Rope, know their way around a good cover song. We’ve shared a handful of their covers here at the site over the years, including a couple of cuts from their 2015 collection of covers, Busted Jukebox, Volume 1. From that title, it’s almost as if they knew they’d be releasing more covers at some point. Well, surprise! This week sees the release of Busted Jukebox, Volume 2, following the same format of Volume 1: a wide-range of source material reimagined with the help of some musician friends.