In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.
It doesn’t seem five minutes since this, less than two years ago, with the publication of his memoir Sing Backwards and Weep seeming a good time to celebrate his apparent immunity to death. Even in a world becoming nervously aware of the pandemic, he seemed then a figure above such inconvenience, a latter-day Keith Richards made flesh, even in recovery. Little then did we know what his second volume would reveal, Devil In a Coma ripping apart that semblance, the Devil possibly in that very coma at the time of that article’s writing. I guess the assumption was that he had fully recovered from that further near-death, making last week’s news all the more astonishing and upsetting. At the time of this writing the cause of his death remains unknown. I hope he went in peace.
Not the place to regale and remind of his derring-do; others have done that better and by more right elsewhere. Here we celebrate, again, his winning way with the songs of others, his uncanny instinct to possess and inhabit the writings of other artists, as if the words had been written solely for his sepulchral tones. I don’t like the Devil comparison, however many coming up against him in their own lives might, preferring the image that he had the voice of God, with no need of any article, indefinite or otherwise. Sure, an older God, a vengeance-is-mine God, where forgiveness has to be earnt, much as he too tried to atone for his past behaviors, a forbidding God not to be taken in vain.
Hyperbole? Why not? Enjoy these ten further covers and sink one in his memory.