You searched for hallelujah - Cover Me

Mar 182011
 

In Defense takes a second look at a much maligned cover artist or album and asks, “was it really as bad as all that?”


When the Watchmen movie came out in March 2009, my primary job consisted of owning and operating a comic book store. Because that film is based on one of the most acclaimed graphic novels of all time, the few weeks that followed its release saw me inundated with complaints about its content. The number one gripe: an overabundance of Dr. Manhattan’s junk. Number two: “Why did they play that corny ‘Hallelujah’ cover during the sex scene?”

As anyone familiar with that scene can attest, of course, Watchmen — in keeping with its mostly retro soundtrack — employed the original Leonard Cohen track from 1984’s Various Positions. In fact, that instance marks one of the only major uses of the original recording in a mass-media production. Thanks to Shrek, The O.C., X Factor and a host of others, though, the song’s become inescapable via its many covers. Jeff Buckley, Rufus Wainwright, k.d. lang and more have all had their say on this one. In a 2009 interview with Jian Ghomeshi of The Guardian, Cohen revealed that he’d felt sympathy for a review of Watchmen which asked for a moratorium of “Hallelujah” in popular culture. Quoth Cohen: “I think it’s a good song, but I think too many people sing it.” Continue reading »

Nov 192010
 
Photo by Danny Clinch

Like a lot of people, we discovered ukulele virtuoso Jake Shimabukuro through his six-million-views-and-counting YouTube cover of “While My Guitar Gently Weeps.” Follow-up covers of “Let’s Dance” and “Bohemian Rhapsody” impressed us even more. Now the four-string star returns with Leonard Cohen’s “Hallelujah” in an exclusive Cover Me premiere. We chatted with Jake about the tune, which you can listen to below. Continue reading »

Mar 282025
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

best david bowie covers

If you feel safe in the area you’re working in, you’re not working in the right area. Always go a little further into the water than you feel you’re capable of being in. Go a little bit out of your depth. And when you don’t feel that your feet are quite touching the bottom, you’re just about in the right place to do something exciting. – David Bowie

In March 1975, David Bowie released Young Americans, the album that saw him move from glam rock to Philly soul. It was his first top ten album in America, featuring his first number one song in “Fame.” Fifty years later, that golden anniversary is enough of a hook to hang a Cover Me Best Covers Ever feature on. But the remarkable thing about David Bowie is, this was little more than a blip in his career. He had other personas to invent, other forms to master, other brilliancies to create. And he wouldn’t rest until (long after) he did.

Bowie’s influence on popular culture cannot be overstated, and not just in the music world – I’m convinced that roughly one-third of Tilda Swinton is David Bowie. For millions of misfits worldwide, he himself was the freak flag, the one who made it okay to be other than. I’ll help you with the pain, he sang. You’re not alone. Give me your hands. ‘Cause you’re wonderful. It’s a message that still sings out today, in Bowie’s songs and in the work of those he influenced.

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Oct 172024
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

Peter Frampton

Peter Frampton has been everyone and everywhere at once, with that bloody thing in his mouth. He’s also been anonymous and relatively unknown. Neither pendulum peak has stopped this Brit having a career that’s lasted 50 years and counting. Me, I would say a (belated) induction into the Rock and Roll Hall of Fame is a spotlight well worth acknowledging, in anyone’s book and by anyone’s reckoning. So, let’s have a look at that career.
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Sep 162024
 
hurray for the riff raff

Hurray For the Riff Raff’s Alynda Segarra talked about their relationship to cover songs and performed a unique cover in a recent appearance on the web series Public Opinion. Early on in their career, they said they used cover versions as a way to learn more about song structure and to help them in their own song writing process.

But when they tackle a cover song these days, they’re looking for something special, something that people have “heard it a lot but, it’s really fun to have a different perspective or voice on it.”

Marcy Playground’s “Sex & Candy” is one such song. A spare and ominous arraignment contributes to a strange vibe that runs through the tune. And, according to Hurray for the Riff Raff’s Alynda Segarra, it’s one of their go-to karaoke songs. But that’s not all. “I mean…talk about horny bisexual music,” they added. (The song starts at 19:24 in the video)

During the performance, they also played their songs “Alibi,” and “Buffalo.” Hurray’s most recent album, The Past is Still Alive, came out earlier this year.

Meanwhile, Marcy Playground themselves are no strangers to the cover song- in their almost 30 year career, the band has performed Neil Young’s “Needle and the Damage Done,” and Leonard Cohen, “Hallelujah” in concert.

Aug 262024
 
Delicate Steve

Steve Marion lends his considerable guitar skills to artists who need virtuosity tinged with eccentricity. Over the years, artists such as Paul Simon, The Black Keys and Miley Cyrus have utilized those skills.  As Delicate Steve, he leads his own muse, and band, which occasionally ventures into covers, including his amazing “Hallelujah” that we covered a few years ago. His new album Delicate Steve Sings subversively does not contain vocals, while packaged as a classic standards album from the likes of Chet Baker or Willie Nelson. Where Frank Sinatra used his voice as an instrument, Marion uses his instrument as a voice. The album includes a version of Otis Redding’s “These Arms of Mine.”
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