Justin Vernon of Bon Iver has put together a music festival in his hometown of Eaux Claire, WI this summer, and they’ve been putting some cryptically-titled videos to promote it. One, titled “It Was a Train That Took Me Away From Here…” turns out to be a cover of Tom Waits‘ “Train Song” by Francis and the Lights. Performed surrounded by lights, it’s a beautifully-shot minimalist piano cover a far cry from the full band’s dancier work. Continue reading »
Often, it is somebody else’s interpretation of a Tom Waits song that reveals the lyrical and melodic side of his artistry. Waits has written many beautiful songs, but you have to peel back the layers of everything else that makes him interesting to find that inner core. Tom Waits’ recording of “Dirt in the Ground,” from Bone Machine, is slow, funereal march with somber horns in the background. The mood is clear, but the lyrics take close listening to decipher. Continue reading »
Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
From a Tom Waits interview, circa 1985:
You were in your early twenties on your first album, but you already had an old man’s perspective in songs like “Martha” and, though I can’t say why, “I Hope That I Don’t Fall in Love with You.”
I have a little trouble with those songs when I hear them. I don’t really like listening to my early songs. I guess I feel I got better as a songwriter.
Maybe they remind you too much of yourself at the time.
Probably. Yeah. A sentimental guy bellyaching. What the hell?
Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
Jon Bon Jovi was on VH1 Storytellers, telling the audience about the cover he’d just performed. “Bruce wishes he wrote that song,” he said. “I wish I wrote that song even more. But it was that grouchy old guy from California.”
Indeed it was. Tom Waits had fallen in sha-la-la-la-love with Kathleen Brennan (born in Johnsburg, IL; raised in Morristown, NJ), and he wanted the world to know. “Jersey Girl” marked the moment Waits climbed out of the gutter to be with the one he loved. He sings of crossing the river to the Jersey side; it could be the Hudson River, but it could also be the river Styx, with Waits leaving the underworld behind to rejoin the carnival of Planet Earth. All for the love of a woman. What could be more romantic? Continue reading »
Make fun of Tom Jones’ panty-throwing appeal all you want, but the man has an ear for a cover. We still spin his brilliant “I Bet You Look Good on the Dancefloor” on the regular (why did that never get a studio version?), and now he’s back with a Tom Waits tune: “Bad As Me,” the title track to Waits’ 2011 LP. Continue reading »
Boston songwriter Faces on Film (Mike Fiore) popped up here for the first time a few weeks ago, performing some covers with his tourmate Marissa Nadler. Now he’s recorded a song on his own, a shimmering cover of Tom Waits’ “Tell Me.” Continue reading »