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Billy Joel

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Feb 262009
 

The voting for Cover Commissions: James Eric is over, and Devo’s “Beautiful World” took it! Keep checking back here for the exclusive debut of James’, and be sure to stop by next Thursday for more exciting cover news! (Not sure what I’m talking about? Catch up here.)

For some reason, while the indie cover world has jumped on the singer-songwriter bandwagon, making supposed has-beens like Bob Dylan and Bruce Springsteen “cool” again, it’s still embarrassing to like Billy Joel. Maybe it has something to do with the fact that, unlike the previous two he stopped putting out music years ago, but that’s no reason to knock his old tunes. Whatever the reasons, Billy Joel covers that aren’t sappy lounge-jazz mush are hard to come by. After some digging, here’s a few.

Anders Holst – All About Soul
This one showed in my inbox a month or two ago, and inspired this post. It starts off jazzy, but quickly goes world-folk in one of the most sincere and pleasant covers I’ve heard in a while. [Buy]

Matt Wilson – She’s Always a Woman
Joel has written some drippy love songs, it’s true, but Wilson gives this one some bite in a tumult of grunge force. [Buy]

The Forms – We Didn’t Start the Fire
Putting the political and cultural history of the latter half of the twentieth century in under five minute may be one of Joel’s greatest triumphs. Making it not only catchy, but a massive hit? Even better. The tune’s wikipedia page meticulously documents all the references, and I’ve heard of high school history classes using this song as a jumping off point. [Buy]

Nature Quest – Vienna
Nature Quest (who?) has a whole album of instrumental Joel tunes called Billy Joel Naturally where they take on some classic rarities with a little more spice than the normal The [Genre] Tribute to [Artist] disc. Even if it does veer towards easy-listening sometimes, it’s tastefully done arrangements. [Buy]

Nerve – Uptown Girl
This sort of pop-punk cover is generally the domain of Me First and the Gimme Gimmes; they’ve even done a similar version of this song. Nerve’s take pushes it to the next level, a little more raw, more unrehearsed, more on the verge of collapse (if it hasn’t already). Aggressive but fun, it’s if the Sex Pistols took on Billy Joel. The Sex Billys? [Buy]

Braid – My Life
“Is this thing on or what?” I clustered this with Nerve since it’s another raw rock cover. This one breaks the song down though with unusual pauses, cadences, breakdowns and general mayhem. Play it through some shitty laptop speakers to get the full experience. [Buy]

Rebecca Elliot – You’re My Home
Soulful and solo, Elliot’s take on one of Billy’s more saccharine song comes from a Teach for America fundraiser you should support. Quick question though: What the hell is an instant pleasure dome, and is it supposed to sound that dirty? [Buy]

Hussalonia – All For Leyna
My favorite Billy Joel album has always been Glass Houses. It’s rocking, it’s upbeat, and it’s free of the drippy mush he has a propensity for. So imagine my delight to discover that a band had covered the whole damn thing for our friends over at Coverville. It’s all for free download here, and sounds great! Glad I’m not the only one who loves this disc. [Buy]

After the Fire – Only the Good Die Young
Solo acoustic covers of songs are generally the easiest to find, so it’s a bit shocking that this is the only one that shows up in this post. This comes from Australian radio station Triple J’s “Like a Version” feature, where artists perform random covers that they’ve put out on four discs. Check ‘em out. [Buy]

Yo La Tengo – You May Be Right
In calling their cover album Yo La Tengo Is Murdering the Classics they may be right, they may be crazy, but the story behind these tunes is fun indeed. As a fundraising gimmick for a New Jersey radio station, for three years they let they let donors request a song they would attempt. They forget the words, throw other songs in their, and generally just jack around, but it’s fun stuff. [Buy]

Feb 142024
 

(hangs head) How did I not hear of this? How did Billy Valentine and the Universal Truth, a slice of prime r’n’b/jazz–acid jazz if you must–slip under the Cover Me radar last year? Alerted by the end-of-year lists of others, a quick shufti confirmed this demanded our attention. And it comes with quite an impressive back story to boot.

There are two Billy Valentines. There’s the 98-year-old blues and r’n’b man, William A. Valentine, and there’s 73-year-old who was one of the Valentine Brothers, r’n’b hitmakers of the 1970s into ’80s, best known for “Money Too Tight (To Mention),” to be later catapulted into ubiquity by Simply Red. (Their version is better…) This is the latter of the Valentines, however much I secretly hoped it the former.

After the brush with fame offered by “MTT(TM),” with their own version sinking under the lack of promotion capable of their then-tiny independent label, Valentine took on work with Bob Thiele Jr., as a writer for hire. Thiele Sr. was the boss of Impulse Records, when their roster covered acts such as Louis Armstrong and John Coltrane; later her served as the boss of Flying Dutchman Records, which had championed Gil Scott-Heron. Valentine and Thiele Jr. sold songs all over, ahead of some later traction of soundtracks: Valentine was one of the featured singers for The Sons Of Anarchy series, with a number of featured cameos. Come 2020, with Thiele Sr. deceased, his son felt it as good a time as any to revive the Flying Dutchman imprint, as part of the Acid Jazz family. Valentine was his first signing.

Taking a while to gather together the right combination of material and musician, Billy Valentine and the the Universal Truth dropped last March. It features eight songs drawn from the more militant factions of black music, or at least songs that reflect on that. There is some Gil Scott-Heron, some Curtis Mayfield and Pharaoh Sanders, with Stevie Wonder and Prince in there for good measure. Musicians include the likes of Immanuel Wilkins, Alex Acuña, Jeff Parker and Pino Palladino, so the album is class personified. Let’s play it!
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Nov 182010
 

Most musicians would find the task of covering Joanna Newsom daunting. The songs are not uncoverable, but she infuses each performance with a uniqueness and delicacy such that each track becomes almost untouchable. Fortunately, some artists possess more vision and creativity than the rest of us.

Due in December, Versions of Joanna (thumbs-up for the title) collects 22 Newsom covers to benefit Oxfam. The usual suspects turn up – if you want to compile a tribute album to anyone, you call M.Ward. That Owen Pallett takes on “Peach, Plum, Pear” isn’t shocking either; he seems to occupy similar artistic and intellectual space to Newsom. More surprisingly though, folk-punk legend Billy Bragg turns in a cover of “On a Good Day”. Continue reading »

May 312023
 
best cover songs may 2023
Beck – Hands on the Wheel (Willie Nelson cover)

Willie Nelson’s giant 90th birthday concert in Los Angeles featured a whole host of covers. Some of them featured the man himself. Admittedly, that makes those not really covers, so we’ll feature a couple Willie-less Willie tunes. First up, Beck tackles Willie’s Red Headed Stranger classic “Hands on the Wheel.” (Find another cover of this song in the Best of the Rest list.) Continue reading »

Mar 022018
 

Cover Classics takes a look at great covers albums of the past, their genesis and their legacies.

tower of song songs of leonard cohen

Last week, I wrote about the hugely influential 1991 tribute album I’m Your Fan: The Songs of Leonard Cohen. How influential? Without it, the world – and Jeff Buckley – might never have heard “Hallelujah.”

The 1995 tribute album Tower of Song is not remotely influential. None of its covers have become classics, nor did they introduce any Cohen deep cuts to the popular cannon. Where I’m Your Fan picked the hippest artists of the time, the Tower of Song curators seem to have gone out of their way to pick the least hip. Billy Joel. Elton John. Don freakin’ Henley. Continue reading »

Sep 212016
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question: What’s your favorite Muppets cover song?
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