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Aug 282020
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

James Taylor

James Taylor’s “Fire and Rain” is a perverse oddball of a song. On the one hand, it’s a comfortable, welcoming armchair, resoundingly easy on the ears with its sweet acoustic picking, memorable melody, and mellifluous vocal. On the other, it’s a harrowing tale of despair, loss and confusion with no real resolution. “Fire and Rain ” got as high as #3 on the Billboard pop chart in 1970, and though it didn’t hit the top spot, its success helped open the door for a veritable flood of like-minded soul-baring singer-songwriters, from Jackson Browne to Jim Croce and beyond.

The story behind “Fire and Rain” is a pretty well-trod one at this point. Each verse describes a particular period of Taylor’s late-’60s life story. The first verse addresses the suicide of an old friend, Susie Schnerr (referred to as “Suzanne” in the lyric), as does the last line of the chorus; “but I always thought that I’d see you again.” The second verse describes James’s own addiction to heroin. The third alludes to his time in a psychiatric hospital while being treated for depression; it includes a reference to the implosion of his band Flying Machine (which has frequently been misinterpreted as a reference to an actual plane crash).
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Jun 212019
 
Prima Donna cover

More than 35 years after its original release, Bananarama’s “Cruel Summer” is having a renaissance as of late. In 2018, Hailey Tuck’s rendition of the song earned a spot on our list of top cover songs for the year. This spring, Kari Kimmel recorded a version for the trailer and final episode of Cobra Kai season two (a Karate Kid reboot). Today, the first day of summer, Prima Donna is releasing a guitar-powered rock cover as its new single. Continue reading »

Jan 252017
 
leonard cohen tribute

Last night, Brooklyn’s Music Hall of Williamsburg held an epic Leonard Cohen tribute show, bringing together Cohen’s peers and younger admirers for a 22-song blowout of tribute covers. From a killer instrumental opener of “Hallelujah” by Delicate Steve – a smart move, getting that out of the way up front with a left-field guitar version that doesn’t attempt to compete with Jeff Buckley – the sold-out crowd sang along to Cohen many profound lyrics, and a few of his profound ones too (Lenny Kaye of the Patti Smith Group led a rousing holler through Cohen’s dumbest song, “Don’t Go Home with Your Hard-On”).

Many of performers had personal Cohen stories to share. “I met Leonard Cohen at a BBC session in 1967 – but I can’t remember anything about it,” Richard Thompson quipped, while Josh Ritter told a yarn about chasing Cohen down an alley backstage only to run headfirst into a truck and miss his once chance. Richard’s son Teddy Thompson recalled Cohen once asking him what he was working on. When he replied that he was making a country album, Cohen said cryptically, “I went country myself, once…” Thompson then covered one of Cohen’s most country songs, “Ballad of the Absent Mare.” Continue reading »

Jul 052016
 

train led zepThe whole reason for a good cover to exist at all is that it takes the original source material, gets to the heart of the song, and extracts the most important elements, which are then refashioned in the image of the cover artist. There must be an element of band or artist doing the covering within the cover itself; otherwise it’s simply a note-for-note recreation of a superior (often iconically so) performance. Furthermore, there’s little in the way of artistry behind strict recreations of popular music. This approach is little more than an impression that ultimately serves little to no purpose aside from existing to remind listeners how much better the original was, is and always will be.

For a band like Train – whose music has served as the backdrop for innumerable cloying “romantic” moments in film, television and perhaps even real life – to take on the decidedly heavier sounds of Led Zeppelin would initially seem like something of a joke. What qualifies the group behind such saccharine megahits like “Drops of Jupiter” and the insufferable “Soul Sister” to cover a band like Led Zeppelin, let alone replicate an entire album? Well, it seems that when you reach the level Train has, you can do pretty much whatever you want and no one will question you.
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Apr 032013
 

They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!

Electric, Richard Thompson’s newest album, followed the pattern of all his releases – first-rate material, critical hosannas, sales to his devoted core following, and no long-deserved breakthrough to the masses. Having been through this for four and a half decades now, he’d be forgiven for growing complacent with this level of acceptance; instead, he continues to take chances, and his playing and songwriting continue to stand astride a very tall mountain with very little room for others to join him at the peak. Continue reading »

Nov 142011
 

We’ve seen him impersonate Neil Young, Bob Dylan, and the Boss with uncanny accuracy. On his show Friday night, Jimmy Fallon debuted his latest classic-rock icon: Jim Morrison. He fronted a Doors tribute band through, as always, a brilliant novelty cover: the theme from Reading Rainbow. Continue reading »