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Jun 082020
 

They Say It’s Your Birthday celebrates an artist’s special day with covers of his or her songs. Let someone else do the work for a while. Happy birthday!

Nancy Sinatra covers

Nancy Sinatra, ‘60s pop icon and elder daughter of Frank Sinatra, celebrates her eightieth birthday today! To celebrate, we’ll swing, baby, through some of her biggest hits. But before we dig in, let’s take a look at the impact she’s made as an artist in her own right.

Sure, it helped being the daughter of the most famous entertainer of all time, but Nancy’s bona fides are legitimate. She charted 21 Billboard Hot 100 singles between 1965-72 and added multiple high-ranking exposures for many of those songs on Adult Contemporary and Country charts; one of those coming as late as 1981. Along the way, she became the epitome of feminine cool by co-starring in films with Elvis Presley and Peter Fonda, singing a Bond theme, even appearing in Playboy as a 50-something. Although her music output has slowed, she continues to consistently release new and remixed material. For the past 13 years she’s heard weekly on SiriusXM’s “Nancy For Frank” show with 3-hour episodes on the Siriusly Sinatra channel.

But it was in early 1966 when Nancy, and eventual longtime collaborators Lee Hazelwood and Billy Strange (now both deceased), really cemented her pop legacy. “These Boots Are Made for Walkin” (included on her debut studio album “Boots”) went to #1 on US, UK, and worldwide charts. The song – supported with one of the earliest examples of a music video – has been credited with ushering in the era of woman in rock & roll. And for nearly 55 years, the prevalent themes of independence and free thinking – which never seems to wane – have sustained its popularity in pop culture!

So, with that… are you ready, boots? On this birthday, let’s start walking–right over to Nancy’s biggest hits…

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Mar 032017
 

They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!

robyn

There are people out there whose time in college was accompanied by a Robyn Hitchcock soundtrack. Back in the ’80s, when alternative/indie music was known as “college rock,” Hitchcock and his off-off-kilter music figured prominently. Those people who loved “Balloon Man” and “My Wife and My Dead Wife” would in all likelihood react very badly to the idea that the surrealist scamp who wrote those songs turns 64 years old today. If it’s any consolation, his songs, both solo and in collaboration with the Soft Boys and the Egyptians, remain as timeless and vital as ever.
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Jan 252017
 
protest cover songs

Well, it has been quite a week in politics. President Trump got sworn in Friday, then on Saturday hundreds of thousands of protesters marched across the country. We don’t need to go into the many (many) controversies and debates the first few days of the Trump administration have already brought us. You know them, and that’s not really our beat anyway.

What is our beat is cover songs, and a whole lot of politically-minded covers came out in the past week. Some are explicitly covers of songs with political lyrics, like Neko Case, kd lang, and Laura Veirs covering Patti Smith’s “People Have the Power” and OK Go covering Morrissey’s “Interesting Drug” (opening lines: “There are some bad people on the rise / They’re saving their own skins by ruining other people’s lives”).

Other covers are only political in the sense that they were released to raise money for groups like the American Civil Liberties Union or Planned Parenthood. Barsuk Records put out a covers comp featuring Nada Surf, David Bazan, Mates of State, The Long Winters (wonderfully titled Sad!). Members of the Philadelphia punk scene came together for a 35-song set of covers by the likes of Laura Stevenson and Jeff Rosenstock, which range from the covers of political artists like Against Me! and Bikini Kill to a cover of the Beatles’ “I’m Only Sleeping,” which would be difficult to find a political take on. Continue reading »

Oct 192011
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

The closing track of Bob Dylan‘s (greatest?) album Blood on the Tracks, “Buckets of Rain” has little of the invective that colored other songs on the album; it’s a long way from the “idiot babe” in “Idiot Wind” to the “honey baby” found here. Dylan’s saddened, but he’s also very tender to the one he’s addressing. They’ve swept up the ashes of their relationship, and now they’re looking at each other with rueful smiles, permitting themselves to feel both the love they still have and the pain it still brings. It’s no fun, but they do what they must do, and they do it well. Continue reading »

Jan 262023
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

best lucinda williams covers

Lucinda Williams has never had a big hit song. None of her singles have charted on the Top 40, or even on Billboard’s Hot 100 chart at all. In fact, most of her songs don’t hit any chart.

You may already be thinking to yourself: Who cares! Giant pop-chart hits are not the way you measure the success of a singer and songwriter like Lucinda Williams. You know what is one possible way, though? Covers. (A few of which, incidentally, made her song hits in other hands.)

Like a few other songwriter’s-songwriter types we’ve covered in this series (John Prine, Steve Earle), the respect Lucinda gets from her peers and fans far outweighs her own commercial success. It’s probably the sort of acclaim she’d value more. Williams’ songs have been covered by her elders alongside a wide array of younger folk and indie artists. Earle, in fact, has called the album he co-produced, Car Wheels on a Gravel Road, “one of the best things I’ve ever been involved in.”

None other than Bob Dylan himself, when he played her take on “Change the Locks” (covered twice on our list) on his Theme Time Radio Hour, compared her to Bessie Smith, calling her “another strong-hearted spirited woman.” He added cheekily, “Time Magazine called her America’s best songwriter in 2002. I guess I was out of town.”

Below, we’ve rounded up 25 equally strong-hearted, spirited covers. Lucinda, who turns 70 today, is no slouch at covers herself – don’t miss her recent Lu’s Jukebox series. But for her birthday, we honor her songwriting and let other artists do the heavy lifting.

25. John Mellencamp – Lafayette

Lucinda Williams’ first album was a collection of covers, but her second, Happy Woman Blues, consisted of all originals, kicked off by “Lafayette” – the first of her songs about her native Louisiana, but certainly not the last. It’s about how the singer misses Lafayette and how it took leaving to appreciate it, so she’s coming back. Because Lafayette is the center of Cajun culture, the song is fittingly a country/zydeco mix, and focuses on the eating, drinking, dancing and other wild times that she looks forward to repeating. John Mellencamp’s 2003 album Trouble No More was a collection of (mostly) blues and folk covers, and his spare take on “Lafayette” is more country-blues than Cajun. His gruff lead vocals are sometimes overshadowed by the twangy female background singer, but it’s a worthy effort. – Jordan Becker

24. Jimbo Mathus – Lake Charles


Picking a single track off Solo Blues Guitar: Jimbo Mathus Performs Lucinda Williams Car Wheels on a Gravel Road kind of defeats the purpose. As you can probably guess from that album title, it’s Mathus, of Squirrel Nut Zippers fame, performing Lucinda’s most iconic album in full (on, as the tin says, solo blues guitar). It’s a beautiful listen that you can hone in on or just let add atmosphere in the background. But, since we have to highlight one, “Lake Charles” will give you a good taste of his combination of finger picking and slide on that beautiful resonator guitar. – Ray Padgett

23. Dennis Mac Namara – I Envy the Wind


If there were a church devoted solely to unrequited love, where all those in the throes gathered to commiserate, “I Envy The Wind” would be the lead hymn in the songbook. Why this song has been covered so sparingly over the years remains a mystery. Hyperbolic hot take coming, but if ever a song was powerful and poised enough to knock “Hallelujah” off its ubiquitous and over-covered pedestal, “I Envy The Wind” is it. Dennis Mac Namera’s skeletal acoustic cover is home to a stunner of vocal performance, equal parts booming and fragile. The heartache and longing are oh so palpable, as is Mac Namera’s unabashed admiration for the song itself. Let us pray. – Hope Silverman

22. Peter Gallagher – Still I Long For Your Kiss

Lest anyone forget, Williams is every bit as much a singer and interpreter of the blues as she is of the broader country/Americana slant she is usually associated with. Check out her aforementioned first album, 1979’s Ramblin’ On My Mind, a set of largely nothing but the blues, Sleepy John Estes, Robert Johnson and the like, with a token Hank Williams for good measure. Sure, her own version of “Still I Long For Your Kiss” carries a bluesy hint, but it took this fella to strip it right back, delectably so. This fella? Peter Gallagher. You’ll know him as an actor in loads of films and TV. But, as this clip shows, he can sing, really sing. This comes from a record he made in 2005, Seven Days In Memphis, of Southern soul belters backed by a crew of the best session men that producer Steve Cropper could find. The other singer here is his TV wife from The O.C., Kelly Rowan. – Seuras Og

21. Angel Olsen – Greenville


Angel Olsen dropped two terrific covers last June. Her version of Dylan’s “One Too Many Mornings,” recorded for the TV show Shining Girls, features haunting electronic textures underpinning her voice. It’s a surprisingly un-folky cover of one of Bob’s early folk songs. Alas, it came a year too late for our Best Bob Dylan Covers list. Her version of of Lucinda Williams’ Car Wheels on a Gravel Road standout “Greenville” though is just as good, guitar echoing behind her mesmerizing double-tracked vocals. – Ray Padgett

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Jan 042022
 
new elliott smith covers

For months, veteran Washington State indie label Kill Rock Stars has been trickling out tracks from its thirtieth birthday comp Stars Rock Kill, but over the holidays that trickle became a flood. After a bunch more singles dropped in December, the full album landed on New Year’s Eve. It’s 63 tracks long, all new covers of songs by the label’s artists. Leading the pack was Elliott Smith, who got covered thirteen separate times. And in a sign of the depth of his catalog, every single artist picked a different song. Continue reading »