“Fly Away”, the fourth single from Lenny Kravitz‘s fifth album, was one of his biggest hits, and the biggest since “Are You Gonna Go My Way”. Arguably the two most iconic parts of the song are the song’s simple riff and what sounds like a slap bass. But both of these are completely absent in the new semi- acoustic cover by roots outfit Larkin Poe.
First Aid Kit has made their fair share of appearances on Cover Me over the years. This time their beautiful cascading voices cover Ted Gärdestad’s “Come Give Me Love.” The band’s signature is bright 70s folk sounds, and “Come Give Me Love” is right up their alley. They covered the song in the original Swedish and English with their own version of the translated lyrics.
Released in March of 1966, “Eight Miles High” was one of the Byrds’ biggest hit after they abandoned their signature folk rock for riskier sounds. It is also a convenient signpost for the beginning of the Psychedelic Era – whether or it it was actually the first truly “psychedelic” song, with its droning bass and its free jazz-inspired guitar fills, it was pretty close to the first hit song to so clearly embrace both Indian music and jazz. It’s a landmark, in other words; arguably one of the most important singles of the decade even if it wasn’t a Top 10 hit. (A radio ban due to its controversial lyrics is usually credited for this lack of commercial success.)
Brett Eldredge has put a country spin on Billie Eilish’s “When the Party’s Over” for his new single. The song was recorded live at Glasgow, one of Eldredge’s last shows during the European leg of his recent tour.
Azure Ryder’s debut appearance on Triple J’s Like A Version saw her performing a somber version of Dua Lipa’s “Don’t Start Now.” The cover is another paired down version of summer hit pop song. But it’s clear the song holds meaning for the Australian artist who seamlessly transitions the song into her own indie-folk sound.
Just when you thought you heard this summer’s number-one hit “Watermelon Sugar” enough, British pop singer Anne-Marie spices up the song with a BBC Radio 1 Live Lounge cover. Harry Styles‘ original is a euphoric symphony of sounds, and Anne-Marie pairs it down. A cellist is a beautiful addition and the light shaker sound adds a nice flair. The cover holds on to the feeling of summer while even while the calendar slips into September.