We’ve featured singer-songwriter Thao Nguyen, until recently of Thao & the Get Down Stay Down, on Cover Me a number of times over the years, as she’s covered songs from the past from multiple genres. Now that she’s gone out on her own, she’s chosen to cover a slightly more recent song. The surprising thing is that she picks, as she explains in the video, a song she doesn’t even that well: Björk’s “Human Behavior.” Continue reading »
The Todd Terry remix of “Missing” changed Everything But the Girl’s entire career. “Missing” was the band’s biggest hit ever, going to #3 in the UK and #2 in the US. Originally a jangle-pop/alternative pop duo with a bit of a jazz, they altered their sound to follow up on the surprise success of the remix, and they began incorporating much more dance music. Continue reading »
Folk rockers The Lumineers have already popped up on Cover Me a few times, covering hits from the ’70s, ’80s and ’90s, usually in fairly faithful but stripped down versions. Now they’ve recorded The Cure’s “Just Like Heaven” as a bonus track for their latest album for Record Store Day. Continue reading »
“Love Gun,” the title track to KISS’ 6th album, is not one of their bigger hits but is regarded by lead singer Paul Stanley as one of their signature songs. Like most of KISS’ repertoire, it’s fairly straightforward arena rock with lyrics that don’t leave much to the imagination. But it features a fun, scale-climbing solo by Ace Frehley, some bolero-esque breaks and the bass part practically dances. Continue reading »
Bacharach and David’s oft-covered “I Just Don’t Know What to Do with Myself” was first a hit outside of North America for Dusty Springfield and then in North America for Dionne Warwick. For younger people, the most famous version is probably that of The White Stripes, whose version did pretty well in the charts too.
The most famous covers of the song stick to a pretty similar tempo and feel – even the White Stripes cover, despite upping the volume considerably. But, on his new version from forthcoming EP Love Letters, Bryan Ferry slows down the pace of the song considerably and, despite the presence of a string section, he dials back on the emotion considerably. It’s pretty subdued performance for a song that routinely lends itself to histrionics. Continue reading »
Pink Floyd were one of the ’70s prog rock bands to embrace epic-length tracks. They started experimenting with the form with the title track to 1968’s A Saucerful of Secrets, then got more ambitious a few years later with the title track to 1970’s Atom Heart Mother, a side-long composition cowritten with composer Ron Geesin. 1971 brought “Echoes” from Meddle, then they created probably their most famous iteration with “Shine On You Crazy Diamond” on 1975’s Wish You Were Here. Continue reading »