May 272020
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Reneé Dominique

Reneé Dominique grew up in Manila, the capital of the Philippines. She has become quite the YouTube sensation over the years. Since she started her channel in 2013 she has amassed over a million subscribers. Known for her guitar and ukulele covers, she also performs original work (including a single with Jason Mraz).

Domique brings an easy listening style to a variety of both classic and modern tunes. Like most YouTubers do, she records many of her songs indoors. However, in some of her videos she brings us a taste of the outdoors by accompanying her uplifting sound with some fun scenery. We’ll take a listen to a subset of her collection, a mix of oldies and more contemporary songs, and live vicariously through her past travels.

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May 182020
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Alex Skolnick routinely straddles the line between two different musical universes. He is known to legions of metalheads as the lead guitarist for the thrash band Testament. Yet, for nearly two decades, he has had a side hustle as a jazz guitarist for the Alex Skolnick Trio, playing an eclectic blend of fusion jazz.

He credits this genre-fluid existence to a moment in the late ‘80s when he was in Ithaca, NY recording Testament’s sophomore album The New Order. According to his memoir, he and a bandmate were flipping through the channels in a hotel when he came across a PBS concert film featuring Miles Davis performing with one of his electric fusion bands. (Given the date and Skolnick’s description it was likely Miles Davis – That’s What Happened: Live in Germany 1987.) “I had to find out more about this music. It had spoken to me, in an almost mysterious way, as though it were reaching out and calling for me to come closer. … I’d soon own more Miles Davis albums than any other artist (even Kiss),” he wrote.

Already an accomplished guitarist, having studied under the legendary instructor Joe Satriani (whose former students include Kirk Hammett and Steve Vai), Skolnick wanted to expand his horizons beyond metal. So, when the recording sessions ended, he tapped several music instructors at his hometown college, the University of California, Berkeley, to help him expand his skills.

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May 132020
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Radka Toneff

Up until a few years ago, I had no idea who Radka Toneff was. I stumbled upon her only because I was doing what what all Cover Me nerds do in their spare moments: looking for cover versions of their favorite songs (in my own case it’s to add a little spice to my specific-song-themed-playlist situation because I’m a deluxe version nerd). Continue reading »

May 052020
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Paola Bennet

Paola Bennet uploaded her first cover to YouTube in 2010. Since then, she has posted over 60 videos of covers and original songs. The videos themselves are nothing fancy; they have a simple background and feature Bennet and her acoustic guitar. However, the sound that the videos showcase is of much higher quality than your typical self-made acoustic guitar cover appearing on YouTube. Her voice has an impressive range and she  wields it with sure control.

Bennet self-identifies her music as living in the “sadgirl folk” genre, which is extremely relatable. What better way to welcome the sunshine during quarantine than to listen to some nostalgic, acoustic guitar covers, executed with poise and grace? In this post we’ll showcase a sample of Bennet’s covers throughout the years.

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Apr 032020
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Joe Pernice

If Joe Pernice flies below the radar, it’s seemingly with a bit of pride, or blithe indifference. Consider the title of his live concert DVD: “Nobody’s Watching/Nobody’s Listening.” That didn’t come from a branding consultant.

He’s released 17 recordings over the years, but all under different monikers. The Scud Mountain Boys, Pernice Brothers, Chappaquiddick Skyline, Roger Lion, and The New Mendicants, to name a few. He’s even recorded and performed as Joe Pernice on occasion. A restless artist unconcerned with continuity, he’ll disband a band only to reform it decades later. He’s been known to ditch a completed album at the final mixing phase. And now and then Pernice falls into radio silence: during those stretches he is writing poetry, fiction, and (to pay bills) tv cop show scripts. However an artist gets on the radar in the music biz, this is not the recommended flight path.

Nothing changes the fact that Pernice is a top-notch singer and composer. When it comes to covers, his choices are inspired. They appear quirky at first, or even jokey in some cases. But then you listen, getting drawn in by Pernice’s plaintive voice. You then get stirred, you find new admiration for a song that you had condescended to or shrugged off. The song needed the Pernice treatment to get through.

See for yourself. Here’s a half-dozen choice covers from a quarter-century worth of Joe Pernice output. Add them to a playlist and name it “Somebody’s Watching/Somebody’s Listening.” Continue reading »

Under the Radar: Sweep

 Posted by at 12:00 pm  1 Response »
Apr 022020
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

SWEEP

Regular readers might not all be aware of erstwhile UK teatime favorites, the TV duo of Sooty and Sweep. Whilst the show limps on in several formats, time has not always been kind to Sweep, a roan cocker spaniel who first made his performing debut, astonishingly, as far back as 1957, and he has had to learn to adjust to the changing demands of a fickle audience. In the last year or so he has discovered a powerful and emotive singing voice: previously able only to vocalize in a fashion understandable to his close colleagues and family, he has learnt how to sing. Whilst this is not fully understood, this is perhaps akin to a stroke victim retaining or recouping the power of song ahead of the return of speech. and, although he can now speak, this famously first taking place on air in 2014, song still remains easier.

Sweep, always a keen musician anyway, through his longstanding membership of the Sooty Braden Showband between the late ’60s and early ’70s, has produced, to date, 186 videos, encompassing all genres and styles. These are usually solo acapella performances, he proving himself adept at maintaining rhythm with clapped hands and vocal beatbox effects, much in the style of Bobby McFerrin, with polyphony and multiphony.
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