Feb 062026
 

John Martyn Project Vol 2The John Martyn Project’s first album was one of our Albums of the Year in 2025. The six expert musicians who comprise the occasional collective captured the energy and innovation of their long-standing live show and put it on disc, providing an exquisite rendition of songs that sound great with a rapt audience in front of them.

For The John Martyn Project Volume 2, the band has expanded their vista and ambition, taking the listener on a journey through a wider range of Martyn’s capabilities, but, much more challengingly, they attempt to capture the moods of a man well-known for his extremes of emotion. It is an amazing journey.
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Feb 032026
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

If there was a lifetime achievement award for cover songs, Bob Weir would certainly be a recipient.

Weir, who passed away on January 10 at the age of 78, had a career that spanned more than 60 years. As a member of the Grateful Dead, its various spinoffs (Furthur, the Dead, Dead and Company), as well as numerous solo projects and collaborations, Weir played and sang on countless cover songs. Since a majority of his live performances were recorded or preserved in some way, he left behind an immense body of material that spans his entire career.
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Feb 022026
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

The Clash covers

“We are The Clash!” they sang on their final album. The artists below are not The Clash (even if one of them, in covering that very song, says they are). For the most part, they sound nothing like The Clash. It turns out, though, that Clash songs sound great in a wide array of styles, from trip-hop electronic to orchestral pop, olde-time a cappella to walking-bass lounge jazz.

Go straight to our clampdown—sorry, countdown—of the 30 best Clash covers on the next page.

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Jan 262026
 

Were he still alive, Warren Zevon would be on a roll, scarcely able to believe the belated acclaim coming his way. Of course, plaudits came his way in life, but Zevon was the epitome of a cult artist, beloved more by critics and other musicians than necessarily a buying public. It’s fair to say his songs tended more to niche listeners, with a taste for the left field. That sure describes a lot of us here at Cover Me, and we have endeavored to keep his flame alight, in our own small way.

“Mr. Zevon had a pulp-fiction imagination,” said the New York Times, and they weren’t wrong. If his most celebrated song was about werewolves, that was not unique, as other songs were to celebrate, if that is the right word, child serial killers and headless mercenaries. With a penchant for the dark side, Zevon was unafraid to tackle the most unusual of inspirations, while at the same time being able to pen some of the tenderest and gentlest of love songs. Truly a paradox.

Now here is Keep Me In Your Heart, a double album containing a wide selection of his songs, covered by a large cast of peers and acolytes. Curated by Long Island record label Paradiddle Records, this set is populated more by jobbing musicians on that local circuit, rather than the bigger names that gathered for a tribute concert in L.A. last fall, or indeed, the ones on his earlier tribute album, 2004’s Enjoy Every Sandwich. As such there is allowed a greater scrutiny of the song and the performance, over any recognition of already established voices and styles. Having said, there are a few higher profiles present also, a memento of how well appreciated was Zevon as a writer, by his colleagues and contemporaries.
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Jan 232026
 

Some covers are more equal than others. Good, Better, Best looks at three covers and decides who takes home the gold, the silver, and the bronze.

Need You Tonight

As booty call songs go, INXS’s “Need You Tonight” is as hot, sweaty, and ’80s as it gets. Never rhyming once, Michael Hutchence seduces with words, breaths, and dance moves that I guarantee young men practiced in front of their MTV screens. Meanwhile, the rest of the band matches him with a groove that shows no mercy and no signs of stopping, even as it stops (twice!) before song’s end.

Can a song that’s fast approaching its 40th birthday still sound fresh? Absolutely yes – and it doesn’t need people covering it to sound that way. But as it so happens, people do cover it, and not infrequently. Most of the cover artists keep That Riff, so as to keep relentlessness as one of the song’s eternal perks. But some went further with it. Here are a few of them.

So who earns the bluest of blue ribbons? Well…

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Jan 192026
 

Song Sung BlueA few years ago, when I was staying at the von Trapp family’s hotel in Northern Vermont, I attended a presentation about their family history. In the talk, they discussed the differences between The Sound of Music and their actual story.

They said the plotline about Captain von Trapp refusing to let the children play outside was particularly laughable. As a military man, they noted, he encouraged all sorts of outdoor activity.

I thought of this recently when reading about the film Song Sung Blue. The movie tells the story of husband and wife duo Mike and Claire Sardina, whose Neil Diamond tribute band, Lightning and Thunder, rose to local fame in the Milwaukee area.

Mike Sardina’s son from another marriage, Mike Jr., has criticized and denounced the film for its factual inaccuracies saying: “Everybody thinks it’s such a wonderful film, it’s so touching. It’s all lies.”

Claire, aka Thunder, has taken a different view, saying in one interview that “They captured it wonderfully. The chronological order wasn’t exactly on target completely. But, you know, the story is ‘based on a true story’ as they say and it’s more Hollywood in parts.” She has even performed live with the film’s stars Hugh Jackman and Kate Hudson.

Anytime a “true story” is transferred to film, certain elements of the story are bound to be lost, perhaps even more so in musicals. Real life is often far messier. One truth that I thought the film captured perfectly was the joy of seeing a great band play at a less than pristine venue. There’s that moment when the music takes you out of that time and place, if only for a brief second, before life comes crashing back in.
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