Jun 122010
 

Cover Commissions is a monthly series in which a featured artist covers a reader-selected song for this blog. Any artists interested in participating, contact us.

June’s Commissions artist Corey TuT has been rocking his way around New York City for the past ten years, playing legendary venues like Joe’s Pub and CBGB. His poppy punk is what you imagine modern rock radio should sound like (as opposed to the Nickelback garbage they actually play). It’s like Social Distortion if Social Distortion had tried to write hit singles.

Corey’s latest album is Everything and we’ve a track from it below. “So What?” has been featured everywhere from the CW show Life Unexpected to a Totino’s Pizza Roll commercial (so if it makes you hungry, you know why).
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May 202010
 

Cover Commissions is a monthly series in which a featured artist covers a reader-selected song for this blog. Any artists interested in participating, email me.

Christina Cone comes to us by way of Brooklyn, where she’s steadily developing a following.  The whole girl-on-piano thing inevitably leads to Norah Jones comparisons, but if you’ve got to go there Regina Spektor makes a better reference point.  Cone’s poppy melodies push her well beyond jazz-lite torch songs while her occasional vocal riffing sounds straight out of Spektor’s “Fidelity.”
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May 062010
 

Cover Commissions is a monthly series in which a featured artist covers a reader-selected song for this blog. Any artists interested in participating, email me.

Once upon a time, not so long ago…

A song covered as often as “Livin’ on a Prayer” presents a challenge to any artist.  When big haired Bon Jovi narrowly beat littler haired Arcade Fire in last month’s Cover Commissions poll though, Coconut and the Duke accepted that challenge.  The people had spoken, but could the Wisconsin duo ring any more life from the song that spawned a million fist-pumps?

They delivered in spades.  It’s folk, it’s jazz; it’s ironic, it’s sincere; it’s Mark Knopfler, it’s Dean Martin.  It’s hard to describe.  I’ll turn it over to them.

Coconut writes:



I talked to a former record store owner from Minneapolis (Roadrunner and Aardvark) who said he’d never heard Bon Jovi’s song ‘Living on a Prayer’.  That impressed me.  He said he “probably sold a lot of their records, but he didn’t see any reason to play their music”.  This song had to be one of the most popular of the 80’s.  If you didn’t listen to it, eventually, you were forced to hear it.  I thought this song would make a good cover mainly because I am interested in the final days of the record store music industry.  Where people went in and talked to an employee or other audiophile about who is making interesting music.  My reason for singing it is more nostalgia for an era than for a particular song.  Now more than ever, artists are ‘Living on a Prayer’ .  



The Duke writes:



When ‘Living On A Prayer’ was voted in by your readers, my first thoughts were: Let’s do it a la Frank Sinatra (another great New Jersey export).  But then I realized, to pull off Old Blue Eyes, we would need that Big Band sound.   A challenge to say the least.  I wanted to stick to a jazz style, as jazz is a big part of our Invasive Folk sound.  Joe and I bounced around some chord changes and different jazz styles, ultimately going with one of our favorite tunes.  After laying down some basic tracks, it took Coconut and I a few takes to “find” the song.  First there was too many instruments.  Then, the vocals needed developing.  After filling the song with loads of instruments and vocal overdubs, we realized less was more.  ’80s hair bands were known for excess.  We wanted our version to stray from BJ’s, using ukulele, electric guitar, mandolin, bass and simple vocals.

“Stray from BJ’s” it certainly does.  You ain’t never heard “Livin’ on a Prayer” like this!

Coconut and the Duke – Livin’ on a Prayer (Bon Jovi)

Check out more Coconut and the Duke at their website, MySpace or CD Baby.

This mp3 may be freely shared with the artist’s blessing. Post it on your blog, send it to your friends, tweet it to the world. When you do though, please include a link to this site to promote future installments of Cover Commissions.

Apr 292010
 

Cover Commissions is a monthly series in which a featured artist covers a reader-selected song for this blog. Any artists interested in participating, email me.

We Are the Willows first hit the Cover Me radar back in December.  Minnesota songwriter Peter Miller’s ethereal singing entranced us, sounding like the Beach Boys if you removed everything but the highest harmony.  We knew that voice would create some unique covers.

Readers selected from songs by Imogen Heap and the Shins, but perennial underdog Randy Newman took the crown with “Political Science.”  As everyone knows, a Cover Commissions victory makes up for an Oscar loss.  Miller describes his approach:

I fell in love with this song because it was covered by one of my favorite bands, Pedro the Lion.  I really love basically anything David Bazan does and when I heard his cover of Political Science I really wanted to play it as well.  Randy Newman’s version is of course, also awesome.  I play this song at almost every show when I play solo.

One of my favorite parts about how this song turned out is that at the end there are these background “oooh’s” that sound like sirens and they are under the last verse about bombing all these other countries.  I didn’t really plan on that.  I recorded this song in my basement in Minneapolis, MN.

We Are the Willows – Political Science (Randy Newman)

On a roll, Miller recorded one of the other nominees: “Make the World Go Away,” by country music pioneer Eddy Arnold.  There’s a morbid humor in pairing a song called “Make the World Go Away” with one that implores us to “drop the big one.”  Well played, Peter.

This was one of my Grandpa’s favorite songs.  He was a real romantic guy and a very tender soul.  I played this song at his funeral and ever since it’s really stuck with me.  I know that seems sorta masochistic, but there is something about playing that song that keeps my grandpa alive in some way.  This song features Karin Hasse who plays in We Are the Willows when we play live.  This song was recorded by Danny Wolf in Madrid, Iowa.

We Are the Willows – Make the World Go Away  (Eddy Arnold)

Check out more We Are the Willows at MySpace, iTunes and Minnesota Public Radio.

This mp3 may be freely shared with the artist’s blessing. Post it on your blog, send it to your friends, tweet it to the world. When you do though, please include a link to this site to promote future installments of Cover Commissions.

Apr 012010
 

Cover Commissions is a monthly series in which a featured artist produces a special cover for this blog. Readers choose the song from a list of suggestions provided by the artist. Any artists interested in participating in a future installment, please email Cover Me at the address on the right.


Once upon a time there were two young men going to college in Wisconsin. Being in Wisconsin, they didn’t have much to do except eat cheese and be cold. One day Student A (Joe Maurer) heard Student B (Lucas Stangl) rocking out in his dorm room. He invited him over for a jam session.

Coconut and the Duke was born.

One jam session became many jam sessions. Wisconsin became Pennsylvania-New York. College became the real world. Over the years Joe and Lucas kept recording, eventually releasing EP and, last year, an album, In the Bamboo Forest.

Joe (Coconut) and Lucas (the Duke) describe their music as “invasive folk,” which is as good a term as any. Their songs have hilarious names like “Venison Jerky” and “Skinny Dipping with Your Hot Sister,” but are delicately produced acoustic jams that incorporate mandolin and ukulele. Check out In the Bamboo Forest at CD Baby or iTunes, then head to their website to download their 2008 We’ll All Be Homemade Boats Someday EP for free.

Last August the duo began a “Cover of the Month” series on their website. Since kicking things off with Eddie Money’s “Two Tickets to Paradise,” they’ve tackled everyone from the Red Hot Chili Peppers to Jesus Christ: Superstar. Here’s a couple samples — get the rest at their site.

Coconut and the Duke – Music to Watch Girls By (Andy Williams)

Coconut and the Duke – Walcott (Vampire Weekend)

This month, they’re doing a special cover as April’s Cover Commissions artist. What song? It’s your call.

Each of the ten choices below is linked to a YouTube video. Listen to the originals, listen to Coconut and the Duke, then vote for what song you want to hear them tackle in the poll on the right.


Voting closes in one week, so get deciding! Vote in the poll on the right.

Mar 182010
 

Cover Commissions is a monthly series in which a featured artist covers a reader-selected song for this blog. Any artists interested in participating, email me at the address on the right.


I consider one month a fast Cover Commissions turnaround, but this is just ridiculous. The polling for Tinyfolk’s Commissions closed just one week ago and we’ve already got the finished cover. Two versions of it in fact. Plus a bonus track!

Voting almost hit a three-way tie between Taylor Swift (“You Belong With Me”), Elton John and Jeremy Irons (“Be Prepared”) and Bonnie Tyler (“Total Eclipse of the Heart”), but in the end the ‘80s fans won out. Maybe synth solos are more popular than previously believed or maybe folks had seen the recent “literal video” for “Total Eclipse” that’s been making the rounds.

Taking on any song by legendarily epic songwriter Jim Steinman is a daunting task to be sure. There’s a reason there aren’t many “Paradise by the Dashboard Light” covers out there. Tinyfolk’s Russ Woods describes how he approached Bonnie’s epic ballad:

I’m pretty glad this got picked. I’m a huge Jim Steinman fan. I love his work with Bonnie Tyler, Meat Loaf, and yes, even Celine Dion. I’ve seen Streets of Fire, and own a CD of music from the German-language musical Tanz Der Vampire that Steinman scored. I’ve never covered one of his songs because they’re huge and epic and kind of intimidating. I put this on the list as a way to force myself to try it if it got picked. And it did.



We ended up with two different takes, one a bit dancier and one a bit folkier. Both involve me having to use the far extremes of my vocal range more than any song I’ve ever recorded. James Eric and I recorded them on Sunday after finishing up recording the new Tinyfolk album, Black Bears, which he produced. So, big thanks to James Eric, aka Garden on a Trampoline, for helping out.

Just like James did for us a year ago with his two versions of Devo’s “Beautiful World” and one of MGMT’s “Time to Pretend” (download them here), Russ has sent in not one cover, but three. First up, the Commissions winner. Turn around…

Tinyfolk ft. G.O.A.T. – Total Eclipse of the Heart (Dance Version) (Bonnie Tyler)

Tinyfolk ft. G.O.A.T. – Total Eclipse of the Heart (Folk Version) (Bonnie Tyler)

Apparently still having time to kill, Tinyfolk also tackled one of the other poll options: “Do Your Best.”

Tinyfolk – Do Your Best (John Maus)

Check out more Tinyfolk at CLLCT, Muxtape, Last.FM and Rain Above Records.

These mp3s may be freely shared with the artist’s blessing. Post them on your blog, send them to your friends, tweet them to the world. When you share these though, please include a link to this site. Check back for future Cover Commissions installments.