

‘The Best Covers Ever’ series counts down our favorite covers of great artists.
This year, Billie Eilish is nominated for a bunch of Grammys. Then again, it feels like you could say that every year. (In fact, I just checked, and you could: She’s been nominated for multiple Grammys every year since 2019). The streak began for her very first album, where she became only the second artist ever to sweep every category in the so-called “Big Four” (after Christopher Cross in 1981) and has continued ever since. She is the ultimate Grammys Darling.
But being a Grammys Darling is perhaps a mixed blessing. Grammys voters are not known for their cool, cutting-edge musical taste (see, again, Christopher Cross). What’s remarkable about Billie Eilish is that her music is cool and cutting edge. She’s not just someone out-of-touch Recording Academy elders think of as a pop star; she is an actual, bonafide pop star! Grammy voters love her, and so do their (grand)kids.
So before this weekend’s awards ceremony, we’re celebrating Billie Eilish our own way: By sharing some great covers of her songs. For an artist with only three full-length albums so far, her songs get covered a lot. Not just the big singles either, though there’s no shortage of those. Album cuts, pre-album singles, loosies, and EP tracks – they’re all here.
And the Coverme goes to…
This cover delivers on the ominous tone of the original, with white noise fizzling in the beginning and firm electric guitar strums getting louder and louder as the song begins. Both the drums and guitar then further punctuate the “one by one by one” lines throughout. There are some subtle changes to the tune in the second verse, and singer Brittany Smith is joined by some haunting background vocals. Smith then goes on to take some vocal runs out for a spin in the ending chorus, fitting for the confidence of “you should see me in a crown.” — Sara Stoudt
Shamir is fully emergent as that most precious of sounds, the R&B-schooled countertenor. No matter whether the arrangement is lush and physical or lush and GarageBand-created, his voice radiates and shines. He may be looking down on the cover art, but he is soaring vocally. For his version of “Ocean Eyes,” he makes his case that he has fully emerged from his chrysalis by having a butterfly in the background. “I am here and I sound beautiful, and I should be heard.” It’s a wonderful show by a remarkable talent. — Mike Tobyn
The original song’s heartfelt message is even more poignant in this cover which keeps things simple, removing the many production elements of the original: The noise interference, the R&B-style background murmurs, the syncopated high hat and drum pedal. Then, that all starts to fade away. The original closes with simple piano, and that could serve as a transition to this more sparse cover. Here it is just Daly and an acoustic guitar, with percussion elements rendered by tapping on the guitar itself. — Sara Stoudt
“When the Party’s Over” is one of 2018’s most iconic pop music videos. So what happens when an indie-folk artist takes it on? In the hands of Phoebe Bridgers, we are treated to a version with unexpected instrumentation and hard panning. The vocals are featured only on the left side of the track, while a piano with audible action gives the cover a quaint and close-up feel. Finally, ethereal and far-off backup vocals make a cameo. — Aleah Fitzwater
This cover of the Academy Award-winning theme from Barbie “What Was I Made For” is not technically funny. But when it hits the 1:39 mark, it’s hard not to laugh. That’s the moment when Lauren Babic turns from daydreamy sweetheart to metallic freakin’ monster, unleashes her booming typhoon of a voice and proceeds to knock all and sundry on their asses. This is no endearing novelty, as many metal covers of pop songs tend to be; what Babic is doing here is serious business. Get out of the way or be steamrolled to oblivion. — Hope Silverman
Follow all our Best of 2024 coverage (along with previous year-end lists) here.
Welcome to the 50 Best Tom Petty Covers of 2024!
We kid, of course. But for whatever reason, this year’s big trend in covers was: Tom Petty. At one point there were something like 20 Petty covers on our longlist. Many came from two all-star tribute albums that dropped, entirely coincidentally, the same year (they both made our Best Albums list). We narrowed it down, of course. Three Petty covers ended up in this Top 50, one not even from those albums. Then, just this week, another high-profile Petty cover dropped: Snoop and Jelly Roll reworking “Last Dance for Mary Jane”! Suffice to say that one wouldn’t have been a contender even if it hadn’t arrived too late.
That was the big surprise trend in 2024 covers. The less-surprising trend you could have called from a mile out: The new wave of young pop divas—Chappell, Sabrina, Charli—got covered a lot. We could have done an entire 50-song list of their covers, too (the “Good Luck Babe”s alone!). But, if we had, we would have missed out on gospel R.E.M. and country The Weeknd and electropop Mott the Hoople and soul Green Day and… you know what, just read the list.
(Moo-chas gracias and Deng-ke schoen to Hope Silverman for this year’s tiny-hippo art.)
Follow all our Best of 2024 coverage (along with previous year-end lists) here.
A great cover song is hard enough to pull off. Doing it over and over again enough times to make a great cover album is something like a miracle. This year, miracles abounded. We awarded only the third or fourth five-star album in the site’s history. That’s our number one, naturally. But if we’d run a full review of our number two album, it might have gotten five stars too.
Our list includes tributes to everyone from Lou Reed to Low to Tom Petty—twice. It includes jammy experimental covers of ’90s alt-rock, fingerpicked guitar covers of Kraftwerk, and skankin’ ska covers of Weird Al. It translates Leonard Cohen into Hebrew and Talking Heads into Spanish. It honors Fleetwood Mac before Fleetwood Mac and deeper Bob Dylan cuts than you can imagine. (Seriously, imagine the most obscure Bob Dylan song you can. These are more obscure than that.) It was that kind of year.
Austin rockers Farmer’s Wife go full shoegaze-psych on this Donovan cover just in time for Halloween. They write: “Our cover of ‘Season of the Witch’ materialized out of a drum beat and pedal feedback two Halloweens ago. This creepy classic opened us to more experimentation and allowed us to dive into an eerier side of our sound.”
The late Don Heffington was an acclaimed drummer, so, naturally, his new tribute album includes drum greats like Jim Keltner. But he was also a singer-songwriter, so friends and collaborators like Jackson Browne, Victoria Williams, and Fiona Apple cover his songs. Apple selected “Lately,” the closing song on the final solo studio album of his lifetime, 2016’s Contemporary Abstractions in Folk Song and Dance. Continue reading »
‘The Best Covers Ever’ series counts down our favorite covers of great artists.
When the Rock and Roll Hall of Fame class of 2024 was announced, we polled our Patreon supporters and asked, Who should get the big Best Covers Ever countdown treatment: Foreigner, Tribe, Frampton, Kool (with Gang), Mary J., Cher, Dave (with Band), or Ozzy? And the winner… well, you can probably guess from the photo an inch above this paragraph. Cher!
(We also did different covers features on the other seven though—find them all here.)
There’s big, there’s Big, and then there’s Cher Big. At the time of her ‘70s run of smashes—already a decade after she first scored all-time-classic hits with Sonny & Cher—she was the female solo artist with the most number-one singles in US history. She is currently is the only solo artist to have a number-one single on a Billboard chart in seven consecutive decades, from the 1960s to the 2020s. Her most-covered song, “Believe,” came out a full 33 years into her professional career. That’s one hell of a run. What other pop star has released their biggest song in their 50s?
So today, we’re celebrating Cher with covers of all her hits, both with and without Sonny, and a few deep cuts. Though, let’s be honest, Cher is a hits machine, and not many artists cover her deep cuts. We easily could have done this whole 30-song list with just “Believe” covers (and, even paring them down, there’s still plenty of life after love here). Welcome to the Rock Hall, Cher!