Oct 242025
 
sugardeer man in black cover

Though Johnny Cash was nicknamed The Man in Black due to his distinctive look, and everyone knows who you are talking about if you reference that nickname, the song he wrote to explain his getup was not one of his biggest hits. Nor is it among his very best remembered songs: it is barely in the Top 25 in streams and it has something like one tenth the covers “Walk the Line” has. Though “Man in Black” is a protest song, it is obviously so associated with Cash the man that the lack of covers makes sense, even for a song that was once a #3 Country hit. Continue reading »

Sep 162025
 
Kate Stables Jesca Hoop Lail Arad

Kate Stables, Jesca Hoop and Lail Arad have been touring a Joni Mitchell tribute since April 2024. Stables is the frontwoman of English indie folk rockers This Is the Kit. Hoop is an American singer-songwriter with a diverse sound who has been releasing albums for over 15 years. And Arad is a singer-guitarist also from the UK. All three have a history of recording covers prior to this Joni Mitchell tribute project. Continue reading »

Aug 072025
 
Sweet Nobody

I feel like it’s safe to say Joanna Newson is an acquired taste. Though we’ve written about a number of covers of her work here at Cover Me, there aren’t all that many overall. Her output is rather small but my guess is that the harpist’s voice is just too, um, distinct for a lot of people. But if you can get over that, she’s a great songwriter with a playful side. (And she plays the harp! One of the cooler instruments.)

California indie poppers Sweet Nobody are here to help neophytes appreciate Newsom’s songs. They’ve covered three songs from her somehow 21-year-old debut album, The Milk-Eyed Mender. And unlike that original album, which has a very consistent style, Sweet Nobody have chosen to perform the three tracks in differing musical arrangements. Continue reading »

Jul 222025
 
AJ Lee and Blue Summit

“I’m A Believer” is far and away The Monkees‘ most popular song and, as a result, one of Neil Diamond‘s as well. No other Neil Diamond song has been covered as much as “I’m a Believer,” though “Sweet Caroline” is streamed significantly more nowadays than The Monkees’ biggest hit. Shrek helped with this too, of course. It’s one of those ubiquitous songs that can feel a little overplayed, in either of its most famous versions.

We last heard from mandolinist and singer AJ Lee when she joined The Brothers Comatose for “Harvest Moon.” She and her bluegrass band Blue Summit have been releasing music and touring for over half a decade. So I think the natural thing is to assume that this bluegrass cover of “I’m a Believer” is going to be high energy, as that’s often the case with bluegrass covers, especially those of pop songs that are already upbeat. But, instead, Blue Summit throw us a curveball, treating the song as a ballad. Continue reading »

Jul 212025
 
mark ward

Though “Sundown” was the biggest hit at the time, and manages more streams in the present, “If You Could Read My Mind” feels like Gordon Lightfoot‘s biggest song. Maybe that’s because of all the covers – it has been covered something like 30 more times than any other Lightfoot song (nearly 4 times as much as “Sundown”). And, of course, there was that weird ’90s dance pop  cover that was a hit too, the only Lightfoot cover to be such a big (relatively) recent hit. It feels like it’s a bit more in our popular consciousness than “Sundown.”

Mark Ward is an Alaskan-born, Washington-based power pop/roots musician who has been self-releasing albums for the last few years. His latest is a collection of covers called Translator. “If You Could Read My Mind” is the biggest song on the collection. As an aside, Ward’s proximity to Canadian radio is obvious on this record, as fully one third of the songs are originally by Canadian artists.

And since he plays power pop, a power pop cover is what we get, complete with hooky synthesizer. The tempo is upbeat, the drums are strident, the guitars are jangly and The Cars-esque synthesizer introduces a catchy element to focus the song around.

Though Ward sings the lyrics pretty similarly to the original, he does play a bit with the intonation. The result is that there is far less yearning and regret to the performance. If anything, the song now sounds like a bit of a putdown to the other person, albeit a mild one, or the announcement of a clear break with the past, rather than a lament for lost love.

Listen below:

Jul 182025
 
Neo-Magics

“Le Freak” is probably Chic’s definitive song, driven by its insistent chorus and Nile Rodgers’ classic rhythm guitar. The chorus, of course, leads the song, instantly letting everyone know what song it is. It’s one of those songs that everyone is aware of – one of the iconic songs of the disco era. So it takes some guts to drop the chorus from the opening in your cover.  And to drop basically everything else that makes the song so identifiable. Continue reading »