Oct 172025
 

Chrissie Hynde has been a rock star for more than fifty years. The Pretenders have not been together quite that long, but Hynde was already making her name as a girl about town and rock-star-in-waiting in London. She has lived the life full-time for all of that period. It is a surprise, then, that she does not fully appreciate the credit that has accrued with that history, and how people still want to hear what she has to say.

Supporting their tenth Album in 2023, The Pretenders initially booked themselves into smaller venues, before it became clear that they had underestimated the love that the world had for her and the band. Eventually the tour went so well that a live album was made and released. Did Hynde not think she was in the class of National Treasures that could call on her friends to make a duets album? The story is that a friend had to remind her that it was an opportunity, if not a duty, to do so. Consider Duets Special an opportunity/duty fulfilled.
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Sep 082025
 

Jason Molina was the man, the inspiration, the words and, most of all, the voice behind Songs: Ohia, and Magnolia Electric Company. A major force, he died too young, aged 39, a victim of his battle with alcohol, and it is perhaps only now the importance of his legacy is making itself extant. Had he got sober, and maybe a bit happier, he would undoubtedly be where Jason Isbell is now today, Kindred spirits both, each had a canny way around a maudlin melody, built over with keenly observed lyrics, often those born of experience. And boy, was he prolific, issuing a torrent of albums, often more than one a year, as well as leaving a cache of tapes behind for his record company, Secretly Canadian, to slowly sift through.

Those good folk at Run For Cover Records are responsible for this curated compilation, and, in recognition of the circumstances of his passing, 10% of the profits of each copy of I Will Swim to You: A Tribute to Jason Molina will be donated to MusiCares® Mental Health and Addiction Recovery Fund. (Is it me, or is there not an all-too-tragic run of similar recordings just recently?) The contributors tend towards fellow travelers in the dusty outlands of contemporary gothic country noir, the broodier end of Americana, if you must, with MJ Lenderman, Sun June and Hand Habits (Meg Duffy) perhaps the best known. The songs traverse the whole of Molina’s catalog, with one song emanating from his posthumous stash.
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Sep 012025
 

Once Upon a Time in CaliforniaBelinda Carlisle wouldn’t be the first boomer to look back on her formative years through rose-tinteds, as she does on her new release Once Upon a Time in California, and I dare say she won’t be the last. The erstwhile singer of trailblazing L.A. new-wave punkettes, the Go-Go’s, she has been clean and sober these last 20 years, and, if her releases no longer rattle the upper reaches of the charts, she maintains a strong fanbase, especially in the U.K. and Australia.

Given this is Cover Me Songs, it is worth mentioning, if only in passing, the last two albums that Carlisle has made, if only to refute the idea that this project might just represent more of the same. In 2007 she issued Voila, a set of French chansons, sung in that language, and in 2017, Wilder Shores, made up of chants from the Sikh religion, and sung in Punjabi. That’s a bit, different, eh, as are each the albums.

Once Upon a Time in California harks back to safer ground, mostly to the songs of Carlisle’s childhood in Southern California. Rather than seeking to put any new spin on the large print ballads that these most are, it is her voice that is the single identifying factor for the set; it’s mixed high and proud, awash with luscious string arrangements and spry studio polish. Were it not for that voice, this might come across as too much. Amazingly, it doesn’t, unless I too am similarly nostalgic for balmy and long childhood days. Born on Britain’s rainy south coast, I don’t think so, other than in envy.
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Aug 112025
 

Suzy Sings SiebelThere’s a chance the name Paul Siebel might mean nothing to you, but if you’re familiar with the works of Bonnie Raitt or Iain Matthews, you’ll be familiar with some of these songs, both being champions of his writing. Significantly underlooked in his lifetime, his studio recording career was limited to just a pair of albums: Woodsmoke and Oranges in 1970, and Jack-Knife Gypsy a year later, each on the Elektra label, itself a pointer towards the quality therein. Indeed, a quick gander at each of those records displays as stellar a supporting cast as one could want, with the likes of Davids Bromberg and Grisman, Clarence White and Buddy Emmons on hand to gild his lily.

Neither album provided the breakthrough Siebel anticipated or deserved. Time took its toll, with depression and addiction blighting his muse. Give or take a couple of abortive comebacks, he remained largely under the radar, baking bread and/or working for Maryland Parks Department, until his death at 84 in 2022. Hopefully he was able to get some slight comfort from royalty checks, primarily through “Louise,” his best-known song, with upward of 30 covers, including by Raitt, Willy DeVille and Linda Ronstadt.

Suzy Thompson may also be a name that’s new, but she has had a long career, playing often in old-time string bands, as well as collaborations with Geoff Muldaur in the Texas Sheikhs and with Cajun doyenne Ann Savoy. Playing fiddle and guitar, she is what you might call a “musician’s musician.” Well familiar with his songs, she got to meet the octogenarian Siebel following a run of tribute concerts she performed online, during lockdown. and they became friends. Now, with the assistance of fellow “musician’s musician” travellers, like Cindy Cashdollar, Jody Stecher and her husband Eric, drawing in also the lesser-spotted presence of John B. Sebastian, she has delivered Suzy Sings Siebel, Vol. 1.
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Jul 252025
 

Find El DoradoPaul Weller is a great songwriter. When you are a songwriter, the writing royalties can be the most lucrative part of the business, so when a talented and successful songwriter such as Weller voluntarily gives up that opportunity for royalties, you know that he really loves the songs.

Weller is 18 albums into his solo career, and he can guarantee a significant number of sales in the UK for all his new work. He shares a distinction in the UK which only Lennon and McCartney can match: a number one album in five consecutive decades. Each one of those albums is someone’s favourite, passionately defended on the message boards, fan sites and podcasts devoted to his works, even when the consensus doesn’t list them at the top. He has also always been savvy about the business side of making music, earning enough money so that he doesn’t need to indulge in activities that he feels are not artistically justified, whilst ensuring he has a comfortable life for him and his family. His choice to make his second covers album is a statement, and the choices and intent are clearly important to him. But that seems to be the mood of Weller now. This year he curated a wonderful selection of his most cherished soul music. He consented, for the first time, to give his side of, and bless others to give theirs, various stories in the form of an authorized oral biography. He has rejoined a record label where he enjoyed some of his greatest creative successes. He may have many years of music ahead of him, but he wants to get some things on the record, just in case.  Continue reading »

Jul 202025
 

Dave Does DylanWhen I first heard of this, I confess the thought came: Why? The Dave is Stewart, arguably most famous for not being the singer in Eurythmics, the other half of that once so shining brightly duo, all-conquering during the 1980’s, with a brief return at the turn of the century. Annie Lennox sang and he played guitars and keyboards. More recently he is possibly better known as a producer, but best-known really for being a friend and collaborator of the rich and famous, popping up on albums by Bob Dylan, Bryan Ferry, Mick Jagger and several by Ringo Starr. His Wikipedia page is quite a read.

This recording actually first slipped out in April, on this year’s Record Label Day, a limited vinyl release available only through participating stores. Now it has been relaunched. Again there is a limited-issue vinyl, but it is also available as a digital release. Again, it is a barebones set of acoustic performances, recorded on his iPhone, otherwise untouched. For a singer, and one without a voice that well-known, again creeps back that nagging why? Continue reading »