Jan 262021
 

Pete YornPete Yorn is one of those names you know, if not always realizing or recognizing why. His debut album made him a Rolling Stone One To Watch for 2001, going gold to boot, thanks partly to the single “Life On A Chain.” (Aah, that Pete Yorn!) A further six albums have followed, as well as various other live albums and collaborations. He’s been the musical muscle behind some of Scarlett Johansson’s excursions into music, they making one LP and an EP together, another possibly on the way. He is also a regular on soundtracks and tributes, performing the songs of others as varied as The Ramones, Bruce Springsteen and New Order. We have featured him often.

Now comes album number seven, Pete Yorn Sings the Classics. Quite where the parallel galaxy is that considers this quirky set of songs classics, I don’t know, but it’s somewhere I could happily live. OK, many you will know, and some are fitting of that title, with others maybe vaguer memories, perhaps from childhood. But don’t dismiss this, the love here seeps thickly through the grooves and makes this just one great big grin of a project.
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Jan 042021
 

J.T. Steve EarleSo, where to start? Father buries son, the two both acclaimed artists, both arguably difficult to love as people and who seemingly found it hard to love each other, both riddled with demons and overly familiar with self-medication. Too much cliché there, I fear, the sort that leads to declarations of relief that the son’s OD was accidental. Like that helps anyone.

So let’s start with the barer facts. Justin Townes Earle was a mighty fine songwriter. His father, Steve, still is. Earle Sr. has only made three covers albums, this the third, all tributes. The first two, Townes (Van Zandt) and Guy (Clark), are dedicated to his two greatest influences, who both happened also to be friends and mentors of his and of each other. Check out their live joint benefit album Together at the Bluebird Cafe for proof of that. No coincidence in how he named his firstborn. My sort of clumsy point is that Earle doesn’t pay tribute lightly: you gotta be pretty damn good at your trade to get his nod. J.T. was pretty damn good, and J.T., Steve Earle’s tribute to him (released on what would have been his 39th birthday), is all the proof of that you need.
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Dec 012020
 

Love Me Til My Heart Stops
Love Me Til My Heart Stops is Order of Operations’s reimagination of Talking Heads in the backdrop of 2020. In it, four Talking Heads tracks have been transitioned from rock ballads into electronic synth-pop tunes. Order of Operations is Brooklyn-based artist Alain Paradis’s solo project.  Paradis claims to have wanted to make Love Me Til My Heart Stops as “another pulse to place alongside your own—-and that will never stop making sense.”

The EP opens with its lead single, a cover of “Psycho Killer.” Sharp electronic synths transform the song, although the synth doesn’t quite capture the same essence of the original’s guitar solos or the idiosyncrasy of live drums. This leaves the door open to showcase Paradis’s vocals, which are brought forward against the instrumentals. Attention to detail in the production is obvious, with the subtle use of reverb and panning to create a fuller sound with a repetitive beat. The underlying beat may feel repetitive, but overall, the effect is a bright translation of the song into an electronic dance anthem. Continue reading »

Nov 302020
 

Dan Mangan is one busy guy. He’s a member of an increasingly large community north of the border, right at the front end of, if you will, Canadiana, a redoubtable second or third wave of artists following on from Cohen, Young and Mitchell. Hallowed company? Yes, but Mangan is worth the compliment. He’s put together a solid body of work, well worth checking out, since starting out in the mid-noughties. Whether his solo acoustica or his more experimental ensemble work, where he finds the join between avant-garde and electronica, he has also found time to write soundtrack music and to be a contributing arts editor to the Canadian version of UK newspaper the Guardian.

An accomplished songwriter himself, he has an interesting take on cover versions: “It’s a matter of sanity. I get sick of the same taste in my mouth and I need to sing someone else’s song to cleanse my palate.” And glad we are he does, as it means the release of Thief. This is a collection of palate cleansers he has slipped out over the past few years, together with some new.
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Nov 242020
 

Neil Vol. 1Famed alternative rock sideman Scott McCaughey is perhaps best known for his contributions to R.E.M. and The Minus 5, his band with R.E.M. guitarist Peter Buck. In November 2017, McCaughey had a serious stroke that, in his words, left him without “my ability to talk, sing, make music.” He used Beatles and Neil Young songs to help recover his music-making skills. Now he’s released some of the Neil Young recordings, under the nom de rock Scott the Hoople.

McCaughey performed and recorded 13 Neil Young deep cuts, on an album he’s calling NEIL (Vol. 1) (leaving the door open for a sequel). Pearl Jam lead guitarist Mike McCready guests on seven of the tracks, but otherwise, this is completely McCaughey. The songs range from early Buffalo Springfield tracks like “Nowadays Clancy Can’t Even Sing” to deep cuts from Young’s ’70s peak to ’90s songs about reuniting Buffalo Springfield. It’s a interesting selection which feels really personal.
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Nov 232020
 

Kindred Spirits Larkin PoeThis should have been a belter.

True, in places Kindred Spirits shines, and it’s everything one could have expected from this talented pair of sisters.

But?

Let’s first set the scene. Larkin Poe are Megan and Rebecca Lovell, two sisters from Tennessee, deeply ingrained with the sounds of “the South Will Rise Again,” i.e. the Allmans and all who knelt before them. Indeed, their publicity touts them as little sisters of the Allman Brothers (although the Black Keys, for me, is a better reference, sonically speaking). Kick-ass slide and sassy vocals are their calling cards, and since 2014 they have produced a run of well-received records, usually with an added rhythm section adding woomph to their twin guitars and vocals. In recent years they have seemed glued to the side of Elvis Costello, notably on his solo tours to support the autobiography, acting as his support band and accompanists. Frankly, at times, they were better than their employer.

A lighter side of their work has been the slew of YouTube recordings put up, looking all very ad-hoc, in hotel rooms, maybe whilst touring, and a delight they are.Kindred Spirits is in that style, just the the two of them.
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