Patrick Robbins, Author at Cover Me

Patrick Robbins

Patrick Robbins lives in Maine, where he moves through life with the secure knowledge that, as Penn Jillette said, "In all of art, it's the singer, not the song," On Wednesdays he goes shopping, and has buttered scones for tea. He is the author of the novel The Warmer.

In the Spotlight: Sheryl Crow

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Oct 312023

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

I tell every kid, get in a cover band. It teaches you chops, it literally teaches you why some songs are classics, and it teaches you how to navigate a working band. With songwriting, there’s something to that idea of stealing from the best. You’re only as good as your references. And I pride myself on my references. I have tried to emulate the greatest rock stars and songwriters in the world. I try not to steal verbatim, but if they’ve influenced my work at all, I take a sense of pride in that. – Sheryl Crow, 2017

Sheryl Crow’s released a good hundred or so cover songs, so it’s plain she knows her way around them. She isn’t very adventurous with them, though – most of her covers are of songs or artists that are radio favorites, and they tend to sound very similar to the originals.

Here’s the thing, though. Crow saturates her covers with her essence, so much so that they just feel like Sheryl Crow songs. They reap the same success, too – “The First Cut Is the Deepest” is one of her biggest hits, and her version of “Sweet Child o’ Mine” won a Grammy. They never feel lazy, either. Crow is a professional, and she knows how to bring her affection for these songs across without phoning it in. Bottom line: If you like Sheryl Crow, you’ll like her covers, and you’ll be justified in doing so.

Five Good Covers: “Trains and Boats and Planes” (Burt Bacharach)

Posted by Patrick Robbins at 11:00 am 2 Responses »

Jun 162023

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Many if not most of Burt Bacharach’s big hits were first released by other artists, usually Dionne Warwick. One big exception was “Trains and Boats and Planes,” a tale of transcontinental love which Bacharach thought was “too country” for Warwick; Bacharach and his writing partner Hal David had written the song for Gene Pitney to sing. Pitney, however, had other ideas; he rejected it and told Bacharach, “It’s not one of your better ones.”

Never one to sulk when insult was added to injury, Bacharach went to London and recorded the song with an orchestra. No lead vocalist, Bacharach assigned the lyrics to the Breakaways, a girl group who also sang backing vocals on Petula Clark’s “Downtown” and Jimi Hendrix’s “Hey Joe.” Their cool, detached voices suited the impassive song perfectly, but the bridge (“You are from another part of the world…”) proved to be too tricky, and Bacharach covered for them by making it an instrumental passage.

Today the song has earned its reputation as one of Bacharach’s better ones, Pitney notwithstanding. His version was a hit, and so was Warwick’s well-nigh-inevitable cover. The dozens of other covers that followed proved the song was strong enough to thrive under any approach, either with or without the bridge. Here are five of them.

Five Good Covers: “God Bless the Child” (Billie Holiday)

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Apr 072023

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Today marks the 108th anniversary of Billie Holiday’s birth. Her significance as a singer needs no elaboration from me; her songs speak for themselves, just as they have spoken to the souls of millions. “Strange Fruit” is considered her signature work, but a good argument has been made that “God Bless the Child” is of equal significance, with the added fillip of a sense of hope.

Born from an argument over money Holiday had with her mother, the song still has the zest of anger lain across it. But it also shows the way out; hard work, it’s implied, will bear its own fruit, both material and spiritual. The hope may not be powerfully warm, nor even all that self-evident, but it’s there, and it can help to lift you out and up.

With more than five hundred covers produced and released over the years, it’s impossible to single out only five as being among the best. That’s why you’ll find six featured here, and believe me, it could have been sixty. We hope these half-dozen bring you all that Mama may have and Papa may have.

In Memoriam: Burt Bacharach

Posted by Patrick Robbins at 11:30 am 1 Response »

Feb 102023

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

Burt Bacharach, who along with his writing partner Hal David embodied the sophisticated pop sounds of the 1960s, died of natural causes at his home in Los Angeles on February 8. He was 94 years old.

Five Good Covers: “See No Evil” (Television)

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Feb 032023

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

January 2023 was not a good month for guitar heroes. Not three weeks after Jeff Beck passed away, Tom Verlaine followed him to the great gig in the sky. Both were hailed from all corners of the music world and valued for their contributions to their instrument. Verlaine had one advantage to music fans’ hearts that Beck didn’t – he was the front man for Television, writing the band’s songs and singing them with a voice of strangled urgency.

Millions of people listened to Television’s Marquee Moon this week, whether in memoriam or to find out what all the fuss was about. The opening track, “See No Evil,” was a thrilling introduction to one of the era’s greatest albums. It saw great interplay with guitarist Richard Lloyd (that’s Lloyd doing the solo), and bassist Fred Smith and drummer Billy Ficca held down a solid rhythm that allowed Verlaine and Lloyd the chances to drive, lift, and soar.

In Memoriam: Christine McVie

Posted by Patrick Robbins at 10:00 am 1 Response »

Dec 022022

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

Editor’s Note: Christine McVie of Fleetwood Mac died on Wednesday after a brief illness. She was 79. In her honor, we’re resurrecting a post from a decade ago, lightly reworked for the sad circumstances.

Christine McVie was the Mona Lisa of ’70s rock music. She always seemed one cool remove away from the maelstrom of Fleetwood Mac, but there was a lot going on behind that sardonic gaze, and she let it out in her songs, where she specialized in first-person accounts of romances that could be right even when they felt so wrong – and, of course, vice versa. Today we’re celebrating McVie with five covers that give a whole different meaning to the phrase “one cool remove away.”
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