Mike Tobyn

Mike Tobyn is a Scottish Scientist, and lapsed Pharmacist. Brought up, along with Aztec Camera and The Jesus and Mary Chain, in the New Town of East Kilbride near Glasgow he has lived and worked near Liverpool for the past 20 years. He has recently returned to writing about music when he was reminded that the follies of one’s youth need not be abandoned forever, although the golfball type IBM typewriter he used then could be.

Apr 252025
 

Always Will Be
You’ve got a friend in ME! Amy Irving seems determined to let us know what a good friend she is, and can be, and has been. To be fair to her, the evidence seems compelling. She clearly values friendship as a fundamental part of her being. She conceived her new record Always Will Be as a tribute to one specific relationship, but draws on so many other aspects of her friendhood. Her relationship with Willie Nelson started as an on-set affair during the making of Honeysuckle Rose, but has remained close in the 40 years since then. She left Nelson, romantically, for Steven Spielberg, but even though that marriage fizzled out, she remains on excellent terms with the film director also. Of course she also has many friends from many walks of life that did not start as romantic relationships, and she is deeply committed to those also.

Always Will Be, Irving’s second record (she released her debut, Born in a Trunk, in 2023), features ten songs that people associated with Nelson. Here, she curates them to tell stories about friendships rather than hold them together by a specific musical thread. With a vast back catalogue to abstract from, the friends could no doubt spend many evenings agreeing, disagreeing, and ultimately coming to a consensus on the narrative they wanted told. The resulting product is celebratory and revelatory, and a reminder of what is important in life.  The Goolis Orchestra (aka New York musician Jules David Bartkowski, and friends) provides the musical accompaniments and arrangements.  Along the way, other acquaintances drop in to provide support, including Nelson himself.

A key aspect of being a good mate is to be able to empathize and, perhaps, mirror your buddy. In life this can establish trust (if done organically and naturally), and in music indicates that you are honoring the original artist. Irving does not have a specific vocal style established for herself, so she is able to adapt to Goolis’ arrangements, but also can sound like other people.  On a track like “It’s a Dream Come True,” a song written by Nelson specifically for Irving during the filming of Honeysuckle Rose there are phrases that sound like Nelson himself, in a higher register, but when paired with Steve Earle on “I Wish I Didn’t Love You” she sounds more gruff and hardscrabble, but also more sympathetic, in line with her collaborator, and produces something poignant and resonant.

Sometimes friends decide to do new things, outside their comfort zone, and Irving does indulge this tendency here. As with those experiments they can be fun-ish, but you might not try them again. I’m not sure that the rock ‘n’ roll on “If You Want Me To Love You I Will” is everyone’s forte here.

Not all friendships survive the test of time, and this is also marked. This can be painful, as is the loss of someone from a friendship where both parties wish it to continue. The standout track from the album is “Always Will Be,” taken from Nelson’s 2004 album of the same name. Irving turns it into a celebration for her late friend Judy Nelson. The emotion is not maudlin, and is more like the kind of funeral wake where the passed person has indicated that they want the time to be spent in the way that they enjoyed, in a dive bar with friends, music and some libations. Star band leader Louis Cato provides something special for Irving to work with on “Everywhere I Go.”

Overall there is love in every track on Always Will Be, and something to treasure overall.

Always Will Be Track Listing:

It’s a Dream Come True (feat. Lizzie No)
Yesterday’s Wine (feat. Goolis)
I Guess I’ve Come to Live Here In Your Eyes (feat. Chris Pierce)
I’d Have To Be Crazy
If You Want Me to Love You I Will
I Wish I Didn’t Love You So (feat. Steve Earle)
Getting Over You (feat. Goolis)
Everywhere I Go (feat. Louis Cato)
Always Will Be (feat. Amy Helm)
Angel Flying Too Close to the Ground (feat. Willie Nelson)

Apr 222025
 
Nouvelle Vague and Hannah Hu

The latest iteration of Marc Collin’s Nouvelle Vague project, now 20 years old and still going strong, sees him and his musical partners delve deeper into the New Wave sounds of the ’80s, whilst not restricting themselves to bossa nova as the vehicle for interpretation or working only with his regular, mainly Francophone, female singer-collaborators. Their latest single is a case in point. British vocalist Hannah Hu provides vocals and, no doubt, context for a cover of a B-side from a single of Colour Field, a short-lived vehicle for The Specials frontman, the sadly now-late Terry Hall. It may be the first recorded cover of “Sorry.” Continue reading »

Apr 152025
 
chet baker tribute album

Chet Baker was an outstanding trumpet player, but it was his voice that immortalized him. His speaking voice was able to convince lovers, partners of lovers, concert promoters, fellow musicians and people he had borrowed money from of the plaintive platitudes that accompany the life of the hopeless dope fiend. His singing voice was a unique thing of exquisite beauty, apparent simplicity and, crucially, vulnerability. His love songs are timeless, and retained their punch long after Baker’s trumpet playing lost its shape, due to a drug dealer ruining Baker’s embouchure with some vicious dental work. At one of his final recordings in 1988, his “I Fall In Love Too Easily” is poignant, emotive and, almost, optimistic. You could, almost, believe that all would be all right. Those times are captured so well in the elegiac, poetic film Let’s Get Lost.

Blue Note is about to release a new tribute album to Baker’s songs, titled re:imagined, and Matilda Mann has contributed her version of “There Will Never Be Another You” to the compilation. Continue reading »

Apr 042025
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Sexual Healing covers

The American, or Caribbean, musical expatriate in Europe has been a constant since travel between the continents has been easy. From the Jazz Age to the present day, some artists prefer to ply their trade on the European continent rather than the American one.

Each individual had their own reasons for their move. Pianist Hazel Scott was a huge success in the US, becoming the first Black American woman to host a network TV show, but the McCarthy witch hunts chased her out of America. Others were trying to escape drug or alcohol problems, or vindictive individual drug dealers, or, in the case of Chet Baker, were hoping that the authorities in Europe might take a more lenient view of their drug habits, which they had no intention of curbing.

A significant theme from many African American artists, from Josephine Baker onwards, was that the segregation policies and lack of appreciation of Jazz or Rhythm and Blues as art forms in their home country made Europe an enticing prospect. They could feel more appreciated in their art, and love who their heart wanted to love rather than who society was willing to let them love. This has been eloquently described by Sonny Rollins, and features in all the biographies of Miles Davis. Artists who had been to Europe fighting in the Second World War on behalf of their country, contrasted their acceptance as heroes in the lands they helped liberate, with their status back home.

This world is beautifully captured in one of the greatest movies about music ever made, Round Midnight. In the movie, saxophonist Dexter Gordon (who spent many years himself in Copenhagen) plays jazz musician Dale Turner. His alcohol problems have made him unwelcome in his favorite playing spots in the US, and so he takes a residency in Paris.  There he finds a supportive community of post-bop musical superstars, and people who lionize him as a person and support him in his craft. The story itself is based on the life of Bud Powell. Through love, nurturing and appreciation as an individual, Turner/Gordon refinds his muse and his mojo. The Oscar-winning soundtrack albums, curated by Herbie Hancock, are exquisite works of art.

Marvin Gaye’s time in Europe followed one of the tropes. Creatively, emotionally and financially broken by years of drug abuse, he had lost his marriage, record deal and reputation, and moved to Europe in the late ’70s. His relocation to the port town of Ostende, Belgium in 1981 was an attempt to get away from his problems. It seemed to work, and Gaye was able to start recording after curbing his drug use, and getting fit both physically (by running) and spiritually. Forced by circumstances to be innovative with his music, he learned how to use the Roland TR-808 and Jupiter 8 synthesizers (then mainly used as drum machines) to create a whole sound.  From that the album Midnight Love and its biggest hit, “Sexual Healing,” emerged.

Recovery from cocaine addiction can awaken all sorts of things in the addict. In Gaye’s case his libido returned.  He was still a young man. He used that energy and creativity to create one of the great songs about sex.  It also gave Gaye one of his biggest hits and led to receiving his only two Grammy Awards.

One of the biggest risks the expatriate faces is when he thinks he is over the worst and can return across the Atlantic to face his demons, with greater strength. It does not always work out as they hope.  In the same way that Dale Turner/Bud Powell struggled when they returned to the US, Gaye’s potentially triumphant return to musical stardom and his family home soon ended in disaster.

The universality of the message and success of the song has meant that there have been many covers over the years.  Here are five of the best.
Continue reading »

Apr 022025
 
weyes blood covers shilo

As Neil Diamond’s songwriting evolved, he wanted to move away from preppy pop hits to more personal work. His manager, who was doing well financially from the previous iteration, had some reservations about his song about an imaginary friend “Shilo.” Proto-emo introspection was not what the kids wanted, he thought, and would not release the track. Until, of course, it became a fan favorite, a category in which it remains to this day. Continue reading »

Mar 182025
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

The original 1980 movie Fame was a gritty affair. British director Alan Parker wanted to produce a piece which warned against the folly of seeking validation for yourself from others alone, and how that impulse could be exploited. Having taken control of the project, he hardened up the script and themes, to the extent that New York’s High School for the Performing Arts withdrew co-operation.  The British Board of Film Classification (BBFC) rating for the film is currently a “15” (equivalent to “R”) noting the use of strong language, nudity and drug use. Exploitative pornography, abortion, and repressed homosexuality are also themes. It is a warning as much as a celebration of Fame as a lifestyle choice.
Continue reading »