Curtis Zimmermann

Curtis Zimmermann works as an advertising sales executive for an academic publisher in Philadelphia. He’s been a music critic, news reporter, financial fraud investigator and spent many years in corporate sales, all the while maintaining a healthy obsession with music history. He first became intrigued with genre-bending covers in college when he stumbled across a used copy of Ray Charles’ box set “The Complete Country & Western Recordings 1959 - 1986.”

Mar 132026
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

On February 19, 2026, figure skater Alysa Liu became the first American to win Olympic gold in the women’s competition since 2002. She did it in a style that caused shockwaves through the sport, as Liu, now 20, had previously retired at age 16. With her return, she vowed that she would skate for herself, in her own style, and simply enjoy the moment. Her spirit radiated from the ice, and her jumps were spot on. She emerged from the games not only a medal winner, but a global superstar.

But what really caught our attention was Liu’s choice of music for her long program. She skated to Donna Summer’s disco cover of “MacArthur Park.” With its infectious groove, the song perfectly reflected her approach to the sport, especially as Summer sings “There will be another song for me.” It was an ideal pairing for one of the greatest second acts in the history of the sport.

“MacArthur Park” was written by Jimmy Webb, the tunesmith known for such classics as “Wichita Lineman,” “Worst that Could Happen” and “By the Time I Get to Phoenix.”

It was first recorded by Irish actor Richard Harris. Coming off the success of the 1967 musical film Camelot, Harris teamed up with Webb, who penned all of the tracks and produced Harris’ debut 1968 record A Tramp Shining. “MacArthur Park” – all seven minutes and twenty seconds of it – was the lead single. Despite its length and unusual structure, the song became a massive global hit for Harris upon its release.

The track itself is more of a suite than a traditional pop tune, with three distinct sections. It tells the story of a young couple falling in love and splitting, interlaced with visual descriptions of the titular Los Angeles park, from “birds like tender babies” to “old men playing checkers.”

But it is most famous, and perhaps infamous, for its chorus… Continue reading »

Feb 032026
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

If there was a lifetime achievement award for cover songs, Bob Weir would certainly be a recipient.

Weir, who passed away on January 10 at the age of 78, had a career that spanned more than 60 years. As a member of the Grateful Dead, its various spinoffs (Furthur, the Dead, Dead and Company), as well as numerous solo projects and collaborations, Weir played and sang on countless cover songs. Since a majority of his live performances were recorded or preserved in some way, he left behind an immense body of material that spans his entire career.
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Jan 192026
 

Song Sung BlueA few years ago, when I was staying at the von Trapp family’s hotel in Northern Vermont, I attended a presentation about their family history. In the talk, they discussed the differences between The Sound of Music and their actual story.

They said the plotline about Captain von Trapp refusing to let the children play outside was particularly laughable. As a military man, they noted, he encouraged all sorts of outdoor activity.

I thought of this recently when reading about the film Song Sung Blue. The movie tells the story of husband and wife duo Mike and Claire Sardina, whose Neil Diamond tribute band, Lightning and Thunder, rose to local fame in the Milwaukee area.

Mike Sardina’s son from another marriage, Mike Jr., has criticized and denounced the film for its factual inaccuracies saying: “Everybody thinks it’s such a wonderful film, it’s so touching. It’s all lies.”

Claire, aka Thunder, has taken a different view, saying in one interview that “They captured it wonderfully. The chronological order wasn’t exactly on target completely. But, you know, the story is ‘based on a true story’ as they say and it’s more Hollywood in parts.” She has even performed live with the film’s stars Hugh Jackman and Kate Hudson.

Anytime a “true story” is transferred to film, certain elements of the story are bound to be lost, perhaps even more so in musicals. Real life is often far messier. One truth that I thought the film captured perfectly was the joy of seeing a great band play at a less than pristine venue. There’s that moment when the music takes you out of that time and place, if only for a brief second, before life comes crashing back in.
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Nov 172025
 
Willie Nelson Covers Merle Haggard

Normally, if you wrote a country music song that mentioned marijuana, LSD and group sex, you would be permanently barred from country music radio. But in 1969 Merle Haggard did just that with “Okie from Muskogee” and wound up at the top of the country music charts. Granted, in his version of events, the narrator was describing all the things they supposedly didn’t do in small-town Oklahoma.

Ever since the song was released people have been debating whether or not Haggard was celebrating the joys of small town life or mocking it. Haggard himself was a complicated figure. He embraced being one of President Richard Nixon’s favorite singers, yet at the same time had an arrest record that would make most gangster rappers cringe. Over the years, there have been countless parodies and covers of “Okie from Muskogee,” sometimes at the same time, by singers who wore “manly footwear” and even by hippies from San Francisco, whom he was seemingly deriding.

The latest to tackle the track is Willie Nelson, a man who probably wouldn’t hesitate to smoke marijuana if he ever passed through Muskogee. He included the song on his latest album, Workin’ Man: Willie Sings Merle (click here to read a review).

Nelson plays the track as a laidback, piano-driven country song. He seems to neither celebrate nor mock the people of Muskogee. Instead, he delivers a joyous cover that’s easy to sing along to. He’s simply celebrating Haggard. In fact, that’s the spirit of the whole record. Nelson sings as if he’s having a great time paying tribute to his departed friend and fellow country outlaw. Even the sad songs are happy and upbeat. It’s a worthy tribute to Haggard’s life and music. I don’t expect contemporary country radio to play any of it.

Nov 142025
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

When it was announced that Donna Jean Thatcher Godchaux-MacKay passed away on Nov. 2, 2025, the obituaries and tributes came pouring in, as befitting a Rock N’ Roll Hall of Famer and member of the legendary rock band the Grateful Dead.

The story of her life and work has been well documented. Born in Alabama, she got her start as a professional singer in her teens doing session work in Muscle Shoals and Memphis. In this role, she backed up the likes of Percy Sledge on “When A Man Loves A Woman” and Elvis Presley on “Suspicious Minds” (more on that later).

She and her first husband Keith Godchaux moved to San Francisco, where Donna Jean literally talked their way into the Grateful Dead in 1971. With Keith on keyboards and Donna Jean on vocals, the two were part of the band until 1979. Together they appeared on every studio album of the era. They also performed at many of the band’s most iconic shows, such as Veneta (Oregon) in 1972, Barton Hall at Cornell University in 1977, the Great Pyramids in Egypt in 1978, and the Closing of the Winterland on Dec. 31, 1978.

The best way to describe Donna Jean’s role is to say she was a singer in the band. While she wasn’t a traditional rock n’ roll frontwoman like Grace Slick or Debbie Harry, she did sing lead on a handful of songs, including “Sunrise” and “From the Heart of Me.” She also sang co-lead alongside Bob Weir on classic tracks “The Music Never Stopped” and the live version of “Sugar Magnolia/Sunshine Daydream” on Europe ‘72. She sang backup on countless tunes, putting her stamp on many live performances. Even when she wasn’t singing, she was often front and center on stage, moving with the music, both inspiring and emulating the crowd.

Like all aspects of Grateful Dead lore, her time in the band is a matter of endless debate with Deadheads. Some love her, some hate her. Though she was a great singer in her own right, her voice did not always mesh well with those of other members of the band. This was complicated by the fact Jerry Garcia and Bob Weir weren’t always singing on key (or even the right words). She acknowledged these shortcomings in multiple interviews.

Still, to hear Donna Jean’s voice on a Dead song means you can easily identify the era. As Dead drummer Bill Kreutzmann wrote last week: “She was very much woven into the Dead’s tie-dyed tapestry during the ‘70s — and some of those years remain my all-time favorite of the Grateful Dead. Which means that some of my favorite music that I ever made with the Grateful Dead was made with Donna.”
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Nov 052025
 

Some covers are more equal than others. Good, Better, Best looks at three covers and decides who takes home the gold, the silver, and the bronze.

Bad Company

Bad Company were one of the great “Oh-they-played-that” rock bands of the 1970s. With their heavy blues-rock guitar licks, infinitely-catchy hooks, and bombastic frontman, Bad Company produced a number of the decade’s most anthemic, fist-pumping rock hits such as “Feel Like Makin’ Love,” “Shooting Star,” “Ready for Love,” and “Rock ‘n’ Roll Fantasy.” However, since they came of age in an era before MTV or digital radio, countless listeners have lip-synced and air-guitared to their music on classic rock radio without having a clue who they were or what they even looked like.

Complicating matters even further, the band is a supergroup featuring members of several other great British rock bands of the era including Mott the Hoople, King Crimson and Free. With Free, Bad Company’s future lead singer Paul Rodgers and drummer Simon Kirke scored the hit “All Right Now.” So, they’re easily confused with other bands from the era in sound and swagger. They’ve just got that ‘70s rock band quality about them, for better or for worse.

This year the Rock & Roll Hall of Fame is inducting Bad Company, fifty-two years after the group’s founding. Earning this spot, they beat out artists like Phish, Oasis, Mariah Carey and the Black Crowes. The band’s selection is a testament to their longevity, but not necessarily rock fans’ ability to immediately identify the group when their songs hit the radio.

To honor their induction, Cover Me looks at three excellent covers of the one song that is most associated with the band, their eponymous track: “Bad Company.” It was the first song on side two of their self-titled 1974 debut record. It’s a power ballad, with a slow piano intro and a buildup to a climactic chorus. Throughout the decades, it has served as a showcase for singers, from rock to country to metal, all of whom want to live out their rock n’ roll fantasies and dreams.

Here are three covers that stand out.
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