Curtis Zimmermann

Curtis Zimmermann works as an advertising sales executive for an academic publisher in Philadelphia. He’s been a music critic, news reporter, financial fraud investigator and spent many years in corporate sales, all the while maintaining a healthy obsession with music history. He first became intrigued with genre-bending covers in college when he stumbled across a used copy of Ray Charles’ box set “The Complete Country & Western Recordings 1959 - 1986.”

Nov 012024
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

It seems only fitting that a band known as the Grateful Dead would have so many songs about death. In fact, whenever a member of the Dead universe passes, there’s no shortage of songs to pay tribute to the one newly departed.

Such was the case with the passing of Phil Lesh on October 25, 2024. In the hours and days afterwards, many bands took to the stage with heartfelt tributes to the Dead’s bass player. Perhaps most notable was the jamband Phish, who, that same night, performed a cover of “Box of Rain,” a song co-written by Lesh and Robert Hunter.

The song holds the distinction of being the last track the Grateful Dead ever performed live before the passing of Jerry Garcia. Lesh added it to the band’s July 9, 1995 setlist at Soldier’s Field because he felt the song “Black Muddy River,” another song about death, was too melancholy to end the show and the tour on.

While Lesh will first and foremost always be remembered for his time in the Dead as one of the most innovative rock n’ roll bass players of all time, it’s what he did in the 29 years after Jerry’s passing that might be his greatest legacy.

Lesh kept the spirit of the Dead’s music alive by playing and collaborating with multiple generations of musicians. He helped ensure that not only would the Dead’s music live on, but that there would be many great musicians to play the music in the band’s open-ended style.

“I continue to seek out multiple musical partners, in a quest for that elusive chemistry that comes and goes as it wishes,” Lesh wrote in his 2005 memoir. “Sometimes ‘it’ happens onstage, or sometimes in rehearsal, but it always leaves me breathless and wonder-struck.”

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Oct 142024
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

On their 1985 hit “King of Rock,” the future Reverend Run declared: “As one def rapper, I know I can hang/I’m Run from Run-DMC, like Kool from Kool & the Gang.” In retrospect, it seems only fitting that the group that helped bring rap to the mainstream would namecheck Kool & the Gang on one of their biggest hits. Kool & the Gang’s multi-instrumental fusion of rock, pop, R&B, funk and disco, provided the backbone for modern rap. As of this writing, the website WhoSampled.com lists 2053 known samples of their music, and the number will only keep growing.

But I’m getting ahead of myself. If you went to a party, dance or club in the ‘70s and ‘80s, odds are that Kool & the Gang was booming through the speakers. Whether you were from New York or Hollywood and wanted to “Celebrate and have a good time,” “Get down on it,” “Get up with the get down,” “Go dancin’,” or perhaps “Reggae dancin’,” they had a song for seemingly every type of occasion. Even today, it’s rare to attend any life milestone event (wedding, bar mitzvah, etc.) and not hear their good-time anthem “Celebration.”

Though the group has not recorded many covers throughout their long career, cover songs were an important part of the band’s origin story. The band was founded in the mid-‘60s in Jersey City, New Jersey by a group of child jazz prodigies that included brothers Ronald and Robert “Kool” Bell. Performing under various names, they got their start playing bars, clubs and events throughout New Jersey in the ‘60s as teenagers. In a 2023 interview with Questlove, drummer George Brown said that would often perform the hits of the day to win over the crowd. It’s a not-uncommon story for many of the world’s greatest rockers.

One can hear elements of these origins on their early albums. Singing with Dee-Lite Records in 1969, the band included a handful of covers on their first few releases. Listening to these songs now, on the eve of the band’s long-overdue induction into the Rock & Roll Hall of Fame, provides a fascinating glimpse into their virtuosity as musicians. One can hear elements of just about every style of popular music from the late ‘60s and early ‘70s. It’s easy to imagine them as members of the house bands at Motown or Muscle Shoals.

In their early years, the band were masters at emulating other people’s music, even if they had not quite found the sound that would make them superstars. Listen to their past, and you’ll hear why their future was indeed a “celebration to last throughout the years.”

Author’s Note: The group would later release a Christmas album in 2013 that contained several covers, but we’ll save that for another time and instead focus solely on the early years.

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May 292024
 
kane brown

When I was a young kid growing up in the late ‘80s/early ‘90s I was obsessed with The Flintstones. I would watch reruns nearly everyday after school, so I was constantly bombarded with mid-20th century pop culture references. Some made total sense to me, like secret agent Jay Bondrock or “Bug Music” with the Four Insects. Others took decades for me to decode.

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May 242024
 
little feat

In the late ‘90s, I took a musicology class on the history of 20th century American music. During a section on blues, my professor played Muddy Waters’ rendition of “Got My Mojo Working.” “Now,” she said after it ended. “What is the song about?” Frustrated by our blank stares, she yelled out, “Sex, people. It’s about sex.” More precisely, it’s about someone trying to score and failing miserably, but that’s the blues for you.

We’re now almost one-quarter of the way through the 21st Century, and we can still talk about “Got My Mojo Working,” and all its tawdriness, in the present tense. Last week, the long-running rock band Little Feat released a live cover on its newest album Sam’s Place.

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May 062024
 
john oates long monday

Shortly after John Oates released his 2018 solo record Arkansas, my then three-year-old daughter became strangely obsessed with the album. So much so that everyone in our house memorized every track. At one point, I tried to introduce her to the music that Oates recorded with “his friend Daryl,” but it was not to be. “No” my daughter would say, “Just John Oates!” And that’s been my nickname for Oates ever since.

The moniker seems especially appropriate in 2024 given that Hall and Oates are in the midst of a very public legal battle and seem unlikely to set foot on stage together again. Yet, they’ve both soldiered on. Hall is touring this summer with Elvis Costello, and Oates is due to release a new solo album Reunion on May 17. The title apparently has nothing to do with his clashes with his long-time partner, Oates has said. “The fact that I’m moving on from my Hall & Oates experience, I’m basically reuniting with myself,” he recently told the Associated Press. “I’m trying to reunite with the essential part of who I am, not only as a man but a musician.” Continue reading »

Mar 042024
 
rhiannon giddens alice randall

On February 21, roots music virtuoso Rhiannon Giddens released a cover of Alice Randall’s “The Ballad of Sally Anne.” It will be included on an upcoming Randall tribute album: My Black Country. Yet, when Giddens looks back on this time, I imagine she’ll be thinking of a different song.

Giddens appears playing banjo and viola on Beyoncé’s new record-breaking, genre-busting country single “Texas Hold ‘Em.” As of this writing, the song is number one on the Billboard country music and pop music charts, inspiring countless internet memes (and fueling fits of hysteria from racist idiots).

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