Ray Padgett is the founder of Cover Me, the largest blog devoted to cover songs on the web, and author of Cover Me: The Stories Behind the Greatest Cover Songs of All Time (2017) and the 33 1/3 book I’m Your Fan: The Songs of Leonard Cohen (2020). His writing has appeared in The New Yorker, SPIN, The AV Club, Vice, and MOJO, and he’s been interviewed as an expert on cover songs by NPR, The Wall Street Journal, SiriusXM, and dozens more. He also runs the email newsletter Flagging Down the Double E’s, essays inspired by live Bob Dylan shows from yesteryear. He lives in Burlington, Vermont and works as a publicist for Shore Fire Media.
I’m Your Fan: The Songs of Leonard Cohen
Release Date: September 3, 2020
Bloomsbury Publishing “33 1/3” Series
Ray Padgett’s deeply-researched, passionately written book did what the very best tribute albums do: Recontextualized and deepened the source material. In the same way that John Cale made listeners hear “Hallelujah” anew, this book made me hear tribute albums like I’d never heard them before.
– David Marchese, Columnist, New York Times Magazine
A smart and lively look at a project that was oddly significant in Leonard Cohen’s career – but, beyond that, a long-overdue examination that (partly) redeems the much reviled format of the tribute album.
– Alan Light, author of The Holy or the Broken: Leonard Cohen, Jeff Buckley, and the Unlikely Ascent of “Hallelujah”
“I’m Your Fan” uses a specific tribute album to explore multiple aspects of music fandom and record culture—how artists channel their influences, how a song’s meaning can change over time, the way formats shape our understanding of music history. A marvelous entry in the 33 1/3 series, even for those who’ve never heard the album in question.
– Mark Richardson, former Editor-in-Chief, Pitchfork
Using the famed Leonard Cohen covers collection as its jumping-off point, Ray Padgett’s I’m Your Fan digs into the weird, ever-expanding world of the tribute album. We get a detailed account of how I’m Your Fan: The Songs of Leonard Cohen came together via revealing interviews with its curators and performers. We learn how the album kickstarted Cohen’s then somewhat-flailing career and—for better or worse—helped turn the then obscure “Hallelujah” into the ubiquitous standard it is today. We discover that Nick Cave and the Bad Seeds’ version of “Tower of Song” originally clocked in at over a half-hour. It’s all great stuff. But even more interesting are the various side-trips Padgett takes the reader on: like a chat with the late/great tribute album pioneer Hal Willner (“It’s all my fault isn’t it?” he asks wearily); or a lengthy digression with Juliana Hatfield, a tribute album mainstay who doesn’t really like tribute albums. Like most of the 33 1/3 books, I’m Your Fan is a quick read, but you’ll want to savor this one.
– Aquarium Drunkard
When I’m Your Fan: The Songs of Leonard Cohen hit stores in 1991, Leonard Cohen’s career had plummeted from its revered 1960s high. Cohen’s record label had refused to release his 1984 album Various Positions–including the song “Hallelujah”–in the United States. Luckily, Velvet Underground founder John Cale was one of the few who did hear “Hallelujah,” and he covered it for I’m Your Fan, a collection of Cohen’s songs produced by a French fanzine. Jeff Buckley adored the tribute album and covered Cale’s cover in 1994, never having heard Cohen’s still-obscure original version.
In 2016, Stereogum labeled the tribute album “possibly the most universally derided format in pop music.” However, without a tribute album, you wouldn’t know the song “Hallelujah.” Through Buckley through Cale, “Hallelujah” is now one of the most often-performed songs in the world–and it wouldn’t be without this tribute album. I’m Your Fan thus offers a particularly notable example of a much broader truth: Despite all the eye-rolling they inspire, tribute albums matter. They can resuscitate legends’ fading careers, or expose obscure artists who never had much of a career to begin with.
Cover Me: The Stories Behind the Greatest Cover Songs
of All Time
Release Date: October 3, 2017
“One of the best multi-subject music books to come down the pike in years.” – Variety
“His research adds fresh context and intriguing background to many of these songs, even to those possessing well-tread origin stories, and his astute ruminations on evolving cultural perceptions of the cover’s place in the music canon is persuasive enough to move purists to softer and less reflexive cringes at such songs before hitting shuffle.” – AV Club
“A wonderful book with a lot of history and a lot of music” – Paste
“Padgett tells cracking good stories… Cover Me is a gift, for it encourages us to reflect on what cover songs mean to us” – No Depression
“A fascinating window into the craft, and business, of making music” – The Rumpus
From the creator of the popular website covermesongs.com comes the perfect book for music fans: the inside stories behind iconic cover songs and the artists who turned them into classics.
A great cover only makes a song stronger. Jimi Hendrix’s version of Bob Dylan’s “All Along the Watchtower.” The Beatles rocking out with “Twist and Shout.” Aretha Franklin demanding “Respect.” Without covers, the world would have lost many unforgettable performances. This is the first book to explore the most iconic covers ever, from Elvis’s “Hound Dog” and Joe Cocker’s “With a Little Help from My Friends” to the Talking Heads’ “Take Me to the River” and Adele’s “Make You Feel My Love.” Written by the founder of the website covermesongs.com, each of the 19 chapters investigates the origins of a classic cover—and uses it as a framework to tell the larger story of how cover songs have evolved over the decades. Cover Me is packed with insight, photography, and music history.
Contact Ray Padgett: firstname.lastname@example.org