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May 262011
 

After that brilliant “Whip My Hair” with Bruce Springsteen, it was hard to know where Jimmy Fallon’s spot-on Neil Young impression could go. Going back to solo performances would seem anti-climactic, and trying to one-up that performance – well, you can’t really one-up Bruce Springsteen. Continue reading »

Jan 122012
 

U.K. hitmaker Jessie J has come quite a ways from her beginnings as a talented songwriter – believe it or not, she’s the one behind hits like Miley Cyrus’ “Party in the U.S.A.” It seems about time, then, that she receive some of the spotlight as a star in her own right. In the past few years, pop tracks like “Price Tag” have helped Jessie J make a bigger name for herself in the music world. But it’s heartfelt songs like “Who You Are,” the title track off of Jessie J’s most recent album, that really showcase her songwriting talents. Scottish band Twin Atlantic brings said talents to light with their acoustic alt-rock rendition of the original at the BBC Live Lounge. Continue reading »

Sep 062011
 

Tokyo Police Club finished their “10 Songs, 10 Days, 10 Hours, 10 Years” series over the weekend with five more covers. We’ve already heard them tackle everyone from Moby to the Strokes and that diversity holds for the final set. They start with Phoenix, end with Miley Cyrus, and tackle LCD Soundsystem, M83, and Harlem Shakes in between. Continue reading »

May 082010
 

Cover News is a weekly feature keeping you up to date on the goings-on in the world of cover tunes, tribute albums, etc. At the bottom we showcase the submissions we’ve been sent in the past week (send us yours)! As always, follow Cover Me on Twitter for the latest news.

Courtney Love

This Week’s News

You ain’t never heard “Livin’ on a Prayer” the way Coconut and the Duke do it.  [Cover Me]
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Mar 292010
 

In the past few years much ink has been spilt discussing “mashups,” the process of remixing two or more songs together. The weirder the combination, the more impressive the feat. DJs like Girl Talk lead the charge, but due to differing keys and tempos the pairings sometimes sound forced. Mashup covers, on the other hand, have more freedom. Here are ten odd couples and unchained medleys that, defying all probably, kind of work.


Touching Earth Made of Steel – Party in the Spirit World (Miley Cyrus / Daniel Johnston)
Yes, that’s “Party in the U.S.A.” paired with “Spirit World,” from the latest CokeMachineGlow covers mix. Dear Mr. Johnston: I’m sure they didn’t mean it. [Buy]

Keller Williams – My Sisters and Brothers / Boob Job (Charles Johnson / David Wilcox)
There’s something wonderfully irreverent about pairing a hopeful gospel song with a song called “Boob Job.” Jerry Garcia covered the first a few times, but died before he could have a go at the second. [Buy]

Saint Bernadette – Owner Things (Yes / Howard Jones)
“Owner of a Lonely Heart” + “Things Can Only Get Better” = an inspired duo. Though I’m not sure Jones deserves the honor — a few years ago he translated his hit to “Simlish” for The Sims 2. Embarrassing. [Buy]

Kenny Mellman – The Gambler / Poker Face (Kenny Rogers / Lady Gaga)
The man behind the Our Hit Parade pop cover series decided that lyrical theme is enough to tie two songs together. How right he was. [Buy]

Jacqui Naylor – Summertime / Whipping Post (George Gershwin / The Allman Brothers)
Jazz vocalist Naylor is known for her “acoustic smashes,” putting the lyrics to one song atop the melody of a second. Here she sings “Summertime” while the band plays “Whipping Post.” Sneak peek: Look for another even less likely pairing next week. [Buy]

The Afghan Whigs – My World Is Empty Without You / Nuthin’ But a ‘G’ Thang (The Supremes / Dr. Dre)
In this live jam from 1994, the quartet tosses in the lyrics to Dr. Dre’s first single so soulfully you might not notice anything amiss. Check out more at our recent Dre feature. [Buy]

The Spinto Band – Give Me Just a Little More Time / The Sweet Escape / The Boys Are Back in Town (Chairmen of the Board / Gwen Stefani / Thin Lizzy)
This song eschews the normal approach of moving from one song to the next, instead splicing some Gwen and Lizzy into the Detroit soul. It took me a couple listens to figure out where “The Sweet Escape” appeared. [Buy]

Paddy Casey with the Dublin Gospel Choir – Grandma’s Hands / No Diggity (Bill Withers / Blackstreet)
What seems a truly bizarre combination is actually an homage to the original “No Diggity,” which contained a “Grandma’s Hands” sample. This cover pushes that fun bit of trivia to the extreme. If someone covered Girl Talk this way each song would become a thirty-minute ordeal. [Buy]

Tenacious D – More Than a Feeling / Just What I Needed / Dream On (Boston / The Cars / Aerosmith)
The best part of this Boston-band medley that the D performed in 2001 is that three times they build to an epic chorus, then switch songs just before it arrives. Hilariously unsatisfying. [Buy]

Allred – Cover Medley (Various Artists)
Ok, here we go: Tonic, “If You Could Only See” — Howie Day, “Secret” — Guster, “Demons” — Better Than Ezra, “Desperately Wanting” — Michelle Branch, “All You Wanted” — Avril Lavigne, “Complicated” — Eagle Eye Cherry, “Save Tonight” — Boys Like Girls, “Hero/Heroine” — Colbie Caillat, “Bubbly” — Fergie, “Big Girls Don’t Cry” — Rihanna, “Umbrella” — The Eagles, “Hotel California” — Panic! At the Disco, “Nine in the Afternoon” — Leona Lewis, “Bleeding Love” — Chris Brown, “With You” — OneRepublic, “Apologize” — Uncle Kracker, “Drift Away.” 17 songs, 7 minutes. Whew! [Buy]

Bonus: The Bloodhound Gang’s mashup of Wu Tang Clan and Weezer just feels right.

Oct 202023
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

Tom Petty

Tom Petty (10/20/50 – 10/2/17) was clearly one of the good guys, with little but praise of and for him following his untimely death, 18 days shy of his 67th birthday. Possibly going a little too hard celebrating the end of the Heartbreakers’ 40th anniversary tour, he took that one toke over the line and died of an accidental drug overdose. What a waste, just say no, etc etc. (To be fair, intractable pain from a fractured hip and his emphysema were each also weighing heavy at the time.)

Petty was no stranger to cover versions, over his lengthy career, initially with the later revived Mudcrutch, but predominantly with his own band, 13 albums as Tom Petty and the Heartbreakers, and 4 under his own name alone, there are a few, mainly across his myriad live albums. Today, though, we are to celebrate covers by others of his own songs, but it would be churlish not to take at least a nod at his rendition of Lucinda Williams’ “Change The Locks” or his version of the UK one hit wonder “Something In The Air,” originally by Thunderclap Newman.

A Tom Petty song was seldom comparable to the work of others, or transferable, that much, to other styles, mainly down to the idiosyncrasy of his vocal style, a high pitched nasal whine. My apologies to anyone put off by that overly clinical description of his voice, for, in full flight, it was a rousing and rallying instrument of power and promise. Still is. But it would somehow be remiss not to comment on the one very similar singing style, especially given the reception of the debut single from Petty and his team…
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