A little over a year ago, Toronto-based pop-rockers Zeus released Busting Visions, putting them on a lot of people’s radars as a band to watch. With the re-release of this stellar album, the band is also putting out an EP with the FANTASTIC title of Cover Me, featuring seven unique and wonderful covers. One stand out is their take on R. Kelly‘s “Ignition (Remix).” Continue reading »
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No matter who you are, chances are while listening to R&B singer R. Kelly’s “Ignition (Remix),” you feel the same joy that comes with summer or a good night out bubble up inside. Or, at the very least, you bob your head in enjoyment. It’s just one of those songs — it feels good whenever, wherever, and however it’s played. That’s probably why Young the Giant’s cover of the 2002 R&B hit is so damn good…well, that and the fact that the alternative rock band is quite a talented quintet. Continue reading »
In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!
This post is not about the Ukrainians forced by circumstance onto the world’s stage. All our hearts bleed both for them and their country, subject to the cruelest and vilest of misjudgments, victims of Putin seeking to leave his mark. But it is closely related, being about the Ukrainians, the Leeds, UK-based band, who have been touting their postpunk take on the folk music of the mother country of founder/guitarist Pete Solowka for nigh on thirty years. And a whole lot more than just the folk music of Ukraine, as covers of their musical cohorts and influences, performed in a Cossack/Slavic style, all stentorian voices and balalaikas, also feature large in their repertoire.
Originally, and sometimes contemporaneously, Solowka has been a member of the Wedding Present, and it was that band that sparked the idea into ignition. When venerable and iconic DJ John Peel asked them to perform a session on his long running evening radio show, the Wedding Present decided to perform in the Solowka family language. They played “Hopa,” a traditional song the guitarist had been brought up listening to and singing along with.
Given the favorable reception, and with Solowka’s own grasp of the language not being up to it, they seconded in the presence of Len Liggins–or, to give him his full name, the legendary Len Liggins, a Russian (and Ukrainian) scholar, fluent in each language and a dab on the fiddle besides. This too went down well with the listeners, bar one Roman Romeynes, just possibly not his real name, a musician from another Leeds band, who jested they were taking the proverbial and bastardizing the tradition. So who better to then enroll, this offshoot now having a life of its own, spinning free from the Wedding Present. (The band had sacked Solowka; he said this was due to the greater acclaim given this experiment than the parent band.)
That groundbreaking 1989 Peel session, and the later sessions that followed, all eventually became available in recorded form, with 1991 seeing the debut release by the now-official band, with both band and release being named The Ukrainians. When Romeynes left shortly afterwards, the band consolidated as a more regular unit, leaving the Wedding Present linkage shattered behind them.
They initially found an appropriate home on the maverick and left field record label Cooking Vinyl, home also of Jackie Leven and Oysterband. After making a further pair or so of albums with that label, they started their own label Zirka, through Proper. They have been relatively prolific, with three further studio albums of (largely) original material, two live recordings, a covers compendium (which we reviewed here), and a glut of EP and singles. These have encompassed further covers, including of traditional Ukrainian folk songs, as well as all sorts of idiosyncratic songs drawn from sources as unlikely as varied. All transcribed into their well-worn mix of fiddle, accordion and balalaikas, accompanied by crashing bass, resounding guitars and pounding drums.
Perhaps classifiable as a niche taste at home, they have become superstars in the eastern European diaspora, not least Ukraine itself. Under the cataclysmic events of the the past six or so weeks, the band have decided they cannot stand idly by, and have launched a tour, all monies going in support of the refugee crisis.
Let’s look at some of their covers….
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David Berman was never a household name, but it’s a measure of how deeply other musicians revere him that only two months after his passing he’s garnered not one but two complete new tribute albums. That’s over 50 new Silver Jews and Purple Mountains covers. Continue reading »
Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
It was twenty-eight years ago this month that Phil Lynott, bassist/vocalist for Thin Lizzy, passed away far too young. At least he left behind a legacy – a quality back catalog, a memorable description from Henry Rollins as “my guardo camino… the man that gets me through the high times, the low times and all the times in between,” and a song that rivals “Jersey Girl” as the best Bruce Springsteen song that Springsteen never wrote – “The Boys Are Back In Town,” from 1976’s Jailbreak.
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YouTube is filled with amateur cover “artists.” Most stink. On the ‘Tube extracts the exceptions.
On NBC’s The Voice, Blake Shelton picked Dia Frampton after she had been singing for four seconds. Four seconds. It’s no wonder. The 23 year old singer songwriter from Utah has a talent and versatility that somehow manages to coexist with her quietly powerful style.
The Voice may end up being Frampton’s big break, but she’s been a star of the internet music scene for years in the acoustic-duo-turned-full-band she started with her sister, Meg. Fittingly, they go by Meg & Dia. Recently, though, Dia has been blowing up the band’s YouTube channel with her own solo covers and we’re all lucky for it. Continue reading »