Canadian singer-songwriter Tia Wood brought her own touch to The Weeknd’s “The Hills” for the a recent Junos Session. “It comes from such a different world that my music comes from,” she said. “And it’s a world that just fascinates me.”
Wood’s cover of “The Hills” steps into a dreamy soundscape. It starts off slow and atmospheric, with soft, soulful vocal harmonies, spacious reverb’d guitar, and synth-like keys. As it picks up, the guitar gets a little rougher, grittier, and the drums come in strong. This slow-burning start guides the song into a rich, full-bodied chorus. It’s got a bit of an R&B vibe mixed with some rock sensibilities—and the end result is a completely captivating soundscape.
Halfway through, just when you think the intensity’s about to peak, Tia reels it back in (playing with the tension in the verses and bridge). It’s oceanic—pulling you in then letting go—mysterious yet mesmerizing up to the final fading note.
