When we posted covers of every song off Bob Dylan’s 1978 album Street Legal, we discovered many tracks had rarely been covered. “Señor (Tales of Yankee Power)” was not among them. Even on a divisive album, Street Legal haters or agnostics can agree that “Señor” is solid. We included Calexico’s gorgeous flamenco-inflected cover in that post, but singer-songwriter Jeffrey Foucault’s beautiful new acoustic version gives that a run for its money.
Foucault, like me, is an ardent Street Legal defender. And for those who can’t get beyond Dylan’s big band and backing singers, his tender and emotive delivery should help drive the point home that “Señor” is one of Bob’s all-time great songs.
We asked him to tell us how he came to cover this song. Here’s what he told us.
There were a number of years where the only Dylan record I wanted to listen to was Street Legal. They’re all good albums, and you’re either ready to hear them or you’re not, that’s my theory. Anyway, the only one I was ready to hear for a long time was Street Legal, mainly because of the righteous back-up singers, but also for songs like this one, and ‘New Pony.’ When some wise-ass at a party says they don’t think Dylan is ‘really that important a songwriter,’ I always want to say, ‘Hmm, that’s interesting… and what is your opinion of the sun?’
I recorded this song in a hotel room somewhere last winter, started playing it years ago after hearing Bill Camplin (owner of the Cafe Carpe, the bar where I got my start back in Wisconsin) do a late-night version not unlike this one. For my money this song showcases much of what’s remarkable about Dylan: the power and mystery of his language, his classical sense of myth and proportion, and the way he locates the human dilemma inside the machinery of history. The truth is I’ve played this song for years but I’m never sure I’ve found the right door on it, it’s always just a little out of reach, like the man himself. It was on my mind in the new year, watching Yankee power unfold again: “The last thing I remember / Before I stripped and kneeled / Was a train load of fools / Bogged down in a magnetic field / A gypsy with a broken flag and a flashing ring / Said, ‘Son this ain’t a dream no more / It’s the real thing”
Watch Foucault’s cover of “Señor (Tales of Yankee Power)” below.
Check out more Jeffrey Foucault on his website.
Great song – love your version! I think you really do it justice.
I think the power of the song stems from it working on several levels. While the rational mind tries to make sense of it all, the soul gets touched directly.
To me, it describes an inner process of connecting to the immortal soul. First trying to find the connection, then establishing it, and experiencing a tension between old habits and the new impulses of the soul. Finally, a deep transformation occurs.
someone tell me why this version is no longer available anywhere! it literally helped me survive my toughest time in life.