Jun 122026
 

One Great Cover looks at the greatest cover songs ever, and how they got to be that way.

Lean On Me

Forgive me for getting a little personal, but when I first heard Club Nouveau’s cover “Lean on Me,” my reaction was simple: “What? Why?” I loved the Bill Withers original, mostly because it was released the year I was born. During my early mixtape years, I created one with the biggest songs from 1972. (Along with every year of my life up to that point.) As a side note, several other songs from that 1972 tape spawned covers within a few years, including “Without You,” “Oh Girl,” “I’ll Take You There,” “I Can See Clearly Now.”

Bill Withers wrote and recorded “Lean on Me” for his second album, Still Bill. He intentionally kept the lyrics simple. The song connected immediately, reaching #1 on both the Billboard Soul chart and the Hot 100. After its April 21, 1972 release, it earned Gold certification — more than a million copies sold — in less than two months. By year’s end, Billboard ranked it as the seventh-biggest song of 1972. Rolling Stone later included it among “The 500 Greatest Songs of All Time,” and the song is part of the Grammy Hall of Fame.

So now you understand my initial reaction to a cover of this classic: “What? Why?”
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Jun 122026
 
Marc Collin of Nouvelle Vague

Does it surprise you that “Enjoy the Silence” is Depeche Mode‘s highest charting single on the Hot 100? Because it surprises me. Obviously Depeche Mode had way more hits in the UK than in the US. But, being sentient in 1989 when Violator came out, it felt like “Personal Jesus” was the bigger hit. Well, it is their biggest US hit and is also their most covered song by over 100 versions. And it’s their most streamed song. So it’s indisputably their biggest song, no matter what I thought.

This kind of popularity can pose a challenge for musicians who want to cover a song. When a song is so familiar and there are so many cover versions – nearly 300 in this case – it may be hard to come up with a distinct version. Fortunately, French covers institution Nouvelle Vague have a niche and it’s a niche that is pretty unique. Continue reading »

Jun 122026
 
Dr Teeth & The Electric Mayhem Cover Blur

The newly re-designed “Rock n’ Roller Coaster” has re-opened at Walt Disney World, with a new Muppet theme. And, when you think rock n’ roll and Muppets, of course, you think of the band Dr Teeth and the Electric Mayhem. And if that isn’t enough, the Electric Mayhem are central to the story of this particular ride.

With one of the biggest concerts ever scheduled, the band is nowhere to be found. Riders are then included in the search for the iconic band. The whole ride opens at G-Force Studios and throughout the ride, we hear some great covers given the Mayhem treatment. Continue reading »

Jun 092026
 
The Krontjong Devils

The best-selling 12″ single of all time, New Order‘s “Blue Monday” is a seminal step in the transition from disco to electronic dance music. Released very early in their career, it remains their most popular song.

The Krontjong Devils are a Dutch surf band who have been performing and recording for over 30 years. You might say they’re an institution at this point. For their latest album, their fifth, they’ve recorded a cover of “Blue Monday” and they’ve chosen the 12″ version because that’s really the seminal version. Continue reading »

Jun 092026
 
Margo Price Jesse Welles

Jesse Welles has a new record out June 12th, and he performed a free pop-up concert in Washington Square Park in New York last week as part of the promotion.

As if a free, surprise concert wasn’t enough for fans, Margo Price joined Welles for a cover of a John Prine classic. With Welles playing guitar and harmonica and Price providing percussion on tambourine, the two performed Prine’s “Angel From Montgomery.” With the crowd singing along, the performance is moving. (Even if Price accidentally started singing the wrong verse at one point.) Continue reading »

Jun 082026
 

Dervish have form, having delivered 37 years as one of the premier traditional folk baton holders from the Emerald Isle. Back in 2019, they released “The Great Irish Songbook, Volume I,” culling a bevy of faithful standards from the vaults of the tradition, songs predominantly by trad.arr. This time around they celebrate the current crop, this century and last, of Irish troubadours and songbirds, enlisting, once more, an all-star cast of compadres to expand and embellish the legacy. Last time it was the likes of Steve Earle, David Gray and Rhiannon Giddens. For “The Great Irish Songbook, Volume II” it is the Indigo Girls, Del McCoury, Sarah Jarosz, the recently deceased Moya Brennan and a whole lot more. Songwriters chosen include Van Morrison, Shane MacGowan and Sinèad O’Connor.

But don’t let these guests steal the limelight from the actual band. For, in Cathy Jordan, they have one of the purest, sweetest voices of the Irish. Add in the vivacious talents of Brian McDonagh, Tom Morrow, Shane Mitchell and Liam Kelly, who, between them, ply all manner of fiddles, boxes, flutes, whistles, guitars, bouzouki and mandala. Jordan also thumps a good old bodhran and can rattle the bones as well as anyone.
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