Oct 042024
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Help Me Make It Through the Night covers

Kris Kristofferson’s resume may be one of the most remarkable documents of 20th century music. With his passing earlier this week at the age of 88, it was de rigueur for all In Memoriam pieces to bring it up. The man was a Rhodes scholar at Oxford, a Golden Gloves boxer, and a prizewinning short story writer. He was a US Army veteran, a helicopter pilot, and an award-winning actor. He could quote William Blake from memory, and he could rip Toby Keith a blistered new one. And, of course, he gifted the world with truly classic songs, plain poetry that dazzled in its simplicity and its emotional heft. He truly was, as he wrote in “The Pilgrim Chapter 33,” a walking contradiction, partly truth and partly fiction.

“I’m for anything that gets you through the night,” said Frank Sinatra in a 1963 interview with Playboy, “be it prayer, tranquilizers or a bottle of Jack Daniels.” Kristofferson, struggling to finish writing a song in the Gulf of Mexico, came back to that line and used it as the linchpin for “Help Me Make It Through the Night.” The song was about a one-night stand and therefore wore controversy on its back like a target. But the words were so plainspoken and intimate, the need far more naked than the girl, that people fell over themselves running to cover the story of a man all alone with his heart, no matter who else was in the room.

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Oct 042024
 
atreyu mary jane's last dance cover

“Mary Jane’s Last Dance” was a bit of a weird hit for Tom Petty and the Hearbreakers. Recorded during sessions for Petty’s upcoming solo album but released for the band’s Greatest Hits album, it became one of his biggest ever hits in terms of chart position, reaching the Top 15 on the Hot 100.

American metalcore group Atreyu will soon be releasing their own greatest hits record, The Pronoia Sessions, but for this record they have re-recorded their hits in new arrangements, along with two covers. Last month we talked about their Aduioslave cover and this month it’s their cover of “Mary Jane’s Last Dance.”

The iconic guitar riff that opens the song is completely transformed, slowed down and played on echoey guitar without distortion and another guitar with a spaghetti western feel, backed by a keyboard. For the chorus, they go even further afield, as there are acoustic guitars and a string section. For the post-chorus guitar fill, they replace it with a wordless vocal reminiscent of Imagine Dragons.

The effect is to really emphasize the ballad nature of the song over the rock part. It’s a cover that really feels 21st century rock band, even if lacks the usual rock elements. It’s a fascinating spin on a song that is very much identified with its guitar and harmonic riffs.

Oct 032024
 
garfunkel and garfunkel

Art Garfunkel is known for his partnership with Paul Simon, but a new record features a new duet partner: his son, Art Garfunkel Jr. On their debut record, Father and Son, the pair cover Cyndi Lauper’s classic, “Time After Time.” The new version is more orchestrated than the original and, of course, has been re-arranged as a duet. Continue reading »

Oct 022024
 
laufey savior complex

For the latest, “Like A Version,” the long-running covers segment on the Australian radio station Triple J, Icelandic singer Laufey chose Phoebe Bridgers’ most pulling song: “Savior Complex”. The artist stands on the stage in front of a chamber group of strings. She reminds us of a singer straight out of the 1920s with her flowing pale yellow dress and tall black boots.

First, the violins start. Then her voice enters, no FX, completely raw. Real.

As we make our way to the line “Smoking in the car” the strings get gradually more complex. Then there is the pre-chorus where vocally, Laufey utilizes seamless near-yodel jump. After the chorus, the deeper cellos and basses enter. After the instrumental break, the voice blends with fingerpicked guitar, a beautiful sonic melding. Then the perfectly vibrato-d “Baby you’re a vampire” nearly brings us to tears.

At the three-quarters point, we get another stunning instrumental break, this time featuring a call and response between the first and second violins. The energy is constantly changing between loving and mournful. It ended unresolved and tense, never reaching the tonic.

For more great Pheobe Bridgers covers, check out this link!

Oct 022024
 
sabrina carpenter

Sabrina Carpenter’s Short n’ Sweet Tour just kicked off, and every night, Carpenter tries to keep things fresh by adding a cover into a ‘spin-the-bottle’ segment during the show. When Carpenter played Toronto on September 25th, she made sure this segment had a Canadian feel by covering Ontario native Shania Twain’s “That Don’t Impress Me Much.” Fan-shot video has been posted on YouTube. Continue reading »

Oct 012024
 
Andrew Bird & Madison Cunningham – Crying In The Night (Buckingham/Nicks cover)

Armored Saint — One Chain (Don’t Make No Prison) (The Four Tops cover)

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