Jan 192026
 

Song Sung BlueA few years ago, when I was staying at the von Trapp family’s hotel in Northern Vermont, I attended a presentation about their family history. In the talk, they discussed the differences between The Sound of Music and their actual story.

They said the plotline about Captain von Trapp refusing to let the children play outside was particularly laughable. As a military man, they noted, he encouraged all sorts of outdoor activity.

I thought of this recently when reading about the film Song Sung Blue. The movie tells the story of husband and wife duo Mike and Claire Sardina, whose Neil Diamond tribute band, Lightning and Thunder, rose to local fame in the Milwaukee area.

Mike Sardina’s son from another marriage, Mike Jr., has criticized and denounced the film for its factual inaccuracies saying: “Everybody thinks it’s such a wonderful film, it’s so touching. It’s all lies.”

Claire, aka Thunder, has taken a different view, saying in one interview that “They captured it wonderfully. The chronological order wasn’t exactly on target completely. But, you know, the story is ‘based on a true story’ as they say and it’s more Hollywood in parts.” She has even performed live with the film’s stars Hugh Jackman and Kate Hudson.

Anytime a “true story” is transferred to film, certain elements of the story are bound to be lost, perhaps even more so in musicals. Real life is often far messier. One truth that I thought the film captured perfectly was the joy of seeing a great band play at a less than pristine venue. There’s that moment when the music takes you out of that time and place, if only for a brief second, before life comes crashing back in.
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Jan 192026
 
Storefront Church

The title track of Leonard Cohen‘s eighth album, “I’m Your Man” is now one of his most streamed songs, as well as one of his most covered. It wasn’t a hit at the time – what Cohen song was? – and it didn’t get a lot of critical attention, but now it’s a bona fide classic.

Storefront Church is the chamber pop project of former Phoebe Bridgers drummer Lukas Frank. His new “I’m Your Man” has a peculiar lyric, one that embodies romantic/sexual obsession but also can make you laugh. Frank leans into the obsession side, replacing the original’s synth-pop/sophisti-pop sound with a much darker, almost goth sound. Continue reading »

Jan 162026
 
ian sweet semi charmed life cover

For a brief period at the end of the ’90s, Third Eye Blind were pretty big. They had two Top 5 hits, three Top 10 hits and four Top 20 hits, in the span of just three years. But “Semi Charmed Life” topped some other charts, just not the Hot 100. And, decades later, it has double the streams of their next most popular song and double the covers. But “Semi Charmed Life” is one of those covers that poses a difficult conundrum for the cover artist. Because if you attempt Stephan Jenkins’, um, semi rap, you run the risk of sounding exactly like him. Continue reading »

Jan 162026
 
St. Vincent Covers Bowie

St. Vincent, aka Annie Clark, appeared on The Late Show with Stephen Colbert back in December for the show’s Under the Covers segment. Under the Covers is all about, you guessed it, cover songs, and St. Vincent chose to celebrate David Bowie with a cover of “Young Americans.” In the pre-song interview, she mentioned her first cover of this song was back in 2023 during the annual Love Rocks NYC benefit show. Continue reading »

Jan 152026
 
Michael Daves

On his new EP, bluegrass musician Michael Daves pays tribute to fellow Georgians R.E.M. with a unique take on the quartet’s material. Fables is a six-song EP that pays tribute to R.E.M.’s third album, Fables of the Reconstruction.

With the backing of his usual group of musicians, featuring Alex Hargreaves on fiddle, Jacob Jolliff on mandolin and Erik Alvar, Daves offers a thoroughly bluegrass-ed take on six of R.E.M.’s songs, including “Feeling Gravity’s Pull,” and “Driver 8.” You can watch his cover of “Can’t Get There From Here” below. Continue reading »

Jan 142026
 
The Wood Brothers

The Wood Brothers created a stripped-back, groove-driven cover of the Yeah Yeah Yeahs’ 2003 single “Maps.” The band recorded at Ella’s Lounge above the Brooklyn Paramount for The A.V. Club’s YouTube video. Continue reading »