Yes Archives - Cover Me

The 75 Best Beatles Covers Ever

Posted by Staff at 9:00 am 22 Responses »

Feb 232024

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

Sixty years ago this month, The Beatles played on the Ed Sullivan Show. You don’t need us to tell you what a momentous occasion this was; entire books have been written on the subject. Suffice to say we’re using the anniversary as our excuse to finally devote a Best Covers Ever to perhaps the biggest band of them all. We’ve done Dylan. We’ve done the Stones. We’ve done Dolly and Springsteen and Prince. But there was one last giant remaining.

Though it’s difficult to measure this precisely, The Beatles are the most-covered artist of all time according to the two biggest covers databases on the internet (SecondHandSongs, WhoSampled). And that certainly feels right. “Yesterday” is often cited as the most-covered song of all time, though that needs qualifiers (a ton of Christmas standards would beat it). But, again, it feels right. The Beatles were ubiquitous in their day, and they’ve been ubiquitous ever since. They just had a chart-topping single last month, the A.I.-assisted “Now and Then,” which was duly covered widely. If “Carnival of Light” ever surfaces, no doubt a carnival of covers will soon follow. Continue reading »

The Best Cover Songs of November 2023

Posted by Ray Padgett at 2:31 pm No Responses »

Nov 302023

boygenius ft. Ye Vagabonds — The Parting Glass (Trad. cover)

Every year, Phoebe Bridgers releases a surprise cover around the holidays to benefit charity. This year, she brought in her boygenius bandmates as well as vocal group Ye Vagabonds to cover “The Parting Glass.” It’s a traditional Irish tune, but their version pays specific homage to Sinead O’Connor, who covered it in 2002. Sales benefit the Aisling Project, an after-school project working with children and young people growing up in a disadvantaged area of Dublin. The beneficiary was chosen by the estate of O’Connor, who died in July. Continue reading »

One Great Cover: Donna Summer’s “State of Independence”

Posted by Tom McDonald at 2:00 pm No Responses »

Jul 052023

One Great Cover looks at the greatest cover songs ever, and how they got to be that way.

Progressive rock band Yes was at the top of its game in 1974 when their keyboardist Rick Wakeman abruptly departed. The band invited an obscure pioneer of electronic music, Vangelis, to replace him. Vangelis shunned the offer, preferring to stay home and compose film scores. Or maybe certain members of Yes shunned Vangelis–accounts differ. In either case, the synth maven hit it off with Yes co-founder, singer, and lyricist Jon Anderson. They collaborated intermittently in the following years, finally forming Jon and Vangelis in 1980.

By the time the second Jon and Vangelis album dropped in 1981–The Friends of Mr Cairo–their individual fortunes had reversed. Vangelis was having a breakout year. He had a smash hit in “Chariots of Fire,” a selection from his sweeping, grandiose full-length score for the film of the same name. The song swept through popular culture, and the film itself went on to win Academy awards for Best Picture and Best Music. By then Vangelis was already at work on the Blade Runner soundtrack. If he noticed that the new Jon and Vangelis album barely sold, and the release of its single “State of Independence” fell flat, it probably didn’t worry him.
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In the Spotlight: The Bad Plus

Posted by Tom McDonald at 2:00 pm No Responses »

Mar 302021

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

It’s a good time for a look back at The Bad Plus. The jazz trio recently announced a new chapter in their 20-year career: they are downsizing to a duo, as pianist Orrin Evans departs the band. (Evans joined in 2017 to replace the band’s original pianist Ethan Iverson.) The remaining musical chairs belong to bassist Reid Anderson and drummer Dave King. The moment is an interesting one for a band that always rejected the “piano-led trio” descriptor, insisting instead on “leaderless collective.” While fans await the band’s next chapter, we have highlights from their previous chapters to dig into.
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Review: ‘A Tribute to Keith Emerson & Greg Lake’

Posted by Seuras Og at 3:15 pm No Responses »

Apr 142020

I confess to hovering over this one a while, ahead of taking a bullet for the team. Don’t get me wrong, I am a huge fan of Emerson, Lake & Palmer. Or rather, I was, and therein lies the problem.

It was nigh half a century ago that I made my first purchase of an LP record; that was none other than Pictures at an Exhibition, and boy oh boy, was I keen on the energetic bombast. It wasn’t then long before four of my first ten vinyl records were by ELP — I snapped up the eponymous debut and, then, on their release, Tarkus and Trilogy. I lapped up every inky page I could about them, relishing in my membership of an elite. Those Yes acolytes could take a jump, Emmo was king and that was that. And Lake, well, he was in the band, so, clearly, he was the tops too. How could 100,000 spotty boys be wrong? As for John Peel, custodian of the nation’s counter culture tastes: “a waste of electricity”, huh, what did he know? I even went to see them, cramming into the dismal aircraft hangar of Earls Court in London with innumerable facsimiles of myself, enduring the dire acoustics and excessive volume, telling myself, and anyone else in earshot, just how good was this.
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Jenn Champion Delivers Futuristic Cover of Yes’s “Owner of a Lonely Heart”

Posted by John Lenhardt at 12:11 pm No Responses »

May 012018

On her new single, former Casandra’s Wierd band member Jenn Champion provides a futuristic rendition of “Owner of a Lonely Heart” by the prog rock gods Yes. It’s a desolate and eerie electro-dirge that recalls a bit of Daft Punk’s TRON: Legacy soundtrack. Though a significant departure from the Yes version, Champion’s tranquil and measured version does feature the unmistakable heavy guitar intro. In fact, that’s what inspired her in the first place.

Champion said on Facebook, “I always loved the arpeggio-ish guitar part in this song and I was just figuring out that riff and then thought it would be fun to cover.” Originally she started doing a more faithful cover, but that felt silly to her. So her wife suggested that Champion try the cover as a ballad, which Champion achieved by messing around with some new synthesizers. She said, “It was a challenge to get the cool guitar back in once I had synthed it all up.” Sounds like she nailed it. Continue reading »