Feb 212017
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

jordan

Jordan Becker lives in Tarrytown, New York, a suburb of NYC where the Tappan Zee Bridge crosses the Hudson (until the new bridge is finished and they knock it down). He’s been writing for Cover Me since 2013, debuting with an essay about Mermaid Avenue by Billy Bragg and Wilco (see below). Of all his Cover Me pieces, he’s “kind of proud” of spotlighting the Grateful Dead and defending Dexys Midnight Runners.
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Jun 092015
 

keepcalmI have long held it to be a covers truism that people who love covers are most compelled by musicians who can re-imagine a song in order to create something new. The whole point – I’ve said and written – of covering a song is to merge the acts of making and enjoying music in order to say something through song while also saying something about the song itself. Good covers discover or reveal. Good covers surprise.

The expectation that a cover should make something new, however, starts to feel unfair when one is attempting to evaluate covers of songs that have been covered as often as the sixteen Beatles songs on Keep Calm & Salute the Beatles. Covering the Beatles is a bit like taking a picture of THE MOST PHOTOGRAPHED BARN IN AMERICA, an act that Don DeLillo describes not as capturing an image but maintaining one. What is there left to say, discover, or reveal about these songs beyond the tautological notion that they are good enough to be covered again and again?
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Mar 052014
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question comes from Cover Me staffer Mike Misch: What cover song shouldn’t work as well as it does?
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Mar 122013
 

The music of Mark Kozelek, whether made with his former band Red House Painters, under his own name, or as Sun Kil Moon, has been described many ways: dreamy, melancholic, and wistful come to mind. With the release of his newest covers album, Like Rats, you can add creepy to the list. The songs he’s picked to cover have lyrics that are alternately menacing and depressing, either overtly or because they’ve been stripped of their accompanying upbeat music. Kozelek has never shied away from darker themes in his music: the yearning loss in RHP’s “Michael,” death and loneliness (and maybe serial killers?) in SKM’s “Glenn Tipton,” regret and self-pity in his cover of John Denver’s “I’m Sorry.” Kozelek’s voice often soars over the intricate guitars, though, and its sweetness lends the songs a faint glimmer of hope. But on “Like Rats,” he sings a register lower than usual (more on that decision later) and piles dark song upon dark song until the listener is off-balance from the assault of negativity. The album is barely 30 minutes in length, and anything more might be too much. Continue reading »

Sep 302011
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should be. Catch up on past installments here.

A subset of cover artists specialize in taking the songs of the day and turning them into the songs of “back in the day.” Early practitioners included The Templeton Twins and Big Daddy; we’ve offered you the ’40s close-harmony stylings of The Puppini Sisters, the Djangoesque djazz of The Lost Fingers, and rockabilly heroes The Baseballs. Now we add Pink Turtle to that list, a Paris septet out to prove that it still don’t mean a thing if it ain’t got that swing. Continue reading »

May 202011
 

This Week on Bandcamp rounds up our favorite covers to hit the site in the past seven days.

An embarrassment of riches this week. In addition to the normal five Bandcamp spotlights, we’ve added five more below that we just didn’t want to let go. Check out the main set, then scroll further to download bonus covers of Roky Erickson, Black-Eyed Peas, The Wizard of Oz, Mountain Goats, and Antony and the Johnsons. Continue reading »