Last month, we mentioned a new tribute compilation of Los Angeles bands today covering their L.A. influences. Titled Beat LA, the punk-leaning album features city upstarts like No Age and Crystal Antlers digging deep into L.A.’s musical history to cover bands both obvious (The Doors, Minutemen) and less so (Thelonious Monster, 20/20). It’s out today and you can stream the whole thing below. Continue reading »

They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!

Thirty-eight number one country hits, numerous Academy of Country Music awards, three Grammy Awards and somewhere around 10 billion studio and live albums (give or take): Merle Haggard has accomplished a good deal in his 74 years on this planet. He has experienced his share of hardships as well – “hard living,” four marriages, heart problems and recent lung cancer – but he still continues to release albums and tour constantly. As an originator of both the Bakersfield sound and outlaw country, Haggard came upon the scene at a time when country music had drifted far from its roots, with overwrought, schmaltzy ballads dominating the charts. Along with Willie Nelson, Johnny Cash and Waylon Jennings, he helped inject a much-needed dose of reality, likely rescuing the genre from a permanent descent into the adult contemporary wilderness. Continue reading »

Song of the Day posts one cool cover every morning. Catch up on past installments here.

Many albums go gold. Many albums make best-ever lists. But how many albums earn the band an “Official Certificate of Recognition from the City of Los Angeles”? That’s a unique claim to fame if there ever was one, but X’s Los Angeles did just that. Apparently whoever decides these things didn’t understand that the flaming Klan-style X on the cover and lyrics about sex and blood isn’t exactly “I Love L.A.”

The Doors’ organist Ray Manzarek produced the record, cajoling the band into covering “Soul Kitchen.” Thirty years later, BBC Radio 6 cajoled YACHT into covering the album’s next track, “Nausea.” The punk-rock fury becomes a lowkey dance jam. It sounds like LCD Soundsystem with better singing. A winning combination. Continue reading »

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