Jul 102019
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

Earlier this year, a young rapper named Lil Nas X found himself in an odd position. With rhymes about horses, tractors, cowboys, and Wrangler jeans, his song “Old Town Road” was blazing up the country charts. Then, suddenly, it was dropped from the list. Officials at Billboard claimed it was because the tune was not country enough. Some cried foul, some cried racism. Billy Ray Cyrus called it something else.

The country singer, who shook up Nashville himself with his 1992 hit “Achy Breaky Heart,” labelled Lil Nas X a true country outlaw. Cyrus took to Twitter, saying: “When I got thrown off the charts, Waylon Jennings said to me ‘Take this as a compliment’ means you’re doing something great! Only Outlaws are outlawed. Welcome to the club.”

With Lil Nax X’s blessing, Cyrus went into the studio to record some of the lyrics and an additional verse. Just like that, “Old Town Road (Remix)” was born. This time, they did not need the country charts. The song shot up to the top spot on Billboard’s Hot 100, where it has stayed for 13 weeks as of July 1. At age 57, Cyrus earned the first number one pop single of his career. But more importantly, the man known to many as Miley Cyrus’ dad has suddenly been blessed with cultural street cred. On June 23, the two performed the song at the BET Awards with the whole crowd singing and dancing along. It’s a type of cachet that has been eluding Cyrus since the “Achy Breaky” backlash of the early ‘90s.

I can’t help but feel somewhat vindicated by all this. You see, I have been a Billy Ray defender for decades. Yes, I know “Achy Breaky Heart” is corny and was overplayed to nth degree. But once you get beyond his many attempts to replicate his “Achy Breaky” success with equally cheesy sequels, he has many great songs that have held up well in the ensuing decades. Plus, Cyrus can really sing. His voice enables him to take on many subgenres of country, rock, pop, and now rap with equal ease.

As with any country singer, Cyrus has recorded a number of cover songs over the years, including two feminist anthems. Here’s a quick primer for those who dare to embrace Cyrus’ well-worn mullet.

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Jun 262019
 

It has been a mere nine months since Willie Nelson’s last album My Way. That means it’s time for some new music from the Red Headed Stranger. The country stalwart released his latest record Ride Me Back Home on June 21. As with many of Nelson’s albums, it includes a mix of covers and original material. Among the covers is Nelson’s take on Billy Joel’s wedding-band staple “Just the Way You Are.” Continue reading »

Dec 172018
 
best cover songs of 2018

Two things strike me as I scan through our list this year. This first is that many of the highest-ranking covers are tributes to recently-deceased icons. No surprise there, I suppose. But none actually pay tribute to artists that died in 2018. They honor those we’ve been honoring for two or three years now – your Pettys, your Princes, your Bowies. Hundreds of covers of each of these legends appeared in the first days after their deaths, but many of the best posthumous covers took longer to emerge.

Good covers take time. That principle – the cover-song equivalent of the slow food movement, perhaps – holds true throughout the list. Sure, a few here appear to have arisen from sudden moments of brilliance, flash-arranged for some concert or radio promo session. But many more reveal months or even years of painstaking work to nail every element. Making someone else’s song one’s own isn’t easy. These 50 covers took the time to get it right.

– Ray Padgett, Editor-in-Chief

Start the countdown on the next page…

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Dec 142018
 

Follow all our Best of 2018 coverage (along with previous year-end lists) here.

best covers albums 2018

Two of the albums on this year’s list have similar titles: This Is Not Our Music and These Are Not Mine. Clever titles for collections of cover songs, sure, but misleading. Not your music? Why not? Songs are anyone’s for the singing. Even if a song’s lyrics or chord sequence didn’t first spring from a certain performer’s brain, that doesn’t mean he or she has any less claim. The great cover performers make the songs theirs, no matter whose they were before.

The twenty records below each contain numerous examples of artists doing just that. The songs may not have started out as these artists’ – but they are theirs now.

– Ray Padgett, Editor-in-Chief

Start the countdown on the next page…

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Oct 312018
 
cover songs october
AJ Lambert – Lush Life (Frank Sinatra cover)

Frank Sinatra’s granddaughter covers Frank Sinatra. You think you know where this story ends: fawning nepotism. But despite familial loyalty, A.J. Lambert isn’t afraid to twist “Lush Life,” adding a Lynchian undercurrent of menace. More of an overcurrent in the crawling, nose-bleeding video.

Amy Shark – Teenage Dirtbag (Wheatus cover)

Every month, one or two of these selections invariably hail from Spotify’s terrific new cover-sessions series. My only gripe is that they came with no information, the sort a band would write in the YouTube description or press release announcing a new cover, or say on stage before performing one live. That’s now solved with Spotify’s new “Under Cover” podcast, in which the artists performing the covers talk about them. We learn that Amy Shark tried to make “Teenage Dirtbag” a Pixies song, and that she considered the song her anthem when she was young. She says: “The first time I heard ‘Teenage Dirtbag,’ I was in high school. I was crazy obsessed with it to the point where it was in my head every day all day. I would sing it in all day in school. Even teachers would say, ‘Amy, please listen to something else.'” Continue reading »

Sep 242018
 

my way

Willie Nelson’s latest album My Way is billed is as a tribute to Frank Sinatra. But it’s really just another chapter in Nelson’s retelling of the Great American Songbook. It features Nelson’s signature dude ranch cabaret sound that he’s perfected over the course of the last four decades, starting with the 1978 classic Stardust.

Throughout My Way, whether he’s backed by a large orchestra or small jazz combo, Nelson has the uncanny ability to make the tracks his own. There’s his instantly recognizable voice, which still sounds impeccable. He infuses the lush arrangements with heavy amounts of harmonica. While Nelson does not break any new musical ground, listening to the record is a bit like hanging out with an old friend, or at the very least, with a familiar (red-headed) stranger.

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