Feb 012013
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

The Doors are in the unfortunate position of being overwhelmed by their mystique. They were never a band that coasted on an image – they released eight albums (six studio, one live, one best-of) in the five years before Jim Morrison’s death, and two more studio albums afterward. Their dark voice was not always welcome in the peace ‘n’ love sixties, but they never stopped raising it. Some of their albums are spotty, but the best of their work has stood the test of time better than that of many if not most of their contemporaries. Alas, too many people today know them as nothing more than a vehicle for Morrison to wield the persona that famously led Rolling Stone to declare him hot, sexy, and dead. But in 1967, there was nobody like them, and their self-titled debut album proved them to be a cohesive unit with a vision only those four men could convey.
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Oct 282011
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

In 1984 a band from Glasgow released a song that sounded like the inside of a jet engine factory, only you could hum it. The song was “Upside Down,” and it stayed on the UK indie charts for almost a year and a half. The band was The Jesus and Mary Chain, less content to push the envelope than to blow a hole through it with feedback and distortion. With their first album, Psychocandy, they made it official: here was a group that combined the squall of The Velvet Underground and the tunefulness of The Beach Boys to make torture chamber pop, producing a wall of sound that surely had Phil Spector nodding approvingly. Continue reading »

Dec 222010
 

With little fanfare, Robyn Hitchcock released a set of unheard covers to stream on his website yesterday. The former Soft Boy sticks with obvious influences like George Harrison and Bob Dylan on the untitled set, but the song selections themselves often surprise. For Harrison, he chose “Be Here Now” from Living in the Material World. For Dylan, “Copper Kettle,” off Self Portrait, the album that garnered perhaps the most famous record review in rock history (Greil Marcus: “What is this shit?”). Continue reading »