Dec 172018
 
best cover songs of 2018

Two things strike me as I scan through our list this year. This first is that many of the highest-ranking covers are tributes to recently-deceased icons. No surprise there, I suppose. But none actually pay tribute to artists that died in 2018. They honor those we’ve been honoring for two or three years now – your Pettys, your Princes, your Bowies. Hundreds of covers of each of these legends appeared in the first days after their deaths, but many of the best posthumous covers took longer to emerge.

Good covers take time. That principle – the cover-song equivalent of the slow food movement, perhaps – holds true throughout the list. Sure, a few here appear to have arisen from sudden moments of brilliance, flash-arranged for some concert or radio promo session. But many more reveal months or even years of painstaking work to nail every element. Making someone else’s song one’s own isn’t easy. These 50 covers took the time to get it right.

– Ray Padgett, Editor-in-Chief

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Dec 142018
 

Follow all our Best of 2018 coverage (along with previous year-end lists) here.

best covers albums 2018

Two of the albums on this year’s list have similar titles: This Is Not Our Music and These Are Not Mine. Clever titles for collections of cover songs, sure, but misleading. Not your music? Why not? Songs are anyone’s for the singing. Even if a song’s lyrics or chord sequence didn’t first spring from a certain performer’s brain, that doesn’t mean he or she has any less claim. The great cover performers make the songs theirs, no matter whose they were before.

The twenty records below each contain numerous examples of artists doing just that. The songs may not have started out as these artists’ – but they are theirs now.

– Ray Padgett, Editor-in-Chief

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Sep 072018
 

kilonovaWilliam Elliott Whitmore is 40, but he has always sounded like a much older man, with a deep, soulful voice that gives everything he sings a certain gravitas.  Think Tom Waits, Leonard Cohen, or late Dylan, or most of all, Johnny Cash at his most apocalyptic.  If Whitmore sang “Don’t Worry, Be Happy,” you’d still worry, and probably be unhappy.  I first heard Whitmore in 2006, opening for Lucero, at the Bowery Ballroom in New York, and was immediately transfixed by his timeless voice, dark songs, austere banjo, guitar and foot stomping accompaniment, and intense performance.

Born and raised on a 150-acre farm in southeastern Iowa, which he inherited from his parents and still owns, Whitmore grew up singing and playing guitar and banjo, with musical influences that started with country and moved toward punk as he got older.  At a certain point, though, Whitmore realized that he needed to focus on the folky, rustic, blues music that he grew up on–but with a punk edge.

So when Bloodshot Records released Kilonova, an album of covers of (mostly) lesser known songs from many musical eras, the question was, how would such a distinctive artist put his stamp on this block of diverse songs? “Diverse” barely begins to tell the story–artists range from Dock Boggs, to Johnny Cash,  to the Magnetic Fields to Bad Religion.

In short, the answer is, remarkably well.
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Jul 312018
 
Arctic Monkeys – Lipstick Vogue (Elvis Costello cover)

Arctic Monkeys got a lot of attention covering the Strokes last week (especially because on his new album, Alex Turner sings: “I just want to be one of the Strokes”). But I preferred their wonderfully sleazy “Lipstick Vogue” cover, played in honor of Costello as he recovered from cancer surgery. Turner’s a product of his influences; in addition to the Strokes and Elvis, he appears to have his Nick Cave snake slither down cold. Continue reading »

Jul 192011
 

For a young artist, Iowa folk troubadour William Elliott Whitmore has a timeless sound. His thick, growly voice and affinity for acoustic guitar and banjo link him to the icons of country and folk, from Woody Guthrie to Ramblin’ Jack Elliott to parts of Bob Dylan’s early career. On his new album Field Songs, Whitmore appeals to the age old traditions of gospel-influenced bluegrass and southern work songs. Going even further to contextualize his work, William Elliot just released a pair of covers, taking on compositions by the legendary Johnny Cash and the more contemporary country group Red Meat. Continue reading »

Oct 192010
 

If you’re a big fan of Bad Religion, you should know this about me up front: I had no idea that they were as influential as they apparently are. I knew them simply as a decent punk band that, for reasons I didn’t fully appreciate, seemed to be on constant rotation on my hometown radio station. So you can imagine my confusion when I heard that a pretty solid lineup featuring the likes of Tegan and Sara, Switchfoot, Ted Leo, the Weakerthans, and others were covering their favorite Bad Religion songs for the tribute album Germs of Perfection: A Tribute to Bad Religion. “Does the world need this?” I wondered.

As it turns out, I was kind of an idiot. Bad Religion’s been around for 31 years—as in, since 1979. Their guitarist for most of that time has been Brett Gurewitz, founder and owner of Epitaph Records and affiliates ANTI-, Burning Heart Records, Fat Possum Records, and Hellcat Records. Germs of Perfection, which was released by SPIN and MySpace Music as a free download today, commemorates the 30-year anniversary of Epitaph, which is as good a reason as any for such a tribute. Continue reading »