Sep 302016
 
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They say nostalgia works in 20-year cycles, and this year the music of 1996 has been in the media a lot. And if you believe the music blogs, it turns out 1996 was a truly groundbreaking year for every possible genre. Over at SPIN: “The 96 Best Alternative Rock Songs Of 1996.” Complex: “Best Rap Songs of 1996.” Junkee: “Ten reasons 1996 was a great year for dance music”. Loudwire: “10 Best Metal Albums of 1996.” Red Bull Music: “1996: Why it was a great year for pop”. Suck it, 1995! (Kidding; similar articles were of course written last year too.)

We’ll be honest: 1996 was not some magical, pioneering year for cover songs. It was also not a terrible year. It was just, you know, another year. There’s no overarching theorem of 1996’s cover songs that wasn’t true in ’95 or ’97. But even so, Cover Me wasn’t around in 1996, so we never made a Best Cover Songs of 1996 list (our first year-end list came in 2009, with the Kings of Convenience’s “It’s My Party” topping it, and you can catch up on all the lists here). So we decided, before the year ends and we take our look at the best covers songs this year, why not take a nostalgic rewind and do 1996 just for fun, twenty years too late. Continue reading »

Dec 312015
 
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We’ve already finished the big year-end stories – Best Cover Songs and Best Cover Albums – but here’s a little postscript to take us into the new year. Maybe there’s something here you missed: covers of every song on a classic record in our “Full Albums” series, a deep dive into unusual reinterpretations of a particular hit in our “Five Good Covers” series, or just a bunch of MP3s of Dylan covering Sinatra over forty years.

Cover Me’s Most Popular Posts of 2015
1. Full Albums: Bob Marley & the Wailers’ ‘Legend’
2. Download Four Decades of Bob Dylan’s Frank Sinatra Covers
3. Full Albums: The Rolling Stones’ ‘Sticky Fingers’
4. Five Good Covers: Everybody Wants to Rule the World (Tears for Fears)
5. Full Albums: Wilco’s ‘Yankee Hotel Foxtrot’
6. Five Good Covers: The Logical Song (Supertramp)
7. Full Albums: ‘Led Zeppelin III’
8. The Best Cover Songs of 2015
9. Five Good Covers: Rocket Man (Elton John)
10. Full Albums: XTC’s ‘Skylarking’

See you in 2016!

Feb 272015
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Writing about Wilco’s Yankee Hotel Foxtrot seems a little like eating at a buffet right before closing. There may be a few good things left, but it is pretty well picked over, and what’s left has lost its flavor. Few rock albums of the past 20 years have been discussed and analyzed as much as YHF. Yet we proceed, undaunted, because what we do is different. And maybe, just maybe, listening to a full set of covers of each song of this great album will allow you to hear it anew. Because you never know when the buffet is going to get restocked with something fresh.
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Jun 132014
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

There is very little that can be considered “new” in the world of popular music — everything builds on something that came before, and influences get combined in different ways. So the idea that you can declare the inventor of a musical genre is ridiculous. Uncle Tupelo didn’t invent alt-country, a mix of country, rock and punk (check out, say, Jason and the Scorchers, the Long Ryders, Rank and File, X, or the Blasters, for example, for proof that these strains were already well mixed when Uncle Tupelo emerged). But it cannot be denied that Uncle Tupelo’s debut album No Depression, which gave its name to the influential message board and magazine that spearheaded the movement, helped to kickstart the genre’s popularity and became one of its cornerstones.

And it all started with a bunch of high school kids.
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Aug 252013
 

They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!

Forty-six years old. In some ways, it’s hard to believe that Jeff Tweedy, the songwriting genius behind Wilco, has hit his late forties. On the other hand, think back, way back through his recorded output. When Wilco released their first album 18 years ago, Tweedy was already a groundbreaker, having co-founded Uncle Tupelo with Jay Farrar eight years earlier. Together, they practically invented the genre of alt-country before their acrimonious split, when Tweedy was just 26 years old.

Not one to rest on his laurels, Tweedy assembled Wilco out of the ashes of Tupelo’s touring band and slowly built a following. The band teetered on the edge of disaster when they presented their masterpiece Yankee Hotel Foxtrot to their label, only to have it rejected. Instead of going back into the studio to record a boy-band album or whatever the hell the label wanted, they bought the master tapes back and walked. Eventually they signed to a subsidiary of the same company (go figure), and the album came out and went gold. From there on, Tweedy & Company have continued to push the sonic envelope and remain just as vital as ever.
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Apr 262013
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

It is hard to remember that in 1998, when Mermaid Avenue was released, Billy Bragg was a well-respected leftist folkie, a former busker who had progressively cleaned up and expanded his sound, and he was probably at the height of his commercial popularity. By contrast, Wilco, which was struggling to emerge from the shadows of Uncle Tupelo and Son Volt, had released two albums – a debut that was not fawned over, and a follow-up that was critically adored, but far from a hit. The idea that within a few years, Wilco would become a critical and popular success, serve as an example of the music industry’s bizarre decision-making process, headline places like Madison Square Garden, and curate its own summer music festival, would probably have been scoffed at by most, including Jeff Tweedy.

Keep in mind as well that in 1998, the idea of putting out an album of unrecorded Woody Guthrie lyrics with brand-new music was a bit unusual, but after Mermaid Avenue, it became almost common. Later albums from artists such as Jonatha Brooke, The Klezmatics and even Tweedy’s former Uncle Tupelo bandmate and nemesis Jay Farrar (along with Anders Parker, Will Johnson and Jim James) have followed this theme, as have single songs by artists as diverse as the Navajo group Blackfire and the punk provocateurs Anti-Flag. So, Mermaid Avenue was not only fabulous music, it helped to spawn a revival of interest in the music of Woody Guthrie, which can only be a good thing.

Continue reading »