Oct 062017
tom petty posthumous covers

Last Monday, America woke up and didn’t want to get out of bed. There was yet another senseless massacre, this time in Las Vegas. Even more traumatic for us music fans, it took place in our church, at a concert venue. Later in the afternoon, the news broke that Tom Petty had died, and, a few hours on, that Tom Petty had died a second time. It was like we were getting sucker punched over and over again.

His words made us feel better: that losing is part of life, but we should never give up hope. That the world may drag us down, but people will be there for us. And that we should be free to chase our dreams, whether it be deep within ourselves or making them part of the world. We shouldn’t back down because Tom wouldn’t. To bullies, to being ostracized, and to being anything but ourselves.

Petty was a classic rock and roll survivor, ruling radio in the 1970s, winning MTV video music awards in the ’80s, and writing the song that came back from the dead to be the only happy moment in Silence of the Lambs in the ’90s. He recorded some of America’s most anthemic and heartfelt music, and although his later output declined some, he never slowed down, collaborating in the supergroup The Traveling Wilburys and becoming Johnny Cash’s sideman with the Heartbreakers, reforming his old band Mudcrutch, and endlessly touring.

Upon the news of his death, artists starting playing tribute covers immediately, both in the studio and onstage. I’ve listened to a few dozen over the past few days. Here are my favorites. Continue reading »

Feb 212017

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.


Jordan Becker lives in Tarrytown, New York, a suburb of NYC where the Tappan Zee Bridge crosses the Hudson (until the new bridge is finished and they knock it down). He’s been writing for Cover Me since 2013, debuting with an essay about Mermaid Avenue by Billy Bragg and Wilco (see below). Of all his Cover Me pieces, he’s “kind of proud” of spotlighting the Grateful Dead and defending Dexys Midnight Runners.
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Sep 302016

They say nostalgia works in 20-year cycles, and this year the music of 1996 has been in the media a lot. And if you believe the music blogs, it turns out 1996 was a truly groundbreaking year for every possible genre. Over at SPIN: “The 96 Best Alternative Rock Songs Of 1996.” Complex: “Best Rap Songs of 1996.” Junkee: “Ten reasons 1996 was a great year for dance music”. Loudwire: “10 Best Metal Albums of 1996.” Red Bull Music: “1996: Why it was a great year for pop”. Suck it, 1995! (Kidding; similar articles were of course written last year too.)

We’ll be honest: 1996 was not some magical, pioneering year for cover songs. It was also not a terrible year. It was just, you know, another year. There’s no overarching theorem of 1996’s cover songs that wasn’t true in ’95 or ’97. But even so, Cover Me wasn’t around in 1996, so we never made a Best Cover Songs of 1996 list (our first year-end list came in 2009, with the Kings of Convenience’s “It’s My Party” topping it, and you can catch up on all the lists here). So we decided, before the year ends and we take our look at the best covers songs this year, why not take a nostalgic rewind and do 1996 just for fun, twenty years too late. Continue reading »

Dec 312015

We’ve already finished the big year-end stories – Best Cover Songs and Best Cover Albums – but here’s a little postscript to take us into the new year. Maybe there’s something here you missed: covers of every song on a classic record in our “Full Albums” series, a deep dive into unusual reinterpretations of a particular hit in our “Five Good Covers” series, or just a bunch of MP3s of Dylan covering Sinatra over forty years.

Cover Me’s Most Popular Posts of 2015
1. Full Albums: Bob Marley & the Wailers’ ‘Legend’
2. Download Four Decades of Bob Dylan’s Frank Sinatra Covers
3. Full Albums: The Rolling Stones’ ‘Sticky Fingers’
4. Five Good Covers: Everybody Wants to Rule the World (Tears for Fears)
5. Full Albums: Wilco’s ‘Yankee Hotel Foxtrot’
6. Five Good Covers: The Logical Song (Supertramp)
7. Full Albums: ‘Led Zeppelin III’
8. The Best Cover Songs of 2015
9. Five Good Covers: Rocket Man (Elton John)
10. Full Albums: XTC’s ‘Skylarking’

See you in 2016!

Feb 272015

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Writing about Wilco’s Yankee Hotel Foxtrot seems a little like eating at a buffet right before closing. There may be a few good things left, but it is pretty well picked over, and what’s left has lost its flavor. Few rock albums of the past 20 years have been discussed and analyzed as much as YHF. Yet we proceed, undaunted, because what we do is different. And maybe, just maybe, listening to a full set of covers of each song of this great album will allow you to hear it anew. Because you never know when the buffet is going to get restocked with something fresh.
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Jun 132014

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

There is very little that can be considered “new” in the world of popular music — everything builds on something that came before, and influences get combined in different ways. So the idea that you can declare the inventor of a musical genre is ridiculous. Uncle Tupelo didn’t invent alt-country, a mix of country, rock and punk (check out, say, Jason and the Scorchers, the Long Ryders, Rank and File, X, or the Blasters, for example, for proof that these strains were already well mixed when Uncle Tupelo emerged). But it cannot be denied that Uncle Tupelo’s debut album No Depression, which gave its name to the influential message board and magazine that spearheaded the movement, helped to kickstart the genre’s popularity and became one of its cornerstones.

And it all started with a bunch of high school kids.
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