Life experience can transform a song. While Trent Reznor of Nine Inch Nails went deep into the emotional hell pit on “Hurt” in 1994, Johnny Cash’s 2002 cover took it even further, transforming the already heartbreaking into the emotionally devastating.
Like Cash, Tanya Tucker is a country legend. She was only 13 years old when she had her first hit record, 1972’s anthem “Delta Dawn.” And in the tradition of those “blessed” with huge success at a young age, she embarked in earnest on her mission to be country music’s wildest child. A female outlaw in the mold of Waylon and Willie, she became as famous for her partying, drinking, drug-taking, and relationship choices as she was for her music (check out her excellent, revealing autobiography Nickel Dreams for all the painful details).Continue reading »
In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!
Earlier this year, a young rapper named Lil Nas X found himself in an odd position. With rhymes about horses, tractors, cowboys, and Wrangler jeans, his song “Old Town Road” was blazing up the country charts. Then, suddenly, it was dropped from the list. Officials at Billboard claimed it was because the tune was not country enough. Some cried foul, some cried racism. Billy Ray Cyrus called it something else.
The country singer, who shook up Nashville himself with his 1992 hit “Achy Breaky Heart,” labelled Lil Nas X a true country outlaw. Cyrus took to Twitter, saying: “When I got thrown off the charts, Waylon Jennings said to me ‘Take this as a compliment’ means you’re doing something great! Only Outlaws are outlawed. Welcome to the club.”
With Lil Nax X’s blessing, Cyrus went into the studio to record some of the lyrics and an additional verse. Just like that, “Old Town Road (Remix)” was born. This time, they did not need the country charts. The song shot up to the top spot on Billboard’s Hot 100, where it has stayed for 13 weeks as of July 1. At age 57, Cyrus earned the first number one pop single of his career. But more importantly, the man known to many as Miley Cyrus’ dad has suddenly been blessed with cultural street cred. On June 23, the two performed the song at the BET Awards with the whole crowd singing and dancing along. It’s a type of cachet that has been eluding Cyrus since the “Achy Breaky” backlash of the early ‘90s.
I can’t help but feel somewhat vindicated by all this. You see, I have been a Billy Ray defender for decades. Yes, I know “Achy Breaky Heart” is corny and was overplayed to nth degree. But once you get beyond his many attempts to replicate his “Achy Breaky” success with equally cheesy sequels, he has many great songs that have held up well in the ensuing decades. Plus, Cyrus can really sing. His voice enables him to take on many subgenres of country, rock, pop, and now rap with equal ease.
As with any country singer, Cyrus has recorded a number of cover songs over the years, including two feminist anthems. Here’s a quick primer for those who dare to embrace Cyrus’ well-worn mullet.
We already counted down the 50 Best Cover Songs of 2018 but, inevitably, many of our staff’s personal favorites get left off. So, before we begin scouting for what might become the best cover of 2019, we share the best of the rest, an unranked hodgepodge of worthy covers that only just missed our year-end countdown.Continue reading »
They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!
“Don”. . . individualist. . . phys ed major . . . the thinker . . . journalist extraordinaire . . . jazz enthusiast . . . quotations for all occasions . . . “Harry the Horse.”
So said the 1965 South Brunswick High School yearbook (straight outta Monmouth Junction, NJ) about Donald Fagen. Over half a century later, it’s remarkable to see how much they got right. As half of Steely Dan, Fagen’s nonconformist ways were so counter to the culture that he couldn’t help building up a huge following of Others. His cerebral lyrics captured life moments in puzzling but definitive ways, and his jazz leanings put those musings across to the masses. And while his jock leanings and “Guys and Dolls” fandom may have taken a backseat, he’ll be quoted long after he’s gone, both by fans who don’t play music and fans who do. Continue reading »
Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.
Chuck Prophet is the classic “under the radar” artist. He’s a musician who has been recording for nearly 30 years – first with Green on Red, a band that seems more respected in its absence than it was recognized during its existence, and then as a solo act, in which a small handful of his impressive songs have barely nudged into public consciousness. He has been a successful songwriter for hire, a sought-after sideman, and has a number of higher-profile admirers. His music is generally well reviewed, and he tours regularly and successfully. Although we at Cover Me are not privy to his tax returns, it is probably safe to say that he makes a pretty good living at the music thing, but that he isn’t using hundreds to light his smokes. Continue reading »
Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.
Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).
Today’s question: What’s your favorite cover of your favorite Beatles song? Continue reading »