Some covers are more equal than others. Good, Better, Best looks at three covers and decides who takes home the gold, the silver, and the bronze.
In an era when synth-pop was what ruled the British roost, the opening guitar lick to the Smiths’ “This Charming Man” was an invigorating splash of cool, clear water to the face. The band’s second single, written for one of John Peel’s BBC radio sessions, began with Johnny Marr’s ringing introduction and kept up a bright, danceable pace, while Morrissey crooned lyrics of a (including a line nicked from the Laurence Olivier / Michael Caine movie Sleuth) that were coquettish, poetic, and different from anything on the charts. “Early Elvis would have approved of the music, [Oscar] Wilde of the words,” writes allmusic.com, “an audacious end result by any standard.”
“I wince a bit when I hear it now,” Marr later said. “It only tells the shiny side of the story, it in no way epitomizes what was good about the band in the long term. But God bless it though, it seemed to catch on with a lot of people.”