Oct 062017
 
tom petty posthumous covers

Last Monday, America woke up and didn’t want to get out of bed. There was yet another senseless massacre, this time in Las Vegas. Even more traumatic for us music fans, it took place in our church, at a concert venue. Later in the afternoon, the news broke that Tom Petty had died, and, a few hours on, that Tom Petty had died a second time. It was like we were getting sucker punched over and over again.

His words made us feel better: that losing is part of life, but we should never give up hope. That the world may drag us down, but people will be there for us. And that we should be free to chase our dreams, whether it be deep within ourselves or making them part of the world. We shouldn’t back down because Tom wouldn’t. To bullies, to being ostracized, and to being anything but ourselves.

Petty was a classic rock and roll survivor, ruling radio in the 1970s, winning MTV video music awards in the ’80s, and writing the song that came back from the dead to be the only happy moment in Silence of the Lambs in the ’90s. He recorded some of America’s most anthemic and heartfelt music, and although his later output declined some, he never slowed down, collaborating in the supergroup The Traveling Wilburys and becoming Johnny Cash’s sideman with the Heartbreakers, reforming his old band Mudcrutch, and endlessly touring.

Upon the news of his death, artists starting playing tribute covers immediately, both in the studio and onstage. I’ve listened to a few dozen over the past few days. Here are my favorites. Continue reading »

Jul 182017
 
anthony damato covers

If someone told you to sing “This Land Is Your Land,” how much could you do off the top of your head? Redwood forest, check. Ribbon of highway probably too. But do you know this verse?

Was a high wall there that tried to stop me
A sign was painted said: Private Property,
But on the back side it didn’t say nothing —
That side was made for you and me.

That rarely-sung verse, from Woody Guthrie’s original lyrics, helped inspire Anthony D’Amato’s shimmering new cover (which features background vocals from Josh Ritter). Though written in 1940, that line about walls dividing people holds increasing resonance today. And it’s a subject D’Amato cares a lot about; his last album included the Trump-inspired original “If You’re Gonna Build A Wall” and both tracks appear on new charity EP Won’t You Be My Neighbor. Continue reading »

Dec 062016
 
best cover songs

Over the past few months, we’ve been hard at work making our list of The Best Cover Songs of 2016. Narrowing it down to 50 caused some excruciating choices, that’s how many great covers there were this year.

We’ll be posting the full list next week (and “Best Cover Albums” this Thursday), but as a little appetizer, here are our Honorable Mentions, covers we loved and still wanted to spotlight as among the best 2016 had to offer. Continue reading »

Nov 172016
 
CourtneyBarnettLive

Since the surprise election of Donald Trump last week, musicians have responded in all sorts of ways, from benefit concerts to social media missives. A few have taken to the world of cover songs to express their feelings and frustrations, picking songs with titles like “Drunk On Election Night” or “Time To Move On.” We’ve pulled together a few of the best. Continue reading »

Oct 312016
 
LarkinPoe

Elvis Costello’s recent Detour run (detour… de tour… get it?) was billed as a solo gig, but for half of the show I caught, he wasn’t up there alone. Flanking him was his opening band, the duo Larkin Poe. For instance, here’s the trio on one of Costello’s classics, “Blame It On Cain”:

You can see why Costello has come to depend on them so much at these “solo” dates; he even turned over lead vocals on an unreleased new song, “Burn the Paper Down to Ash.” Larkin Poe’s opening set was every bit as impressive – the fact that they still had energy left to join Costello after it, even more so. Atlanta sisters Megan and Rebecca Lovell stormed the stage, making a mandolin and steel guitar howl and holler with a blues-rock fever. They’ve earned themselves the tagline “the little sisters of the Allman Brothers,” and for good reason. Continue reading »

Oct 272016
 
My Goodness_Jake Gravbrot

It’s been a good year for covers of Tom Petty’s non-Heartbreakers tracks. Back in January we heard Jane Kramer’s great version of a Highway Companion deep cut, and now we have My Goodness covering a better-known song off a better-known album: Wildflower’s lead single “You Don’t Know How It Feels.” The Seattle duo of guitarist/vocalist Joel Schneider and drummer Andy Lum slows the song way down on their upcoming EP Islands, giving it a spooky menace just in time for Halloween.

“We were listening to a lot of Tom Petty on our last US tour, great driving music – so we decided to choose a classic and take it to a dark place,” Lum tells us. “When we started recording in Seattle, our producer Shawn suggested we play the song at double speed and slow the tape down to get this spacey, warped drum sound. It felt insane while we were tracking, but the end result was totally worth it.” Continue reading »