Oct 312018
 
cover songs october
AJ Lambert – Lush Life (Frank Sinatra cover)

Frank Sinatra’s granddaughter covers Frank Sinatra. You think you know where this story ends: fawning nepotism. But despite familial loyalty, A.J. Lambert isn’t afraid to twist “Lush Life,” adding a Lynchian undercurrent of menace. More of an overcurrent in the crawling, nose-bleeding video.

Amy Shark – Teenage Dirtbag (Wheatus cover)

Every month, one or two of these selections invariably hail from Spotify’s terrific new cover-sessions series. My only gripe is that they came with no information, the sort a band would write in the YouTube description or press release announcing a new cover, or say on stage before performing one live. That’s now solved with Spotify’s new “Under Cover” podcast, in which the artists performing the covers talk about them. We learn that Amy Shark tried to make “Teenage Dirtbag” a Pixies song, and that she considered the song her anthem when she was young. She says: “The first time I heard ‘Teenage Dirtbag,’ I was in high school. I was crazy obsessed with it to the point where it was in my head every day all day. I would sing it in all day in school. Even teachers would say, ‘Amy, please listen to something else.'” Continue reading »

Oct 222018
 
tom petty the lumineers

It’s been one year since the death of Tom Petty, and the world is still decidedly more empty without his presence. But as is true with all beloved music makers, Petty continues to influence generations after him with his perfect melodies. The latest in a long and reverent string of covers comes from The Lumineers, with their version of Petty’s “Walls.” Continue reading »

Oct 022018
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

wildflowers covers

One thing I’ve noticed since Tom Petty’s death, one year ago today, is that he’s been re-appreciated as an album artist. Unlike many of his peers, he never had a world-conquering Born in the U.S.A. or Rumours. His best-selling album – by far – is 1993’s Greatest Hits. But when icons pass, their catalogs get re-assessed.

Some have made the case for Damn the Torpedoes or Full Moon Fever as the best Petty album, and those two – one recorded with the Heartbreakers, one sounding like it might as well have been – certainly offer quintessential Petty-brand rock. But as a complete album statement, Wildflowers tops the list for me. It had a few radio-ready hits – didn’t they all? – but on the whole it presented a softer singer-songwriter side of Petty, harmonies and strummed acoustics subbing in for the big arena-rock choruses.

So, though we’ve paid tribute to Petty before, on the one-year anniversary of his death we wanted to complete a project that we’ve been working on for a while: giving Wildflowers the Full-Album treatment. One roadblock that previously kept us from completing this was that, as in so much of Petty’s career, the hits loomed large. We found ourselves with hundreds of “You Don’t Know How It Feels” covers to choose from, but nothing for some deeper cuts.

So, to quote a band Petty revered as much as any musician, we got by with a little help from our friends. Two of the below songs are exclusives recorded just for this, the first covers – the first good covers, at any rate – of several lesser-known gems. Having songs like this sneaking under the mainstream radar is proof that Petty was, in the end, an album artist as good as they come. Continue reading »

May 192018
 
grace jones covers

Here’s a stumper: Is it more correct to ask who Grace Jones is, or what Grace Jones is? The model-actress-singer-diva-icon turns 70 today, and her appeal—which might once have appeared to be a particularly long-running flash in the pan—shows no signs of abating. The documentary Bloodlight and Bami, an intimate look at the performer, came out this year, and her memoir I’ll Never Write My Memoirs was a notable book of 2015.

Jones materialized onto the dancefloors and catwalks of mid-70s New York as if dropped from a passing spaceship. Single-handedly redefining “exotic”—back in the days when that questionable term meant “non-Caucasian”—Jones brought a fierce and, for the time, shockingly confrontational androgyny to the pages of fashion glossies. Simultaneously tribal, futurist, techno and primitive, Jones and her trademark glare fairly leapt off the page, daring you to look away. Many could not, and her modeling career, launched in 1966 when she was 18, has never truly ended. Continue reading »

Apr 302018
 
best cover songs april

April was the best month for covers of the year so far. There’s no particular reason for that, I suspect. These things just ebb and flow. But the fact remains that it was a proverbial embarrassment of riches, as the length of the list below confirms.

As always, there’s no quality difference between the main picks and the honorable mentions; a cover’s categorization is only determined by how much I had to say about it. Continue reading »

Apr 172018
 
rock and roll hall of fame 2018 covers

This past weekend’s Rock and Roll Hall of Fame induction ceremony featured great performances by Bon Jovi, The Cars, and The Moody Blues. Equally worthy were the phenomenal covers highlighting both musical greats taken from us too soon – Tom Petty and Chris Cornell – and tributes to the two artists inducted posthumously, Nina Simone and Sister Rosetta Tharpe (inducted as an “Early Influence”).

We rank the three best covers below. That’s judging from the circulation YouTube footage at least; Lauryn Hill’s Nina Simone tribute may come off better when the HBO version airs next month, but the current videos are hard to watch. Continue reading »