Feb 202017
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

matt vadnais

Matthew Vadnais lives in Beloit, Wisconsin. He’s been writing for Cover Me since 2015. Of all his Cover Me essays, he especially likes his reviews of the albums paying tribute to Blind Willie Johnson, Uncle Tupelo’s No Depression, and Jason Molina.
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Nov 082016
 
ThomasJeffersonViolin

When we last did an election-themed post, we wrote “this damn election continues to never end”. That was in August of 2008. How naive we were then. As this latest round finally limps to a close today, we wanted to put together a cover-song soundtrack to take with you to the polls. To that end, we’ve compiled our 11 favorite covers of campaign theme songs.

Campaign theme songs used to be far better than they are now. Up until the 20th century, candidates would use songs written specifically for them, from James Madison’s “Huzzah for Madison, Huzzah” to James K. Polk’s “Jimmy Polk of Tennessee.” The best remembered is probably William Henry Harrison’s “Tippecanoe and Tyler Too,” a song proved more influential than his actual presidency, which lasted a month before he died in office. Sometimes these theme songs were just rewritten versions of popular songs (“Hello Dolly” becomes “Hello Lyndon”, “My Kind of Town Chicago Is” becomes “My Kind of Guy Dukakis Is”), but even still at least some effort was being made to come up with original lyrics.

Sadly, those days have ended. Now candidates choose from a handful of already-popular songs that vaguely embody their message. Hillary Clinton’s been using Katy Perry’s “Roar” a lot this time around, which Donald Trump leans on Twisted Sister’s “We’re Not Gonna Take It” after just about every other musician filed cease and desist letters (they eventually did too). No matter your politics, the move away from jolly songs about a particular candidate is a bummer. We’d definitely get behind a platform of “Make Campaign Theme Songs Great Again.”

In lieu of that, we’ve made a playlist celebrating campaign songs past and present. We could only find so many covers of the older candidate-specific songs – they don’t age well, particularly if the candidate is a loser (artists are not lining up to cover “Go with Goldwater”) – so we padded it out with some more recent campaign theme songs you might actually know. Go vote, and bring this soundtrack with you. Continue reading »

Jul 132015
 
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The A.V. Club’s Undercover series has been producing great covers for many years now with the same premise: a list of songs chosen by the staff and fans, slowly whittled down by the bands coming in to cover them. It has resulted in incredible combinations (GWAR’s version of “Carry on My Wayward Son” being the most startling) and plenty of entertainment. One of the most creative renditions of a tough cover, Chumbawamba’s “Tubthumping,” came from the stalwart experimental rockers They Might Be Giants. The Johns (singers Linnell and Flansburgh) returned to the A.V. Club recently to cover Destiny’s Child‘s “Bills, Bills, Bills.” Continue reading »

Jul 102015
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

tmbg

It’s hard to believe, but Flood, the breakthrough third album by They Might Be Giants, was released over a quarter of a century ago. Even harder to believe: John Flansburgh and John Linnell, the founders of the band, were only just getting started. They’ve since released another three dozen albums (counting compilations and live albums), won two Grammys, performed the theme songs for both Malcolm in the Middle and The Daily Show with Jon Stewart, released the very first all-MP3 album by a major-label band (1999’s Long Tall Weekend), seen three of their children’s albums go gold, and sold more than four million records. Oh, and we can’t forget their pioneering Dial-A-Song phone line.

Yes, the two Johns know their stuff – and it shouldn’t be surprising that they know their cover songs as well. One of their signature songs is “Istanbul (Not Constantinople),” and it’s a good bet many of their fans don’t know that the Four Lads sang it first, in 1953. They’re not half bad on a few others, too…
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Apr 182014
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

The Elektra label has a history of celebrating itself with various books and anthologies, but then, there’s a lot to celebrate. Started by a teenaged Jac Holzman in his dorm room in 1950, it grew into major label status while retaining an eclectic roster of musicians who were given the chance to spread their artistic wings, just as likely to reach pinnacles of cult fandom (Tim Buckley, Love) as pinnacles of worldwide success (the Doors, Queen). In 1990, Elektra celebrated its 40th anniversary by releasing Rubaiyat, a 4-LP/2-CD/2-cassette box set with a unique premise – the label’s current artists covering songs from the label’s prior artists. Rarely have such disparate musicians rubbed shoulders as they do on this release, whether on levels of dissimilarity (Tracy Chapman and Metallica – together again!) or familiarity (the Shaking Family was infinitesimally as well known as the Cure), but that was the point, and they all got together here for some fine and enlightening work.
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Jan 252013
 

A.V. Undercover from the A.V. Club has a very simple equation: 25 songs+25 artists= 25 unique covers. As each band enters the studio they choose from the remaining songs, covering them faithfully, or more often, creatively. The results speak for themselves over the years, from GWAR being stuck with Kansas‘ “Carry on My Wayward Son,” to Iron & Wine‘s version of George Michael‘s “One More Try,” to They Might Be Giants including the staff of the A.V. Club to join in on Chumbawamba‘s “Tubthumping.” Continue reading »