Feb 242017
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Ray Padgett

Ray Padgett founded Cover Me in 2007. He has a book about cover songs coming out in October (see #9 below) which you can preorder at Amazon.

For the past two weeks, our writers have been writing about the ten cover songs that matter the most to them (catch up here). I will be doing the same, but for me, the list is slightly different. I founded this site ten years ago this year, and the covers that are the most important to me double as the covers that are most important to Cover Me.

Any cover I’ve loved for the past decade has made its way to Cover Me, and many of Cover Me’s milestones became important covers to me – even ones that are basically coincidences. I don’t know how well I’d remember Lucinda Williams’ Shel Silverstein cover otherwise (though it’s worth remembering), but because premiering it was our first post of months of work re-designing and re-launching the site from scratch (RIP covermesongs.blogspot.com), it holds a special place in my heart.

So here are the songs that matter the most to me, which double as a history of this website from its inception to today. Whether you started reading us last week or last decade, thanks for you support all these years. See you in another ten.

– Ray Padgett
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Aug 062015
 
ramonesweek

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

road-to-ruin

The Ramones knew they were playing some of the best rock ‘n’ roll in the world, and by 1978, they were starting to grow aggravated about how few shared that knowledge. So, taking the if-Mohammad-won’t-come-to-the-mountain approach, they started making small concessions, in the hopes that these little changes would be the all they needed to get radio airplay. Road to Ruin, their fourth album, featured an occasional guitar solo here, an acoustic ballad there, even a couple of songs that lasted longer than three minutes. But the strain of being something other than their true selves was evident, and the record failed in its play for fame, charting outside the top 100. It shouldn’t have been a surprise – the Ramones’ reach was doomed to exceed the mainstream’s grasp – but it was a frustrating letdown all the same.

So what are we left with today when we listen to Road to Ruin? Well, it was a beat away from the first three albums – literally, as Marky Ramone had just taken over Tommy’s drum stool – and a little less cartoony. It was evident when da brudders were trying, but it was evident when they were succeeding as well. And in “I Wanna Be Sedated,” they came up with a song that has worked its way deep into popular culture. Final result: an album that can justifiably be called the fourth straight Ramones classic.
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Oct 102012
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

The importance of Neil Young‘s 1977 career retrospective Decade, released thirty-five years ago this month, cannot be overstated. It served to establish Young as a major artist in the canon of rock, and was so full of transcendent moments that it needed three albums to hold them all. It offered unreleased tracks at a time when that Just Wasn’t Done, and the quality of those tracks conveyed the impression that Young wrote so many masterpieces he could afford to keep most of them locked away. It gave real insight to the creative process, with Young’s handwritten liner notes saying more in three lines than his critics could in three paragraphs. Its summing up a career with hits, rarities, and deep cuts selected by Young himself made it a sort of Mesozoic box set, one whose template wouldn’t be followed for years but is now de rigueur. Most of all, it’s a way to get some of the greatest music of the ’60s and ’70s in one place – and since Young’s range is so great, there’s always something on it that you’re in the mood to hear. Continue reading »

Dec 092011
 

When we think back to this year, we might remember 2011 as the year that the whole concept of the “cover album” became more fluid, and not always for the better. Thanks to the increased prominence of sites like Bandcamp and Soundcloud, a cover album could be conceived, recorded, and shared in the space of a weekend. This didn’t necessarily lead to better cover albums, but it certainly led to more of them. They came in all formats – digital, CD, vinyl, and even cassette-only – and from all directions – labels, blogs, and even some magazines.

Which, we like to think, makes this list that much more helpful. In a year where the biggest single-artist cover album we got came from William Shatner, it proved a particular challenge to dig through the many obscure artists and assorted tributes and extract the gems. Gems there certainly were though, be they from newcomers making an impression with their favorite songs or old-timers honoring groups that influenced them decades ago. It may have taken a bit more work to find them, but the end result is as strong a selection as we’ve seen.

Continue to page 2 to read the list…

May 242011
 

Few albums sound as different from their predecessor than Bob Dylan’s John Wesley Harding does from Blonde On Blonde, but then the two albums were the product of very different men. The Dylan who recorded Blonde seemed on top of his game, lauded round the world as a genius and full of the narcissism and perceived invincibility that goes with that sort of attention. The Dylan of Harding, felled by a motorcycle accident in July 1966 and subsequent time out of the spotlight, had a more mature, reflective tone, aware of the brevity of life and how it could all disappear in an instant. A stark contrast to the psychedelia peddled by most major artists the year of its release, Harding caught the attention of Jimi Hendrix, who immediately recorded covers of “All Along the Watchtower” and “Drifter’s Escape.” Over the years, critics and fans have come to regard Harding as one of Dylan’s best. Continue reading »

May 242011
 

Dylan Covers A-Z presents covers of every single Bob Dylan song. View the full series here.

We began our celebrations yesterday, but today, in fact, is the big day. On May 24th, 1941, Bob Dylan was born at St. Mary’s Hospital in Duluth, Minnesota. Twenty-one years later he released his first album and ever since…well, you know.

We continue our week-long series presenting covers of every single Dylan song with “Father of Night,” one of several Dylan songs that Manfred Mann rescued from obscurity. From there we hit songs by Jeff Buckley, The White Stripes, George Harrison, and, oh, about 54 more. Hours of music, and we’re not even halfway done! Continue reading »