Apr 012019
 
best cover songs march
Amaara – House of Cards (Radiohead cover)

We just posted the 45 best Radiohead covers ever, but there’s already a 46th. Unsurprising, really, considering how much this band gets covered. The musical project of actor Kaelen Amara Ohm, Amaara took on the In Rainbows gem “House of Cards.” Her cover carries echoes of the haunting original, but with a smoother electro-ambient sheen.

Chris Anderson – Eh-Hee / Digging in the Dirt (Dave Matthews / Peter Gabriel cover)

Composer Chris Anderson draws from some pretty deep wells of music knowledge on his new Song Cycle. He covers Laurie Anderson and John Cage and Tom Waits – twice. He covers Peter Gabriel twice too, on a beautiful “Mercy Street” and more subtly here, working bits of “Digging in the Dirt” into – of all things – a gospel Dave Matthews cover. “The addition of a choir was important to me to create the feeling of a ground-swell of support,” he writes in an email. “The fact that the song is about ‘knocking the devil to his knees’ made the gospel choir a natural choice.” Continue reading »

Mar 262019
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

the zombies cover songs

Few Americans born after the decade might know it, but the British Invasion of the mid-1960s was a watershed. If it was sparked by a single musical appearance—the Beatles’ epochal performance on The Ed Sullivan Show on the evening of February 9, 1964—it was much more than a mere moment of mass hysteria. Long before there was an internet to shrink the globe down to seeming pocket size, and years before the term “underground” would become a marketing angle, the British Invasion was an atomic thunderclap, linking the youth cultures of the US and the UK and stoking what would become a global furnace of musical and cultural ferment.

The Beatles may have initiated the British Invasion, but they were far from the only game in town. The Zombies may have been one of the least-known bands of the British Invasion, but in their afterlife they would grow to become one of the best-loved.

This year, at long last, the Zombies will be inducted into the Rock & Roll Hall of Fame. Though their latter-day fame largely rests upon their final LP, Odessey and Oracle, long before its release they learned their trade the old-fashioned way: By covering other artists’ songs.
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Mar 122018
 
led zeppelin tribute concert

Last Wednesday night, City Winery and Knitting Factory founder Michael Dorf staged his 14th “Music Of” charity tribute show at Manhattan’s venerable Carnegie Hall. After similar tributes to everyone from Bruce Springsteen to R.E.M., this time the honoree was Led Zeppelin. Dorf’s formula involves bringing in a killer house band and complementing them with a mix of moderately-to-well known artists who are typically passionate about the honoree. The sold out show survived a nor’easter and it doesn’t get much better than sitting on the plush seats of the acoustically perfect hall listening to twenty great renditions from the Mighty Zep catalog.

Most of the performances have found their way to YouTube (in varying sound quality). Here’s a look at some of the highlights: Continue reading »

Dec 042017
 
2017 cover songs

Our official list of the Best Cover Songs of 2017 comes next week. But first, we’re continuing the tradition we started last year by rounding up some of the songs it most killed us to cut in a grab-bag post. No ranking, no writing, just a bunch of knockout covers. Continue reading »

Jan 122016
 

   Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

UNSPECIFIED - JANUARY 01:  Photo of Sam Cooke  (Photo by Michael Ochs Archives/Getty Images)

“Summertime,” one of the most covered songs in music history (just ask The Summertime Connection), has always inspired masterful performances. The song weaves simple yet potent lyrics with a slow, steady harmonic progression, paving the way for poised renditions, yet its strengths allow the artists to freely improvise this musical masterpiece to make it distinctly their own. Covers range from chilling and ominous to sultry and even joyous, always maintaining the song’s soulful cool. Most importantly, “Summertime”‘s depth provides a canvas for inspired artists to create breathtakingly beautiful art.
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May 132014
 

With the possible exception of Martin Scorsese, no movie director has been more closely identified with his soundtracks than Wes Anderson. He has consistently selected songs by well-known artists that, through no fault of their own, have become three-quarters forgotten over the years, and reintroduced them to the world as the classics they had always been. If someone calls a song a prime candidate for the next Wes Anderson soundtrack (Guilty!), an instant and accurate picture is created. The soundtracks show a cohesion that’s rare in these days of we-want-a-hit soundtracks, where the earmarked smash doesn’t play until the final credits have started rolling, and they have become high points in the experience of watching Anderson’s movies. Now the American Laundromat Records label has collected covers of some of those high points on I Saved Latin! A Tribute to Wes Anderson, resulting in the best tribute album of the year.
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