Dec 082017
 

Follow all our Best of 2017 coverage (along with previous year-end lists) here.

best covers albums 2017

Cover albums come and go from memory. It’s sort of inherent in the genre. When a major release comes out – a cover album by one prominent artist, or a tribute compilation by many – it tends to garner an avalanche of blog posts, then get forgotten within a year or two. Many deserve to, no doubt…but not all.

So, since we’ve been looking back a lot this year to celebrate our tenth birthday, I dug back into our previous year-end album lists. My original plan was to see which of our past #1s held up and which didn’t, but I was pleasantly surprised to find they were all still enjoyable. But many, even those that were big deals at the time, have been semi-forgotten.

So I thought, before we dive into this year’s crop, let’s remember what came before. We didn’t do a list the first couple years, but here’s every album we’ve named #1 so far, along with an excerpt of our reviews:

2009: The Lemonheads – ‘Varshons’
“Twelve songs of booze-pop genius cover both classic tunes by songwriters like Leonard Cohen (Liv Tyler guests!) and Townes Van Zandt and obscurities from July and the unfortunately-named FuckEmos.”
See that year’s full list here.

2010: Peter Gabriel – ‘Scratch My Back’
“Against all odds, Gabriel builds an orchestra-filled, indie-fied, emotion-fueled masterpiece.”
See that year’s full list here.

2011: Baaba Kulka – ‘Baaba Kulka’
“It’s a boisterous Iron Maiden celebration by a collective that may not have a metal bone in its body, but invite big grins while you sing (and dance) along with the wildest crossover album this side of Warsaw.”
See that year’s full list here.

2012: Neil Young & Crazy Horse – ‘Americana’
“When you press play the first thing that strikes you is the fuzz of the power chords, the strained bellows, the cardboard-box bashing of the drums. Neil and the Horse’s ragged glory rages so hard the source material becomes secondary.”
See that year’s full list here.

2013: Xiu Xiu – ‘Nina’
“Xiu Xiu’s Nina Simone tribute album isn’t an easy listen. It’s not necessarily an enjoyable one either. What it is though is riveting.”
See that year’s full list here.

2014: Andrew Bird – ‘Things Are Really Great Here, Sort Of…’
“In Bird’s delivery, the Handsome Family’s songs of old, weird Americana kitsch will hopefully reach listeners who might find the originals too weird.”
See that year’s full list here.

2015: Bob Dylan – ‘Shadows in the Night’
“Him releasing an album of songs associated with Frank Sinatra was no surprise at all; he’s been operating in the Ol’ Blues Eyes vein for decades now, just with a (very) different instrument.”
See that year’s full list here.

2016: Various Artists – ‘God Don’t Never Change: The Songs of Blind Willie Johnson’
“When it comes to preserving the depth and breadth of the contexts and traditions of American music that informed Blind Willie Johnson’s ecclesiastic but world-weary growl, it helps that the nine artists here…are able to handle the spiritual aspects of Johnson’s work.”
See that year’s full list here.

Okay, now that you’re all caught up – let’s see what this year holds!

– Ray Padgett, Editor-in-Chief

Start the countdown on the next page…

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Nov 252015
 

joyTo all reports, Ewan MacColl was a difficult man. It’s perhaps hard to believe that a man who could write as sensitive a song as “The First Time Ever I Saw Your Face” (for Peggy Seeger, Pete’s half-sister and MacColl’s third wife), the song made into a cross-genre standard by Roberta Flack in 1972, could be so uniformly feared and vilified, yet still admired. I guess it’s the usual case of ignoring the man and embracing the music, and this man, who arguably invented the UK folk boom of the late 1950s and early ’60s, had little interest in embracing any of the young acolytes drawn to his flame – he called Bob Dylan’s work “tenth-rate drivel.”

Born James Miller in Manchester, his life was a series of reinventions, as he became a communist rabble-rouser in his teens, then a George Bernard Shaw-admired  playwright and, in his mid-30’s, self-acclaimed champion of a fiercely curated folk idiom, wherein such modern anachronisms as make-up for women (and possibly women in general) were decried and denied, while Dylan, Paul Simon, and others of those young acolytes were freely liberating the repertoire into their own.
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