Apr 142017
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

al green

A belated happy birthday to the Reverend Al Green, who turned 71 years old yesterday. The soul giant teamed with producer Willie Mitchell on the Hi Records label to create some of the most memorable singles and albums of the early ’70s, then moved away from secular music into gospel and preaching – his Full Gospel Tabernacle Church in Memphis recently celebrated the 40th anniversary of its founding. His original songs have been covered by people up to and including the president of the United States, but today we’ll look at the holy spirit that he brought to the songs of others.
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Jun 222016
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question, in honor of the month of June: What cover song would you like to have played at your wedding?
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Feb 232016
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

ben-harper

Ben Harper is the kind of artist who’s all too easy to miss. He’s not particularly flashy. He doesn’t make headlines for terrible behavior. In fact, he does the opposite: he’s involved in several charities supporting conservation, scholarship, and feeding the hungry. These are wonderful qualities for a human being and an artist to have, but they don’t necessarily help that artist stay in the public eye. What Harper also does, however, is bring his own brand of American music to fans around the world. During his career, he’s experimented with rock, folk, gospel, blues, country, reggae, and jazz, and proved himself equally adept at them all. He’s consistently delivered quality music for over two decades. It may be easy to miss him, but once discovered, he’s impossible to forget.

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May 062014
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

There’s something extraordinarily special about NRBQ. Here’s a band that has stepped on stage a countless number of times and never involved a set-list in the process. The line-up has changed a few times over, but they’ve reliably been a band to see live. The freewheeling approach drew from many styles, all played with aplomb and a wicked sense of humor.

Founded in 1967, the name is short for New Rhythm and Blues Quartet (except when it’s Quintet). They’ve played for the Simpsons, Captain Lou Albano, and Sun Ra. No other band can say this (or would probably even want to). NRBQ is a band that many fans feel never got the recognition they deserved. But that’s what any good fan would say, and having a recording career that nets you so many hardcore fans (including Bob Dylan, Paul McCartney, and Elvis Costello, to name a few), I think they’re very appreciative of the love they’ve gotten. And it shows in their performances.
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May 172013
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

“I Want You Back” was such a perfectly written song it would have been a hit no matter who did it first (Gladys Knight & the Pips were early candidates, as was Diana Ross), but the world lucked out by discovering it through the Jackson 5. Michael Jackson, still a couple years away from his teens, delivered a vocal Dave Marsh called “just beyond belief, nuanced and knowing but at the same time, young and innocent.” Backed by a musical track that combined the sounds of Motown and Sly & the Family Stone with a double dose of sunshine, Michael and his brothers were never going to miss the target, but who knew their arrow would embed itself so deeply in the bull’s-eye?
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Oct 282011
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

In 1984 a band from Glasgow released a song that sounded like the inside of a jet engine factory, only you could hum it. The song was “Upside Down,” and it stayed on the UK indie charts for almost a year and a half. The band was The Jesus and Mary Chain, less content to push the envelope than to blow a hole through it with feedback and distortion. With their first album, Psychocandy, they made it official: here was a group that combined the squall of The Velvet Underground and the tunefulness of The Beach Boys to make torture chamber pop, producing a wall of sound that surely had Phil Spector nodding approvingly. Continue reading »