May 052011
 

This year marks the 20th anniversary of the release of the Phil Spector collection Back to Mono (1958–1969), the landmark set that compiles all of the early productions by the one-in-a-million wunderkind. Phil Spector’s abhorrent personal life and criminal history notwithstanding, the man’s influence on American music is indisputable.

So much in music circles back to this now-infamous sociopath. Music seems to channel Spector now more than ever: She and Him spearhead a resurgence of doo-wop sounds; Best Coast rebuild the Wall of Sound in fuzzier, shoegaze form; and, while it is no longer 1999, there are still millions of teenage generations to come that will have to see Top Gun and download the song all over again. So let’s celebrate the music that defined a generation and changed the landscape of popular American music forever. Here are five of the most well-known and oft-cited covers of classic Phil Spector productions. Old and new, these tracks have contributed to the ongoing resurrection of the Wall of Sound. Continue reading »

Apr 012011
 

This Week on Bandcamp rounds up our favorite covers to hit the site in the past seven days.

This week’s Bandcamp spotlight takes a somewhat unusual focus: covers of imaginary artists. Three of the featured songs come from unusual origins, to say the least. One is a song by a cartoon band, one is a song performed by a creepy character in a whacko movie, and one is the text of an online comic strip put to music. Yeah, some strange stuff. Bookending this bizarre trifecta, the other two featured covers spotlight two new free tribute EPs.

For the first time, though, we’re actually bringing you ten Bandcamp covers. Focusing our main selection on the oddball left a lot of terrific, more traditional covers by the wayside. In a week with an unusually large number of quality releases, we just didn’t have the heart to leave them behind, so find bonus covers of Huey Lewis and the News, the Fauves, Bing Crosby, Johnny Cash, and the Ronettes below the main set. Continue reading »

Mar 082011
 

Bands performing cross-genre cover experiments often risk sounding too kitschy or cute, catching your attention at first, but quickly wearing out their welcome. The more obscure the new genre, the greater the risk (anyone remember The Mike Flowers Pops?) So when a genre experiment album comes across the Cover Me desk, it’s approached with some trepidation.

Brooklyn-based band The Debutante Hour mix vaudeville and cabaret music with a healthy dose of barbershop harmonies. For their latest release, Follow Me, they recruited Franz Nicolay, former keyboardist in The Hold Steady, to produce a set of six covers, all from different musical styles and eras. With each track, the band could easily fall flat, faced with the challenge of bending and twisting a strange blend of selections to meet their needs. Continue reading »

Feb 112010
 

Five Good Covers is an occasional series in which we look at a song that has supplied a variety of cross-genre cover versions. One mark of a well-written song is versatility, so we celebrate such songs with five totally different interpretations.


Time for a new semi-regular feature: Five Good Covers. Lots of websites showcase exhaustive lists of every version the writer could find of a certain song, which is great if you want 35 covers of “Umbrella,” not so helpful if you only want the best few. Here we whittle it down, presenting only five covers of any one song. Fewer songs than you might think can support five varying but valid interpretations.

We start off with a Valentine’s Day-appropriate song: “Be My Baby,” by the Ronettes. This song is often described as the crowning accomplishment of Phil Spector’s Wall of Sound production, with Brian Wilson calling it the greatest pop record ever made. It works equally well without that million-dollar gloss.

Paranoiacs – Be My Baby


The adorable harmonies of Ronettes have been replaced by a sketchy guy in the corner of the bar assuring you your drink doesn’t taste chalky. [Buy]

Jocelyn Scofield – By My Baby


Soft piano gives a tragic twist to this cover. The singer here is probably destined to remain baby-less. [Buy]

We Are Scientists – Be My Baby


Waves of distortion cannot mask this bouncy chorus. [Buy]

Linda Ronstadt – Be My Baby


Linda veers away from her country-folk roots on this twee little nugget of adoration. [Buy]

Steve Carlson – Be My Baby


What begins as a basic acoustic jam takes on a groovy finish with some reggae-inflected riffing. [Buy]

Got an idea for a future Five Good Covers feature? Leave a comment!

Phil Spector

 Posted by at 2:08 am  No Responses »
Apr 212009
 

You’ve probably heard that last week Phil Spector was finally sentenced for second-degree murder in a verdict that surprised no one. Now sure, it’s easy to make fun of his eccentric courtroom hairstyles, but that makes it no less sad that such a man has sunk so far. Arguably the most favorite producer ever, Spector built an empire with his “Wall of Sound,” churning out hit after hit. The stories of his obsessive need for perfection in the studio are the stuff of legend, him driving artists to the brink of exhaustion to reproduce what he had in his head. Many of his classic girl group tracks are given new interpretations below, as well as some of his more surprising work doing albums like Let It Be.

Glasvegas – Be My Baby (The Ronettes)
Perhaps the quintessential Spector production, the original is a pop masterpiece. It’s been covered from everyone from John Lennon to We Are Scientists (which you can get at this Girl Groups post, with many other Spector covers), and here Scottish foursome drenches the pep in reverb, sounding like a pleading breakdown. [Buy]

Bruce Springsteen – Then She Kissed Me (The Crystals)
For the opener of one of the final shows on last year’s Magic tour, Bruce surprised everyone by doing a cover he hadn’t done since ’75, a slightly gender-altered take on the Crystals classic. Check out the stadium-sized roar when he starts singing and the crowd realizes what it is. Thirty-four years later, it hasn’t aged a bit. Speaking of Springsteen, I’m seeing him in Boston tomorrow and Wednesday. Here are two Bruce posts to celebrate. [Buy]

Frurk – Rock ‘n’ Roll High School (The Ramones)
The fact that the Ramones picked Spector to produce them for End of the Century is bizarre, and one wonders how they put up with his famous eccentricity. This song in particularly is noteworthy for the eight hours Spector had Johnny Ramone play the opening chord to get it perfect. One chord, eight hours. Listen to the original and see if it was worth it, then come back for this slowed-down lo-fi take. [Buy]

The Ramones – Baby I Love You (The Ronettes)
In a tribute to Phil Spector’s production, it’s nice to actually post a track that was produced by Spector. When Spector produced the Ramones, it seems he couldn’t resist throwing a track he produced twenty years prior at ‘em. Here he tries to navigate the difference between punk and girl groups, bringing out Joey Ramone as a real singer in the process. [Buy]

The Morning Benders – He’s a Rebel (The Crystals)
A strange fact about many of Spectors’ groups is that he held the rights to their name, so he could have recorded Donovan and called it “The Crystals” if he wanted. While he never went that far, guess who wasn’t on the Crystals’ only number one hit…the Crystals! Not wanting to wait for the group to return from touring to record this new song, Spector used Darlene Love and the Blossoms on this track. Word has it that the Crystals heard their hit on the radio one day and, needless to say, were quite confused. [Buy]

Gladys Knight and the Pips – Let It Be (The Beatles)
Trying to cover the Beatles is an idea best avoided. Unless you’re Gladys Knight, in which case you can bust the hell out of any song you please. When it begins, you might think you’re in for a reasonably by-the-numbers cover. And you would be wrong. Hold on to your eardrums, cause voices like this don’t come along every day. [Buy]

Jeff Mangum – I Love How You Love Me (The Paris Sisters)
The man behind indie legends Neutral Milk Hotel released Live at Jittery Joe’s a few years back, showcasing a concert from 1997 where through audience requests he worked through early versions of songs that would end up on In the Aeroplane Over the Sea. [Buy]

David McComb & Adam Peters – Don’t Go Home With Your Hard-On (Leonard Cohen)
Leonard Cohen doesn’t write many stupid songs, but I guess even poet gods need to let lose sometime. So enter this little instructional ditty from the Spector-produced Death of a Ladies’ Man to remind you, “You can’t melt it down in the rain.” Because apparently that’s something you might want to do. [Buy]

The Saints – River Deep Mountain High (Ike & Tina Turner)
Spector caused a stir in 2007 when during his euology for wife-beater Ike he said “Ike made Tina the jewel she was. When I went to see Ike play at the Cinegrill in the 90s…there were at least five Tina Turners on the stage performing that night, any one of them could have been Tina Turner.” He then continued by attacking Oprah for promoting Tina’s autobiography. Another sign that Phil Spector may not be the authority on how a man should treat a woman. All Covered in Punk features vintage groups covering everything from Blondie to Frank Sinatra. Here we find a brawling Saint’s b-side from ’77 resurrected in all its fuck-you glory. [Buy]

Phosphorescent – You’ve Lost That Lovin’ Feelin’ (The Righteous Brothers)
A heartbreaking live one here, the slide acoustic cracks in the voice. The mood is apparently lost on the asshole laughing in the background and I’m not sure the sing-along chorus helps the vibe. If there’s ever a studio version released of this, I want to be the first to know. [Buy]