Feb 232017
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Matts Author Photo of Me

Patrick Robbins lives in Maine. He’s been writing for Cover Me since 2011. Of all his Cover Me essays, he especially likes his John Denver tribute review and his curation of Ramones Week.

It’s been great writing and editing for Cover Me, not just because I like cover songs so much, but because it’s led me to discover so many great ones I never would have heard otherwise. My thanks to Ray for taking me on, and to all of you for reading what I have to say about my finds. Here are ten of them that I’ve made over the years, which all struck significant chords in my life for various reasons…
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May 132014
 

With the possible exception of Martin Scorsese, no movie director has been more closely identified with his soundtracks than Wes Anderson. He has consistently selected songs by well-known artists that, through no fault of their own, have become three-quarters forgotten over the years, and reintroduced them to the world as the classics they had always been. If someone calls a song a prime candidate for the next Wes Anderson soundtrack (Guilty!), an instant and accurate picture is created. The soundtracks show a cohesion that’s rare in these days of we-want-a-hit soundtracks, where the earmarked smash doesn’t play until the final credits have started rolling, and they have become high points in the experience of watching Anderson’s movies. Now the American Laundromat Records label has collected covers of some of those high points on I Saved Latin! A Tribute to Wes Anderson, resulting in the best tribute album of the year.
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Jan 102014
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Rasputina are number one in a field of one (unless you know of other steampunk cellist trios), but the territory they carved out for themselves has proven to be a touchstone for any artists who want to marry goth to chamber-pop. Melora Creager is the band’s sole constant, and she and her compatriots have been donning Victorian duds and partying like it’s 1799 for over two decades now.
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Dec 192013
 

I’m not sure there were more great cover songs this year than any other. But there were more good ones.

What I mean by that is, the average quality of the covers we come across in the time we’ve been around has risen, rather dramatically. Whether they’re iTunes homepage singles or some guy emailing us his Bandcamp, more cover songs in 2013 avoid the old pitfalls than ever before. They don’t sound like they were recorded in a cereal box, substitute ear-bleeding volume for actual creativity, or – the worst cover sin of all – try to carbon-copying the original. With the ease of production and distribution available now, artists seemed to record covers only when they felt they had something to add, and do a halfway decent job committing those ideas to 1s and 0s. Continue reading »

Nov 292013
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Where would you start the lineage of hard rock and heavy metal? Many music fans pinpoint August of 1964, when “You Really Got Me” was released into the wild; two score and nine years later, it’s only gotten wilder. Thanks to the Kinks, heavy music would never be the same.

But it should be noted that “You Really Got Me” isn’t just a blueprint for hard rock – it’s also one terrific song. Have power chords ever been used so well, before or since? Have primal urges ever been more basically, urgently, and perfectly expressed? Van Halen’s version, which is probably the best known cover, doesn’t bring much new to the table aside from some pyrotechnics, which is a shame because there’s a lot more potential in the song. But other folks have been able to show just how durable a song it is…
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Jun 142012
 

The Black Keys have been around since 2001 despite being thrust into the spotlight just a couple years ago. All the same, calling them “veterans” would seem a bit lofty when compared to, say, Iggy Pop or drummer Ginger Baker (of Cream). So you’d think the Black Keys (accomplished cover artists themselves) would be covering those guys, but a new tribute album to the Keys, Black on Blues, has it the other way around. Continue reading »