When it comes to musical taste, there’s a million shortcuts to figuring out which side of the tracks you stand on. Here’s one of the fastest: Do you like The Fall?
If the answer is “no,” you’re in good company. Of course, there’s no definitive way to tell how many people aren’t Fall fans, but statistically speaking, almost nobody likes the band’s clattering, repetitive, willfully out-of-tune, misanthropic, oblique and downright perplexing music.
But if the answer is “yes,” you’re in even better company. The Fall may represent the apex of the cult band, an aggressively obtuse art project spinning out over 40 years and a stunning number of ex-band members, mainly disgruntled ones at that. The only constant was the dark, twisted figure at its center: Mark E. Smith, who died January 24th, at the age of 60.Continue reading »
Follow all our Best of 2017 coverage (along with previous year-end lists) here.
Year-end lists are a time to look back. That’s something we’ve been doing a lot of this year.
See, we turned ten years old in 2017 – practically ancient in internet-blog terms – so we’ve indulged in what we feel is well-earned nostalgia. At the beginning of the year, each of our writers picked the ten most important covers in their life (see them here and here and here and here and here and here and here and here and here and here). We even listed the ten most important covers in Cover Me‘s life, from the song that inspired the site to our very first Best of the Year winner.
Then, to cap things off, in October we commissioned a 25-track tribute to the cover song itself – which you can still download for free. We love the covers everyone contributed so much, incidentally, that we didn’t consider them for this list. It’d be like picking favorite children – if you had 25 of ’em.
Oh, and have I mentioned I wrote a book? … What’s that you say? I mentioned that constantly? Well, I’m quite proud of it. It’s called Cover Me: The Stories Behind the Greatest Cover Songs of All Time and it makes a great Christmas gift and – ok, ok, I’ll stop. You can find plenty more about it elsewhere.
Suffice to say, there’s been a lot of looking back this year. And we hope you’ll indulge us this one last glance rearward before we leap into 2018. Because if it’s been a hell of a year for us, it’s certainly also been a hell of a year for the cover song in general. Some of this year’s list ranks among the best covers we’ve ever heard, period. So dig in, and thanks for your support this past decade.
It’s been great writing and editing for Cover Me, not just because I like cover songs so much, but because it’s led me to discover so many great ones I never would have heard otherwise. My thanks to Ray for taking me on, and to all of you for reading what I have to say about my finds. Here are ten of them that I’ve made over the years, which all struck significant chords in my life for various reasons… Continue reading »
With the possible exception of Martin Scorsese, no movie director has been more closely identified with his soundtracks than Wes Anderson. He has consistently selected songs by well-known artists that, through no fault of their own, have become three-quarters forgotten over the years, and reintroduced them to the world as the classics they had always been. If someone calls a song a prime candidate for the next Wes Anderson soundtrack (Guilty!), an instant and accurate picture is created. The soundtracks show a cohesion that’s rare in these days of we-want-a-hit soundtracks, where the earmarked smash doesn’t play until the final credits have started rolling, and they have become high points in the experience of watching Anderson’s movies. Now the American Laundromat Records label has collected covers of some of those high points on I Saved Latin! A Tribute to Wes Anderson, resulting in the best tribute album of the year. Continue reading »
Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.
Rasputina are number one in a field of one (unless you know of other steampunk cellist trios), but the territory they carved out for themselves has proven to be a touchstone for any artists who want to marry goth to chamber-pop. Melora Creager is the band’s sole constant, and she and her compatriots have been donning Victorian duds and partying like it’s 1799 for over two decades now. Continue reading »
I’m not sure there were more great cover songs this year than any other. But there were more good ones.
What I mean by that is, the average quality of the covers we come across in the time we’ve been around has risen, rather dramatically. Whether they’re iTunes homepage singles or some guy emailing us his Bandcamp, more cover songs in 2013 avoid the old pitfalls than ever before. They don’t sound like they were recorded in a cereal box, substitute ear-bleeding volume for actual creativity, or – the worst cover sin of all – try to carbon-copying the original. With the ease of production and distribution available now, artists seemed to record covers only when they felt they had something to add, and do a halfway decent job committing those ideas to 1s and 0s.Continue reading »