We just posted new U2 covers by the Killers, Nine Inch Nails, and Depeche Mode a few hours ago, so we won’t rehash the details again. Q Magazine’s Achtung Baby tribute album is out now and so are the rest of the covers. Listen to the new recordings by Snow Patrol, Patti Smith, the Fray, Glasvegas, and Gavin Friday below, then pick up the magazine and CD here.
Had he lived, tomorrow would have been Buddy Holly’s 75th birthday, and today marks the release date of the second full-length Buddy Holly tribute of the past ten weeks. Due to the proximity of the release dates, the two collections are destined to be linked together and compared. On the surface, similarities abound: both Rave On Buddy Holly (review here) and Listen To Me: Buddy Holly feature big name stars and a bevy of classic rockers. Rave On boasts Paul McCartney, Nick Lowe, Patti Smith and Lou Reed while Listen To Me offers Stevie Nicks, Brian Wilson, Jackson Browne and Ringo Starr. The differences lie in the roster of contemporary contributors. Where Rave On is stocked with indie cred, Listen To Me relies on a list of chart-topping pop stars.
Less innovative than its slightly older cousin, Listen To Me: Buddy Holly has a few oddities that tend to tarnish an otherwise pretty solid compilation. First on the list of disappointments is Linda Ronstadt’s 1976 Hasten Down The Wind version of “That’ll Be The Day.” Really? Does a 35 year-old song get a pass on an otherwise “new” collection simply because the legendary Peter Asher produced both projects? Did they think we wouldn’t notice?
Though they’ve never really dropped off the map completely, Jim Henson’s lovable Muppets seem to be enjoying something of a cultural resurgence lately. A lot of that probably has to do with the upcoming Jason Segel/Amy Adams film simply called The Muppets, as well as the fact that many people who enjoyed the characters as kids are now coming to the age where it’s acceptable, even desirable, to embrace their childhood loves again.
You can add The Green Album to the list of cultural artifacts presaging the return of these creatures to full-on popularity. The record’s aimed exactly at the people described above, who in the years between their childhood and now have cultivated “cool” tastes, of which the Muppets have become a part. One look at the pedigree of bands and artists contributing to this compilation can’t help but impress — Weezer, My Morning Jacket, Andrew Bird and the rest all stand in the upper echelons of their respective fields, and it’s rare that any kind of tribute album could cull such noteworthy acts together.
Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!
Kanye West’s 808s & Heartbreak was universally derided upon its 2008 release. Following three critically-acclaimed rap albums, a heart-on-sleeve pop album by a guy who clearly could barely carry a tune proved dead on arrival. The fact that he masked his vocal deficiencies with Auto-Tune at the very height of the anti-Auto-Tune fervor made 808s a particularly easy target.
Three years later, though, people look back on the album more fondly. 808s clearly played a role in shaping West’s undisputed masterpiece My Beautiful Dark Twisted Fantasy, so even the holdouts reluctantly credit the album as a stepping stone to greatness. More generous types recognize, however belatedly, that West perversely used Auto-Tune to make his music more human, not less.
One fact has remained consistent, though, and that is that this album lends itself to covers better than any other Kanye album. The reason is clear – covering a pop song is much easier than covering a hip-hop song. The preponderance of “Love Lockdown”s alone could keep a cover blog going for weeks. Below, then, we present covers of every song off 808s and Heartbreak. No other Kanye West album would be remotely feasible – where the “New Workout Plan” covers at? – but this one proved a cinch. Auto-Tune not included.
Sorry I have been M.I.A. for the past few weeks. I have actually been in the hospital, since apparently 22 is the new 78. Lots of backlogged posting to get caught up on, so keep an eye here over the next week for some stuff, including the long-awaited debut of derpferdheisshorst’s “Ziggy Stardust” cover.
In honor of my days as the youngest person in the cardiac ward, this week’s theme is hearts. The medical accuracy of some of these songs may be suspect, but the sentiment rarely is.
Amilia K. Spicer – Only Love Can Break Your Heart (Neil Young)
Hey Neil, fun medical fact: plenty of things besides love can break your heart. Myocarditis, for instance. A quick wikipedia search leads me to recomment the following title change: “Only Coronary Heart Disease, Cardiomyopathy, Cardiovascular Disease, Ischaemic Heart Disease, Heart Failure, and Hypertensive, Inflammatory, and Valvular Heart Diseases Can Break Your Heart.” Someone tell Ms. Spicer. [Buy]
The Fray – Heartless (Kanye West)
I’m one of the few defenders Kanye’s recent album has. Sure, the autotune gets annoying eventually, but tracks like this and “Love Lockdown” are classic pop singles. Check out his recent video with Rihanna for more gayfish action. [Buy]
Jesse Malin – Hungry Heart (Bruce Springsteen)
Like many of Bruce’s hits, the deceptive pop hooks of this one covered up the darker lyrics (another example: “Dancing In the Dark”). Fellow Jersey boy Malin’s slower fuzz-acoustic takes no such pains to disguise the sadness. [Buy]
Don Henley – Searching For a Heart (Warren Zevon)
I realize most of you don’t want to hear about my medical history, but given that the theme of this post is entirely self-indulgent to begin with, allow me to point out that at one point that least week the doctors were literally searching for a heart to replace my own. Luckily it didn’t come to that, but that changes the whole song’s meaning for me. [Buy]
Tom Waits – Young at Heart (Frank Sinatra)
With music by Johnny Richards and lyrics by Carolyn Leigh, this pop standard is most often associate with Ol’ Blue Eyes. Tom’s deadbeat dog take blends country with gutter, an interesting interpretation from a guy’s who’s always professed to be old at heart. [Buy]
Guy Davis – Sweetheart Like You (Bob Dylan)
A Nod to Bob has to be one of my favorite cover compilations ever, not least because of this accordion-led blues gem of one of Dylan’s lesser-known pieces of misogyny. [Buy]
Novemthree – Un-Break My Heart (Toni Braxton)
The ‘80s always gets flak for being a terrible decade for popular music, but those songs were at least fun! In my book the ‘90s beats it for general awfulness (in other news, Third Eye Blind has a new album). Whether you agree or not, indulge in a little nostalgia with the free Roaring Nineties covers compilation over at CCLCT. [Buy]
We Versus the Shark – Dummy Discards a Heart (Deerhoof)
Spastic and punky, the flailing horns propel this blaring quickie through the root. Murmurmur has loads of rocking covers from these guys, including looks at Radiohead and Ben Folds Five. [Buy]
Lydia Lunch and Nels Cline – Heartattack and Vine (Tom Waits)
Slow grunge-blues backed by pounding drums and pre-Wilco Cline letting loose squalls of guitar shriek whenever he gets the opportunity. [Buy]
Blues Magoos – Heartbreak Hotel (Elvis Presley)
Barelling barroom piano slams throughout this wail of a tune, wringing more emotion out of these simple lyrics than even the King himself. [Buy]