Every year, I do a big anniversary post tackling the best covers of a year before Cover Me was born. So far we’ve done 1969 (in 2019), 1978 (in 2018), 1987 (in 2017), and 1996 (in 2016). And in 2020 we circle back to the not-so-distant past with the most recent year yet: 2000.
Cover Me began in 2007 and we did our first year-end list in 2008, so 2000 isn’t that long before we were following this stuff in real time. But, in music eras, 2007 and 2000 seem eons apart. 2000 was nü-metal and Napster, Smash Mouth and the ska revival. Beyoncé was in the quartet Destiny’s Child; Justin Timberlake only had a one-in-five chance of being your favorite member of N’Sync (or maybe one-in-four…sorry Joey). By the time this site started seven years later, all this seemed like ancient history.
There were a lot of extremely prominent covers in 2000. “Prominent,” of course, doesn’t necessarily meaning “good.” This was the year that Madonna covered “American Pie” (not to be outdone, Britney Spears then took a stab at “Satisfaction”). It was the year a Jim Carrey movie soundtrack inexplicably asked bands like Smash Mouth and Brian Setzer Orchestra to cover Steely Dan. It was the year of “Who Let the Dogs Out?” Bet you didn’t even know that one was a cover (unless you’re a faithful Cover Me reader).
None of those are on this list (though, if you want more dated trainwrecks like those, stay tuned Monday for a bonus list I’m calling the “The Most Extremely ‘2000’ Covers of the Year 2000”). But 2000 offered a wealth of wonderful covers, often flying just under the mainstream radar. Some of them still seem of the time – anything ska, basically – but most could have come out decades earlier. Or yesterday.
YouTube was still a few years away, as was streaming more generally, so covers still mostly came out through “traditional” avenues: on albums, as the b-sides to singles, etc. As I wrote in my new book, tribute albums were big business by this time too, which means that many 2000 covers emerged through that format. Even narrowing this list down to 50 was hard, which is why Cover Me’s Patreon supporters will get a batch of 150 Honorable Mentions.
Check out the list starting on Page 2, and stay tuned for the best covers of this year coming in December.
The list begins on Page 2.
What a strange and contrary man Evan Dando seems to be. Liked and lauded beyond any reasonable appraisal of the breadth of his output, nonetheless he seems a decent enough dude as to get away with it. Yes, he has written some great material, he has an agreeable voice and an extensive taste in cover versions. He’s also written a lot of filler and chosen strange songs to interpret. All in that agreeable voice, a slightly bruised tenor. Moreover, there is the dichotomy between his live persona and his studio self. His later records suggest an acoustic troubadour, plugging in to widen his listeners palate, yet live he turns it all up to 11, chucking everything at the audience at once, good, bad and indifferent, hoping enough sticks, appearing either not really to care or to notice.